truth

the truth is out there

Inktober 2017 "Sword" submission

No more expensive seminars or tedious books from feel good money hungry hucksters. No more scaling dangerous mountains to gain audience with bony little unshaven gurus. Now, a new level of advice is available with no more effort than a few totally free swipes of your hand. Go to The Jim. Truth for the people.

Sometimes I just need to vent. This is my sarcastic take on our fallible humanity and one of my ways of dealing with absurdity. My therapy.

55 mins “I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.

"Parts Unknown," Acrylic on Canvas, 18x24 Some actions we will never know the reason behind, and, quite honestly, we don't always need to know the answer. Anthony Bourdain committed suicide on June 8th, 2018, news that was shocking for most to hear. People continue to speculate what could have caused him to commit suicide, some feel he had more to do, to say before he died. Personally, I find there's some feeling of closure or completeness to his death. I don't know what the feeling is exactly, but it's there. It feels like he left on his own terms, decided it was time. I wouldn't consider his death as him waving a white flag to addiction and depression. He said his shows were intended to tell other's stories, tell them frankly and truthfully. It's interesting how blunt and honest he could seem to be about himself, though he kept so many layers held within. Although we'd love to have a clear cut answer, explanation, reason, what would knowing that information change?

Title: Windows to the Soul Medium: Ink on sketch Book Paper Size: 10” X 14” Year: 01/09/2020 This Illustration is a pulmonary design/study for a future painting. Theme was born from a poem I wrote a couple years ago, by the same title. The main massage is that Christians are to be windows that Jesus Christs can shine His light of, Love, truth, mercy, salvation, hope, new life, in to a darkened world by the power of sin. The power of sin is what subjects all creation under destruction, suffer, death, decay. The Devil, and countless fallen angel use these tools to destroy the human race. Christians Have victory, through faith in Christ, from being a salves to sin, they have obtain adoption into God’s family, and removed from the coming damnation that is for the rebellious angels and the humans. Christian still are still temped to commit sin, and still make bad choices. Christian’s sin, hinder their effectiveness to be a witnesses for God’s kingdom, their short comings are like black drapes, that hang in a widow, that hinder the sunlight from brightening and warming a dark cold room. The massage communicated by symbolism The stair well leading down with the railing around it: The railing: The 3 petal flower is a Keltic symbol for the trinity of God. The railing around the stair well: Represents, God’s desire that none should perish but to repent. It also represents that people go to hell by their own choice, through their deliberate rebellious living against God. No ne accidently end up on the wrong side of the railroad tracks. The Stairs going down: Represents sinful humanity that is separated from a holy God. Without a spiritual intervention, we all have one destination that is the lake of fire, which is the finale judgement for sin. The open glass pane door: Represents God wants humanity to except his invitation to commune with Him, receive the new life He offers to provide for them. The stair case without railings: Represents the path to TheHeaven, which must me travailed by faith. The partly open drapes hanging in the Picture widow. Represent sin that try to prevent the light of truth to penetrate the darkness of deception. The railing with the fishes and crosses: This represent the Heavenly destination of Christian. It also stand for Christian being God’s Life guard. While living in the world, their mission is to take the salvation message into all the world. The second Floor open door, the entrance filled with light: This represents the entrance to Heaven. The globe sculpture represents a world needing to be repossessed, from the power of the curse of sin. By the hand of God, it will made new, absent of rebellious angel and humans. Absent from destruction, suffering, death, decay. Stephen J. Vattimo 1/10/2020

"Love is patient, love is kind. It is not jealous, love is not pompous, it is not inflated, it is not rude, it does not seek its own interests, it is not quick-tempered, it does not brood over injury, it does not rejoice over wrongdoing but rejoices with the truth. It bears all things, believes all things, hopes all things, endures all things.” 1 Corinthians 13:4-7 (NABRE)

Done 2022. This is my latest artwork so far as i have 2 color pencil ARTS in the making. with lead pencil on 9x12 bristol original up for sale $45+s/h . if interested leave a comment or jungmeister4@yahoo.com. ALSO THERE IS STORY TO THIS DEVIL'S TREE AND IT IS REAL STORY. DO NOT SCARED AS YOU READING YOU WILL BE OK. This is one sinister looking tree, and according to the locals, who told us of its legends, everyone in the vicinity of Bernards Township seems to have a story about it. They say that at one time a farmer killed his entire family, then went to the tree to hang himself. According to some, numerous suicides and murders occurred around the evil arbor. Supposedly anyone who tries to cut down the tree comes to an untimely end, as it is now cursed. It is said that the souls of those killed at the spot give the tree an unnatural warmth, and even in the dead of winter no snow will fall around it. When Weird NJ visited the Devil’s Tree we noticed evidence that many attempts had been made over the years to fell the unholy oak, but all have failed. The tree stands all alone in the middle of a large field off Mountain Road. Its trunk has been severely scared by axes and chain saws, some wounds appearing to be quite old. Why no one has yet been successful in toppling the timber we cannot say for sure. Nor do we know what has become of those who have tried. One Weird NJ reader described the Devil’s Tree to us this way: There’s a big field and right near the road is the tree. It’s the only thing in the field. Supposedly it’s a portal to hell and a sentinel guards it. He drives an old black Ford or pick-up truck and will chase you down the road until a certain point. You will see headlights one second, and the next nothing – the car is just gone. Another local told us that the inherent unholiness of the Devil’s Tree is the result of the evil that men do, and should not to be blamed on the Devil. Devil’s Tree is a KKK Hangout There is a very evil truth to the mythology of the Devil’s Tree. At one time, Bernards Township was one of the central headquarters of the KKK in New Jersey – they held many demonstrations in our town and held many meetings throughout the hills. As per KKK policy, often they would lynch local African-Americans to set an example, not only to other African-Americans, but also as an example of their principles and resolve. The Devil’s Tree was more secluded in those times before the developments spread across the rural countryside like a blight. It stood in a very isolated area of woods and fields, far from the prying eyes of the police. The evil energy around the tree comes from the souls of dead men and women who were killed by this vile organization. If you look at the tree you can see the left most branch extends almost parallel to the ground. This was the hanging branch. Pretty freaky and true stuff. To freak ourselves out, sometimes my friends and I would drive down the road at night telling ghost stories. When the moon is a full red harvest moon, and the wind is blowing just right, it looks like there might be bodies hanging from the branch, slowly swaying in the breeze.” –Rob S. One of our readers reported that at times there have been bodies seen hanging from that branch, though they turned out to be merely uniformed dummies of rival high school football players hung in effigy by the local home team. The Devil’s Tree Will Break You At the time of our arrival to the Devil’s Tree, there was a six foot noose hanging from the big branch, which extends out of one side. We noticed what looked like claw marks from a person or very large animal. To get a better view, myself and a friend climbed the tree to see if any unique marks were further up. After we climbed up, we were sitting on the branch trying to remove the noose. As we sat on the branch, we began to hear noises coming from inside the tree. When these noises grew even louder, a big bang sounded and a burst of energy came from the tree sending myself and my friend flying into the air. When I crashed to the ground, I landed on my ankle, breaking it in 2 places. –Steve K. The Devil’s Tree and Heat Rock Right next to the Devil’s Tree, there is a rock. It is very warm. Some people call it Heat Rock. People say it is the gate to hell. –Elmo M. No Snow at the Devil’s Tree We went to the Devil’s Tree in December when the ground was snow-covered. However, an eight by twelve foot circle of ground around the tree was totally bone dry. Later, when we were driving home, one of our friends thought he was cool because he took a piece of bark off of the tree and had it on him in the car. We pulled the car over, yelled at him, and made him throw it out the window! –Damian The Mark of the Devil My friends and I went up to the Devil’s Tree one night and got out of the car and touched the it. Afterward we went to Applebee’s to get something to eat and everyone that was sitting at the table suddenly had all of our hands turn black! We don’t know why, but it took us two and a half hours to get the blackness off of our hands! –Melissa C. The Children of the Tree We have all heard the story of not messing with Devil’s Tree, so we were smart and didn’t mock the tree. We went right next to the tree, and put our ears next to the bark. We heard sounds of screaming and children playing. –Matt W. A Shocking Experience I went up to the Devil’s Tree this past mischief night with two of my friends (both of whom were girls). I just wanted to scare them. I told them all the stories and tall tales that went along with it. I parked the car and proceeded to get out and walk to the tree. I got within arms distance and reached out and touched it as I had many times before… it’s kind of like a ritual I have. When I placed my hand on the tree, a single strike of lightning illuminated the sky. I don’t know what caused it to happen, but when I touched the tree, the lightning struck, and when I took my hand off, the lightning disappeared. It could’ve been coincidence, or could have been paranormal proof of the legend’s truth. Either way I thought it was cool and it scares the hell out of me now. –Brian D. Don’t Pee on the Devil’s Tree! I am reminded of an incident which occurred about 8 years back, when I was in high school, concerning the Devil’s Tree. We had all heard the legend of this infamous spot and there was much talk of it around my school. One night, my friends and I decided to pay it a visit and see for ourselves how true the legends were. We headed out and came upon the tree. We all began to have very bad feelings and decided to scrap our idea of actually getting out of the car and approaching the scene. We turned around and left without incident. About a week or so later, the talk of the tree began to escalate and one of the kids in the popular crowd began saying that it was all a bunch of bullshit. A few days later, his mind would be changed forever. This guy and a carload of other rowdy types decided to go up to see the tree that weekend. On Friday night, they began their journey up the mountain to see what it was all about. A friend of mine was in that car, and his story is as follows. Apparently, after cruising back and forth several times, the kids were getting bad vibes and wanted to leave. The kid who was driving, and who was the one proclaiming in school that the story was bullshit became angry at the “wimps” for having bad feelings. He stated to his friends that he was going to prove once and for all that the story was nothing and that he wasn’t fazed by it. He pulled his car over on the side of the road, right before the bend and got out. Marching up to the tree, he began yelling challenges to the so-called spirits. Nothing happened, so to further prove his fearlessness, he pulled down his pants and urinated all over the base of the tree. Still, nothing happened. He muttered an “I told you so” and got back into the car. After starting the car, he began to drive towards the bend in the road slowly. Suddenly, without warning, the gas pedal of the car became floored and the car sped up all by itself. Surprised at what was happening, the guy was unable to control the car and it skidded out and collided into a tree. The kids in the car sustained minor injuries but the car was totaled. I showed the stories of the Devil’s Tree featured in your magazines to my sister. As I read the tales aloud she became very pale when I got the part about the headlights which follow you then go out suddenly. I asked her what was wrong and she replied, “Oh my God – I went up there about a year ago and got chased out by the same black pick-up truck. It was severely tailgating me and when we got a short distance away, the lights were just suddenly gone.” She and I have never gone back since then. I am open for commission using color pencil or lead pencil for original artwork of subject matters such as Sci-fi, Fantasy, Horror, Comics, Fanart, NSFW, Surreal art, Whimsical art, Abstract art, and Tattoo designs. Sizes range from 8.5x11, 9x12, 11x14, 11x17. The Commission rate starts from $20 and up. if interested leave a comment or jungmeister4@yahoo.com MY CALENDAR FOR SALE: https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar

The truth is out there...

Fun colour health animals truth

The Nornwan: World Of Wonder series has always had Adventure Time at its inspired heart. I just figured I'd finally make this and practice a little imitation of one of my favorite art styles, tell you the truth, I used to hate Adventure Time, I used to think it was too simple, and even dumb, but after a few years and a little convincing, I got into it. And I've had a happier life ever since. Thank you.

Truth be told this was a Pinterst try, so its very much inspired by a lovely piece of artwork that want mine, I only tired to imitate the overall thing

The concept for this painting started as a design for a pumpkin carving contest. I felt the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. I tried to keep the design simple, because the carving event is both timed and live. You must create your masterpiece on the pumpkin they provide, on their location, Infront of live spectators. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems (color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 Evolution of the design of this painting. I believe God through His Holy Spirit guided me to change the crosses on the two pillars, one on each side of the doors. Instead of these windows being fill with darkness, which would represent death by crucifixion, which Jesus endured for humanity, that who so ever is willing may be delivered from the power of sin and be adopted by God to become a member of His family. I was inspired to put light in both cross windows. The cross window on the side the open door, with the grape vines on it, the light matches the color of the light that is coming out the windows of Icons shapes representing the ministry of tri union God. The color I used is a bright firry orang yellowing color. For the bible says God is a consuming fire. The cross windows on the side of door with the flower on it, I used the color greenish yellow lite; to represent a false light, the bible call it a form of Godliness without power. Who so ever tries to approach God another way, than the path God has ordained. They will not be received. The Devil distorts the truth, to lead many to their demise. The only way to know the difference between truth and fallacy, is to study God’s word. Written by Stephen J. Vattimo August 7,2024

Sower and the Seed This painting illustrates the parable “The Sower and the Seed,” a teaching of Jesus recorded in the book of Matthew chapter 13. The four hearts in the sky represent four different responses of those who hear the Gospel message. The heart on the lower left represents those who have heard the gospel but reject it. The devil then comes and takes it away from their hearts. This is illustrated by the crows flying away with the seed that fell on the road side. The second heart on the upper left side of the sky represents those who receive the gospel message with joy, but it doesn’t take root in their faith, and their faith is temporal, falling away when trials or affliction come their way because of the gospel. This is illustrated by a grape vine withering away in the heat of the day due to a lack of a deep root system. The heart in the upper right corner of the sky represents those who received the gospel and believe, but the worries of the world, and the deceitfulness of riches, choke the word, and it becomes unfruitful. This is illustrated by the grapevine being choked out by a purple, flower-bearing, climbing, strangling vine called, morning glory. These vines produce pretty flowers, but they are an organic farmer’s enemy because they will choke out his crops. I learned this firsthand in organic farming when I was a missionary for a couple of summers. The heart in the lower right corner of the sky represents those who hear, believe, and are committed to living for the gospel, so they produce much fruit. This is illustrated by a healthy, strong, fruit-bearing grapevine. The tilled field represents the world that God has prepared to receive the Gospel message. The sower represents all Christians that are commanded to go into the world and proclaim the gospel message. The seed being thrown by the sower represents the gospel message going out to the world. The seed bag has written on it, “The Word Seed Co.” (October 28, 2017)

“The truth of it is, if you paint or draw what really interests you, you’re going to do a good job of it, and hopefully that’s what I do.” - Jim Moir.

colour, fun, health

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

Acrylic on Canson paper. I had in my mind this idea about the truth and knowledge and I try to paint it.

DONE 2023 WITH LEAD PENCIL ON 11X17 STRATHMORE DRAWING PAPER. ORIGINAL FOR SALE $100+S/H. IF INTERESTED DM me or artgod1974@gmail.com i ALSO HAVE NEW COLOR ART BOOK OF MINE UP FOR SALE GO TO THE LINK TO PURCHASE https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Books&CPID=1133 Dignity blooms on the branches of morality., ethnics, and respect for humanity. It is reflected in courtesy, good manners, and love for all regardless of race, ethnicity, or religion. Our public conduct should reflect our private selves, our manners should spring from our hearts. To be courteous costs us nothing, but buys us everything. Morality is based on ethics. We should not devalue and undermine others. It is important to preserve and honor each other's dignity if we are to promote a harmonious society. We all wish to have dignity and respect, but often we do so little to obtain it. We can be natural and truthful, real and genuine. We must treat others as we wish to be treated. If we approach someone else's anger with calmness and courtesy, we can often help diffuse that anger and foster cooperation. With sweet words we can lead an elephant by a hair. Dignity also requires that we be truthful, humble, gracious and temperate. Those who lie, cheat, steal, and abuse alcohol and drugs lose all dignity; those who are honest, work hard, and respect themselves and others gain it. Such person can walk with their heads held high. Losing one's wealth is nothing nothing compared with losing one's dignity. The whole measure of excellence is moderation. We can maintain strong morals, high standards, and a great respect and honesty. Truth cannot be buried; truth can set us free. Truth elevates our spirit, softens our souls. Truth is the mother of virtue. Our pride and our shame turn us into liars. We must resist and work hard to maintain our dignity, or regain it once it's been lost. We owe it to ourselves to have happy life, enriched with dignity, respect and peace of mind. We should remember that it means nothing to live without wealth; it means everything to live with dignity. Nobility shows from a distance. It is not offensive to deprive ourselves of wealth; it is offensive to lose our dignity.

This is a painting of a first century Galilean fishing boat, most likely the very type of boat used by Peter when he was called by Jesus to follow him. This illustration is part of a bigger mural I am working on, about the ministry of Jesus the Christ. If you notice, the boat is beached facing backward, with the fishing net coming from the back of the boat. This is to signify that Peter, like all the other apostles, except Matthew the tax collector, dropped their fishing occupation and followed Jesus, Who would make them the fishermen of men’s souls. Here is a truth about me as an artist. Two parts of this painting gave me trouble in carrying out this illustration. The fist was illustrating the ropes of the rigging. My first attempt was horrendous it took me a second try to get it right. I had to look up pictures of ropes on the Internet to overcome this challenge. The second was illustrating the rocks on the bottom of the Sea of Galilee and the reflections of the boat on the water. I must have made about five attempts until it finally clicked. Even when I kept looking at the reflections of boats on water, I could not make the breakthrough. In creating the kind of art that I do, it is very rare to find a model that meets all my requirement for what I am illustrating. So, it takes photos and imagination and the grace of God to create an illustration that looks better than a stick figure and communicates the message intended. So, I figure God has me go through these challenges to keep me humble because, without humility, God is not able to use our talents for His glory. (October 12, 2017)

Chairs are more than wood or iron. They are metaphors, quiet keepers of what it means to be present. They wait, as Wendell Berry might say, for us to “make a place to sit down. Sit down. Be quiet.” I draw them because they embody the humblest love—affection, as Berry calls it, that “gives itself no airs.” In their stillness, chairs hold the weight of relationships, the churn of thought, the grace of silence. They are where we meet, where we linger, where we become. These three drawings are offerings—sketches of chairs that invite connection, reflection, and the slow work of being. Each is a small sacred place, as Berry reminds us, not desecrated by haste or distraction, but alive with possibility. Drawing 1: The Coffee Shop Chairs Two wooden chairs face each other across a small round table in a coffee shop, their grain worn smooth by years of elbows and whispered truths. The table is a circle, a shape that knows no hierarchy, only intimacy. These chairs are for relationships that dare to deepen—for friends who risk vulnerability, for lovers who speak in glances, for strangers who become less strange. They ask for eye contact, for mugs of coffee grown cold in the heat of conversation. Here, sentences begin, “I’ve always wanted to tell you…” or “What if we…” These chairs shun the clamor of screens, as Berry urges, and invite the “three-dimensioned life” of shared breath. They are the seats of courage, where presence weaves the delicate threads of togetherness. Drawing 2: The Sandwich Café Chairs In a sandwich café, two wooden chairs sit across a small square table, its edges sharp, its surface scarred by crumbs and time. These chairs are angled close, as if conspiring. They are for relationships of a different timbre—perhaps the quick catch-up of old friends, the tentative lunch of colleagues, or the parent and child navigating new distances. The square table speaks of structure, of boundaries, yet the chairs lean in, softening the angles. They wait for laughter that spills over plates, for silences that carry weight, for the small confessions that bind us. These are chairs for the work of relating, for the patience that “joins time to eternity,” as Berry writes. They ask us to stay, to listen, to let the ordinary become profound. Drawing 3: The Patio Chair A lone cast-iron chair rests on a patio, its arms open to the wild nearness of nature—grass creeping close, vines curling at its feet, the air heavy with dusk. This chair is not for dialogue but for solitude, for the slow processing of thought. It is the seat of the poet, the dreamer, the one who sits with what was said—or left unsaid. Here, ideas settle like sediment in a quiet stream; here, the heart sifts through joy or grief. As Berry advises, this chair accepts “what comes from silence,” offering a place to make sense of the world’s noise. Its iron roots it to the earth, unyielding yet tender, a throne for contemplation where one might “make a poem that does not disturb the silence from which it came.” This is the chair for becoming, for growing older, for meeting oneself. These three chairs—one for intimacy, one for the labor of connection, one for solitude—are a trinity of relation. They are not grand, but they are true. They hold space for the conversations that shape us, the silences that heal us, the thoughts that root us. They are, in Berry’s words, sacred places, made holy by the simple act of sitting down. My drawings are but traces of these places—postcards from moments where we might remember how to be with one another, or how to be alone. So, pull up a chair. Or three. Sit down. Be quiet. The world is waiting to soften.

Cover of banal book series (1930s-60s) when I was in grade school, along with a truth: "Open Dorr, insert cat".

A bold and colorful message emphasizes the value of fun over speed. The text is rendered in vibrant, playful fonts.

Another Klimt-inspired pose from Wednesday’s reconfigure session. Danna Konkuntion posing as the Naked Truth. Brush pens on A3.

I get these random thoughts and ideas. When they come I need to get them out like a parasite that eats you from the inside out. But yes, this one started with the expression and body pose. I scraped the rest of her body because I didn't like it. But since I like strong females that are ready to stand and fight. The more I colored and came to close the picture, I had a thought. Sometimes inside of my head I get too many voices that talk and tell me what I am. Some are truth but some are lies. Well those voices, ARE MANY!Just like Legion, they are many. So this picture describes mental health and spiritual warfare that happens on the daily.

Czech national motto in this folk-punk picture of mine. (Pencil. Water colours. 2013)

The Truth, Life, and Way Medium: Acrylic paint on canvas Size: 10 “x 20” Year: 2021-2022 This illustration is final illustration, of nine, of a mural about the life of Christ. In this painting I attempt to communicate to the viewer who Jesus is to the Christian. He is the truth; Jesus is the word of God that put-on Flesh. Jesuses’ life fulfills all prophecies that were made about God’s Deliver. Though, Jesus was human, He was also totally Devine. God put on flesh with out the nature of sin, by being born through virgin conception. Since the fall of humankind at the tree of the knowledge of good and evil, which took place in the garden of Eden. The sin nature is past down through the generations of humankind through the male. Jesus on our behave, taught humanity the requirements needed to reunite with God, and how to live life in a new and better way. The savior then traded places with a criminal to hang on a cross. The guiltless, paying the penalty of the guilty. For a sinner cannot offer an acceptable payment to a holy God to set them free from facing the wrath of God’s upon their sin. They can only be for given for their sins by coming to God through the savior He has provider for them The resurrection After God had poured out his wrath upon the savior’s body, Jesus was dead and buried in a tomb for three days. God raised him back to life, showing that the sacrifice was excepted. Jesus is the first fruit, so that whoever places their faith in Christ for the forgiveness of their sins, they to shall raise from the dead unto enteral life. Jesus is the life As believer walk in their new relationship with God, they will face many challenging times. For the Devil and his coworkers are unhappy with your newfound relationship with God. They will wage war with you, but be of good cheerer, Jesus has overcome them for us. Jesus promise that He will never leave us or forsake us. He will be with us to the end of the age. I painted Jesus and the believers with their back to the empty tomb. This is to emphasize the price that was paid to set us free from the chains of the power of sin. Jesus standing alongside the believer with the direction finger, as He guides Him along the way he should go. What I was trying to capture. In read the account of the first people going to the tomb where Jesus was buried, it describes the woman getting there before the sun came up. I was trying to capture that time of day in my illustration. Every dawning of a new day is a change follow Christ, better than we did yesterday. Written by Stephen J. Vattimo 11/20/2022

I painted this illustration to publicly proclaim the biblical account of a six (literal) days creation by the Holy Trinity to be the true account of the origin of all things that have been, are now, and will exist. I believe the evolution theories have many holes in them and lack sound evidence to declare evolution as the true account of the origin of all matter. I believe schools should teach both theories, and let the student decide which is truth for themselves. The three figures of light that are holding the hourglass represent the Trinity—the Father, the Son, the Holy Spirit—Who together created all things. The background of the painting is supposed to illustrate that the Trinity created all things from nothing. The hourglass is supposed to appear to be made of pure gold, representing a creation without corruption and decay, which would later be part of the curse the creation would be subjected to because of man’s sin. The top and bottom bases of the hourglass have the icon of the moon and sun six times to represent the six days of creation. The six spheres floating inside the hourglass represent the six (literal) days and what was created on each day. The first day, God separated the darkness from the light. This sphere is placed at the bottom of the hourglass because sand in an hourglass always flows down. The second day, God separated the sky from the sea. This is represented in the sphere located at the bottom right of the hourglass. The third day, God separated the land from the waters, represented in the top half of the sphere. The bottom part represents the plant life that was created on the same day. The fourth day, God created outer space: every star and planet. God mentions the sun was created to light the earth by day and the moon to light the earth by night. This is represented in the sphere located at the top middle of the hourglass. 1514 The fifth day, God created the creatures of the air and the creatures of the water. This is represented in the sphere located in the top right of the hourglass. The sixth day, God created both the land creatures and man. This sphere is located in the top left of the hourglass. (October 28, 2017)