An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
In wanting to get active with my fellow doodler community, I wanted to stop in and introduce myself. My name is Dalton Stark, I live in Texas, and i'm a doodle addict, and an advocate for the possibility of anything. For me, doodling is my purest state of being human. My sketchbooks are a very sacred place for me to practice this expressive and arcane form of imagination meditation, which I'm always trying to find more excuses to spend more time in. It is to me, all about intuition, making discoveries, surprising yourself, having fun and maybe even making yourself and others smile or laugh sometimes. I look forward to being a part of this beautiful inky ecosystem with y'all, here are some very secret sketchbook spreads.
Doodle piano by Cédric la touffe. Superforma and The Silo asked me to customize the old piano that was outside at the silo. I first started during the concerts of 10lec6, Loire Valley Valypsos, The Green box and Ineige then finished at Silo after 22 hours of work.
This painting is a technique I enjoy mostly because I see figures in the ordinary and draw them out from what I see in abstract backgrounds I paint. In it you see a group of people enjoying time together. I used Acrylics on Aquaboard, a surface especially made for many layers of wet media.
deep in thought and under attack from extra terrestrial beings that are harvesting his mind. with added tape on nipple to protect his dignity and censorship. ( although its a man nipple so it should be ok )
These illustrations are part of an ongoing series on anxiety I started in early April 2018, as part of #The100DayProject. (See @helloanxiety_illustrated on Instagram to see more complete stories of each individual). This project is an extension of the fear illustrations I've been creating since 2012 (www.fear-illustrated).
This is one of my daily contributes to the 100 days project. I am doodling over a fashion magazine and documenting my journey on Instagram. Anyone of you are participating to this challenge?
