THE HAT from Stories for Nighttime and Some for the Day by Ben Loory.
"THE YOUNG MAN HAS NEVER BEEN AFRAID OF HATS before.."
https://www.instagram.com/p/CgmCFiyu0oH/?utm_source=ig_web_copy_link
THE WELL from Stories for Nighttime and Some for the Day by Ben Loory.
"But there is no way up. There is no way up. There is no way up. There is no way up. There is no way up. "
#dailydrawing #ink #benloory @benloory #nowayup #well #flyalready
Inspired by Stephen Gammell and Scary Stories to Tell in The Dark.
1. Graphite Powder
2. Charcoal
3. Charcoal Powder
4. Kneaded Eraser
5. Electric Eraser
For any of you missing the outdoors: Picture yourself sitting on the edge of the lake, dipping your toes in the cool water. Feel the wind whisk around you as the sun goes down. You can hear the birds chirping as they settle in for the night. And if you listen close enough, you can hear the old pines whispering tales and stories of the forest long ago. :)
Artwork on paper. Pen, graphic pen, coffee and watercolor. Part of the Hybrid Mythologies series. Inspired by different mythologies and stories, this series is an intuitive exploration and associative drawing project with multiplicities of scenes inside each other.
And the 5th.
The lady at the left is a Scottish version of a vampire a Baobhan sith. They look almost like normal human women but have deer hoofs. They are allocated with faries so they are weak to iron.
Since they are women they love to prey on men. Interestingly enough in most stories men who are willing to cheat on their wife well.
The other two are Duke and Missi. They both belong to ChibiDonDC aka Daria Cohen.
https://www.youtube.com/channel/UCV2Q52sQybDj3IJV_gz3WVQ
So yeah this is fanart too ^^" Please respect Daria's work and do not use it for any commercial stuff- rather support her-
Currently reading ‘Nina Simone’s Gum’ by Warren Ellis at long last. What a phenomenal bit of work this is, and inspiring to boot most importantly as you can see. Thanks for sharing your stories with us all Warren!
Did your cat do this during the pandemic? I have read the stories online! It's a T.P. massacre here for sure! R.I.P. T.P.! Check out the rest of my Inktober posts on IG: @dittofunkysketch123 :D And now I have some of these illustrations on teepublic! Search under 'sketchcadet'! :D
Done 2022 with lead pencils on 11x17 strathmore drawingl paper. just wanted to draw some image with some story to it cuz usually my drawing do not look like it has stories. Original art is up for sale $60 USD (shipping fee will apply) email me jungmeister4@yahoo.com. This prequel, it is revealed that the Cârța Monastery was built somewhere in Romania by a duke centuries ago. Becoming obsessed with dark magic and Satanism, the Duke attempts to summon a demonic force from the catacombs only to be killed by the members of the Vatican who then sealed the rift with the Blood of Christ. Hundreds of years later, the monastery was bombed heavily during the events of World War II, releasing the same evil spirit from its imprisonment. The demon had since taken the form of a nun as a means of blending with the other nuns as well as to mock their faith. Throughout the years, nuns continuously prayed in communion to combat the evil, but in vain as the demonic entity walked freely around the monastery all nights, in the form of a nun to mock their faith.
In 1952, Valak had slain several of the nuns, leaving only two survivors. Sister Victoria, with a key in hand, commits suicide in order to prevent Valak from claiming her as a host. Sometime after her death, the Vatican tasks Burke and Sister Irene to investigate. Valak manipulates the characters throughout the film ranging from creating mass illusions with the ghosts of the slain nuns to weaken Sister Irene and tormenting Father Burke by taking the form of a young boy who had died from a botched exorcism at his hands. Valak then buries Father Burke alive before luring Sister Irene to become possessed. When the catacombs began to flood, Valak tries to strangle Sister Irene to death. While inspecting her for any vital signs, Sister Irene spits the Blood of Christ onto Valak, burning it severely. The rift is then resealed. However, this would prove to not be the end of the Demon Nun as when the group was leaving, Frenchie, a French Canadian otherwise known as Maurice is revealed to have an inverse cross branded on the back of his neck. This segues to the original Conjuring film during a lesson the Warrens were giving about demonic possession. Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calaneder. https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
I have had an ongoing project called Hybrid Mythologies. Inspired by stories and mythological creatures, tales from different traditions and parts of the world, I have been playing with emergent stories, characters and creatures that incorporate different elements. It is really a kind of spontaneous, intuitive journey and play of associations - oftentimes surprising to myself in what emerges. This year I am planning to publish an artbook entitled Hybrid Mythologies and if it all goes according to plan, it should be done some time in May. I will post process from this book.
Done 2017 with lead pencils on 11x17 bristol paper. just wanted to draw some image with some story to it cuz usually my drawing do not look like it has stories. Original art is up for sale $60 USD (shipping fee will apply) email me jungmeister4@yahoo.com
Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calaneder.
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
Shallow, emptiness, do you feel it, while watching your screen? A Serie of dark characters and different stories I'm working on. This is the first one.
I AM DIEING OF CUTENESS ❤️❤️❤️❤️❤️❤️❤️❤️ this took me yester day and today so here its done The stories are in progress so be patient for a bit pls :3 but thank you every one for support with the likes and comments I RLLY LOVE U ALL
free spots only sixteen people that comment who wants it for boys and girls UmU i got this from google but who wants this for a spot UnU ill do more of these to :3 so dont worry! but im still working on the stories -w-
A beautiful stylish woman reading a book outside beside a brown coloured mountain. Use your imagination. Originals downloads sold elsewhere and anyone selling these is liable to prosecution for art theft and illegal art dealing. By the way, if it doesn’t say your name on the description its obviously not you! Busy with new things that don’t include your name sorry it not you! She actually is reading literature fiction in particular and most definitely not newspapers..! No Stalkers from ‘downstairs’ please. You are not part of the picture sorry! Well, Life goes on get over it because I had two angry men stalkers walking behind me too close the other day dressed in red and black trying to bully me on the street. These people understand nothing about art and are illegal hackers and they pretend to be offering employment possibly part of the same company that I mentioned earlier. Haha! no one replied to their offer! If they bother you too freely report them. They could be one here pretending to be artists and bullying people. Don’t give negativity a chance! And I will keep reposting this picture without this negativity at the mosh pit ‘bottom’. Interesting stories to accompany my very beautiful illustrations. Interested in buying? Even better! I am still smiling!
Pen and ink drawing. This was the original which I reworked digitally for an EP cover, business card and sticker. Search up Three Word Stories band if you want to see the final artwork... (I may upload it here at some point ;))
An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
Draped in delicate pencil strokes, this artwork elegantly portrays a historic city gate, standing as a timeless sentry to myriad untold stories. Each shaded contour brings forth the intricate details of the gate's architecture, echoing the urban landscape of a bygone era. The deft use of monochrome evokes a nostalgic journey through the annals of time, where every shadow and highlight adds to the depth and texture of this piece. This mesmerizing blend of artistry and history invites viewers to step into the past and embrace the serene splendor of the city's storied gateway.
