Charcoal and graphite. I drew this while standing in the woods for over an hour. The light kept changing as the sun was going down. Fortunately, I was able to capture some dramatic shadows!
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
I love the Blade Runner films and the new one had such awesome weird lighting that I had to draw Luv at least once. So here is the crazy psychotic android. Done with a mix of hard and soft pastel.
A suit I designed for a fantasy SWAT (TSWATT, or the Taured Special Weapons And Tactics Team). They have wings which can fold into themselves, so far that they cannot be seen unless you look behind the back. They have special long fall boots (sort of like the ones from Portal) that allow them to fall from great heights. They have special glass goggles that act as sort of a VR set, in which they can see through smoke and walls if the area they are in is mapped out. The little orange thing on their chest records everything they witness. Drawn with FireAlpaca.
Watercolor This was drastically different from my usual stuff and lots of fun. I’m thinking of painting a few more cards to match in the same style but featuring different scenes. We shall see what pops out of my brush
I finished it. I thought of this while listening to “Shadows of Mouldwood” from the “Ori and the Will of the Wisps” soundtrack. It’s a protector. Not the good kind. Don’t tell him about the kids that bully you, or the teacher that made you stay after school, or how your father beat you with his belt. When he asks you what you need, just tell him, very politely, you don’t need any help, and make sure you do it convincingly. Because he really wants to help.
The very first digital retelling of the pizzeria layout of "Zero Days Until the Party". I'm really considering making my own fangame of FNaF. I just think it'd be really cool to get Dawko to play a game that I made. I'm not sure if this counts as a drawing, but... I didn't really have anything else to post. Drawn with Piskel. There will be 9 animatronics.
I have long been fascinated by the vision of a campfire in a dark forest and I have drawn a few versions of it with different results. This is the latest attempt
I did this for a Skillshare class. It’s about how giants feel overwhelming but that there is victory in Jesus. I wanted the problem to look impossible and big but show that she knows that God will be enough for her to overcome. It encourages me sometimes to make stuff like this.
An art trade with a friend. We suggested songs to each other, and then picked one suggested from the other to draw in visual form. I chose "Spaceships" by "The Rentals"
The fruit is good for nothing.
 frúcta não vôs ôu lhe serve.
"English as She is Spoke" by Jose da Fonseca and Pedro Carolina.
I adore "Rejected" cartoon by Don Hertzfeldt. I am sure you have all seen it, but if not, look it up. And thank me later. Unless you hate it. Then thank me anyway for broadening your taste.
