truth

55 mins “I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.

No more expensive seminars or tedious books from feel good money hungry hucksters. No more scaling dangerous mountains to gain audience with bony little unshaven gurus. Now, a new level of advice is available with no more effort than a few totally free swipes of your hand. Go to The Jim. Truth for the people.

Sometimes I just need to vent. This is my sarcastic take on our fallible humanity and one of my ways of dealing with absurdity. My therapy.

Yep.

Sometimes wisdom comes in a joke, and sometimes laughter carries truth. Brian spoke like a sage, Mike answered like a friend, and together they held the room. We draw to remember. Not only the lines of faces, but the presence of goodness, the gift of voices that echo long after the chairs are empty.

This is the largest canvas thus far for me. In progress!! Multiple projects are in sway with this baby of mine. Feel free to check the link for updates on all the moving parts, including video and still shots with hidden treasures added in between (little surprise pop-ups of newness) along the way. https://photos.app.goo.gl/eNiH1mwVbFHaAyAZ9 Here's some music that inspires me, along with links to listen live or on replay. Phenomenal! - DJ OTB for your creative journey. I love getting lost in the music while I dig deep to paint or create my soul expression. Much gratitude to all those out there who inspire me every day. https://www.mixcloud.com/djtruebrit-otb/ https://www.mixcloud.com/djtruebrit-otb/a-journey-in-house-afro-melodic-progressive-chill-13072024/ https://www.mixcloud.com/djtruebrit-otb/a-journey-in-house-afro-melodic-progressive-vibes-13072024/

I have a certain energy that runs through me, almost like a current. Balancing this energy can be quite a challenge, but I have found that meditation helps me to find my center. I like to quiet the noise around me and focus on my inner truth. Sometimes, I begin my meditation with my eyes closed, allowing my emotions to guide me in sketching out my experiences. This helps me to open up my channels of creativity, which I am currently using to work on my upcoming novel. I can't reveal too much about it yet, but I hope you will enjoy the sneak peeks I'll be sharing as I work toward completion.

Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character. With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer. Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.

Imperfect Lines, Honest Presence This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete. But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains. When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing. So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal? Perhaps presence itself is the real art.

Chairs are more than wood or iron. They are metaphors, quiet keepers of what it means to be present. They wait, as Wendell Berry might say, for us to “make a place to sit down. Sit down. Be quiet.” I draw them because they embody the humblest love—affection, as Berry calls it, that “gives itself no airs.” In their stillness, chairs hold the weight of relationships, the churn of thought, the grace of silence. They are where we meet, where we linger, where we become. These three drawings are offerings—sketches of chairs that invite connection, reflection, and the slow work of being. Each is a small sacred place, as Berry reminds us, not desecrated by haste or distraction, but alive with possibility. Drawing 1: The Coffee Shop Chairs Two wooden chairs face each other across a small round table in a coffee shop, their grain worn smooth by years of elbows and whispered truths. The table is a circle, a shape that knows no hierarchy, only intimacy. These chairs are for relationships that dare to deepen—for friends who risk vulnerability, for lovers who speak in glances, for strangers who become less strange. They ask for eye contact, for mugs of coffee grown cold in the heat of conversation. Here, sentences begin, “I’ve always wanted to tell you…” or “What if we…” These chairs shun the clamor of screens, as Berry urges, and invite the “three-dimensioned life” of shared breath. They are the seats of courage, where presence weaves the delicate threads of togetherness. Drawing 2: The Sandwich Café Chairs In a sandwich café, two wooden chairs sit across a small square table, its edges sharp, its surface scarred by crumbs and time. These chairs are angled close, as if conspiring. They are for relationships of a different timbre—perhaps the quick catch-up of old friends, the tentative lunch of colleagues, or the parent and child navigating new distances. The square table speaks of structure, of boundaries, yet the chairs lean in, softening the angles. They wait for laughter that spills over plates, for silences that carry weight, for the small confessions that bind us. These are chairs for the work of relating, for the patience that “joins time to eternity,” as Berry writes. They ask us to stay, to listen, to let the ordinary become profound. Drawing 3: The Patio Chair A lone cast-iron chair rests on a patio, its arms open to the wild nearness of nature—grass creeping close, vines curling at its feet, the air heavy with dusk. This chair is not for dialogue but for solitude, for the slow processing of thought. It is the seat of the poet, the dreamer, the one who sits with what was said—or left unsaid. Here, ideas settle like sediment in a quiet stream; here, the heart sifts through joy or grief. As Berry advises, this chair accepts “what comes from silence,” offering a place to make sense of the world’s noise. Its iron roots it to the earth, unyielding yet tender, a throne for contemplation where one might “make a poem that does not disturb the silence from which it came.” This is the chair for becoming, for growing older, for meeting oneself. These three chairs—one for intimacy, one for the labor of connection, one for solitude—are a trinity of relation. They are not grand, but they are true. They hold space for the conversations that shape us, the silences that heal us, the thoughts that root us. They are, in Berry’s words, sacred places, made holy by the simple act of sitting down. My drawings are but traces of these places—postcards from moments where we might remember how to be with one another, or how to be alone. So, pull up a chair. Or three. Sit down. Be quiet. The world is waiting to soften.

“The truth of it is, if you paint or draw what really interests you, you’re going to do a good job of it, and hopefully that’s what I do.” - Jim Moir.

"Parts Unknown," Acrylic on Canvas, 18x24 Some actions we will never know the reason behind, and, quite honestly, we don't always need to know the answer. Anthony Bourdain committed suicide on June 8th, 2018, news that was shocking for most to hear. People continue to speculate what could have caused him to commit suicide, some feel he had more to do, to say before he died. Personally, I find there's some feeling of closure or completeness to his death. I don't know what the feeling is exactly, but it's there. It feels like he left on his own terms, decided it was time. I wouldn't consider his death as him waving a white flag to addiction and depression. He said his shows were intended to tell other's stories, tell them frankly and truthfully. It's interesting how blunt and honest he could seem to be about himself, though he kept so many layers held within. Although we'd love to have a clear cut answer, explanation, reason, what would knowing that information change?

"Love is patient, love is kind. It is not jealous, love is not pompous, it is not inflated, it is not rude, it does not seek its own interests, it is not quick-tempered, it does not brood over injury, it does not rejoice over wrongdoing but rejoices with the truth. It bears all things, believes all things, hopes all things, endures all things.” 1 Corinthians 13:4-7 (NABRE)

“Most things benefit from contrast. The exception is the truth.” ~Golgaaryol, 2025. (Koh-I-Noor and Bambino crayons)

Title: Windows to the Soul Medium: Ink on sketch Book Paper Size: 10” X 14” Year: 01/09/2020 This Illustration is a pulmonary design/study for a future painting. Theme was born from a poem I wrote a couple years ago, by the same title. The main massage is that Christians are to be windows that Jesus Christs can shine His light of, Love, truth, mercy, salvation, hope, new life, in to a darkened world by the power of sin. The power of sin is what subjects all creation under destruction, suffer, death, decay. The Devil, and countless fallen angel use these tools to destroy the human race. Christians Have victory, through faith in Christ, from being a salves to sin, they have obtain adoption into God’s family, and removed from the coming damnation that is for the rebellious angels and the humans. Christian still are still temped to commit sin, and still make bad choices. Christian’s sin, hinder their effectiveness to be a witnesses for God’s kingdom, their short comings are like black drapes, that hang in a widow, that hinder the sunlight from brightening and warming a dark cold room. The massage communicated by symbolism The stair well leading down with the railing around it: The railing: The 3 petal flower is a Keltic symbol for the trinity of God. The railing around the stair well: Represents, God’s desire that none should perish but to repent. It also represents that people go to hell by their own choice, through their deliberate rebellious living against God. No ne accidently end up on the wrong side of the railroad tracks. The Stairs going down: Represents sinful humanity that is separated from a holy God. Without a spiritual intervention, we all have one destination that is the lake of fire, which is the finale judgement for sin. The open glass pane door: Represents God wants humanity to except his invitation to commune with Him, receive the new life He offers to provide for them. The stair case without railings: Represents the path to TheHeaven, which must me travailed by faith. The partly open drapes hanging in the Picture widow. Represent sin that try to prevent the light of truth to penetrate the darkness of deception. The railing with the fishes and crosses: This represent the Heavenly destination of Christian. It also stand for Christian being God’s Life guard. While living in the world, their mission is to take the salvation message into all the world. The second Floor open door, the entrance filled with light: This represents the entrance to Heaven. The globe sculpture represents a world needing to be repossessed, from the power of the curse of sin. By the hand of God, it will made new, absent of rebellious angel and humans. Absent from destruction, suffering, death, decay. Stephen J. Vattimo 1/10/2020

the truth is out there

Stripped of skin, status, and story, what remains is the truth beneath it all. Bone Deep is a minimalist skeletal portrait rendered in graphite and ink on canvas, built through cross-hatching, stark contrast, and deliberate restraint. The exaggerated skull and hollow eyes confront the viewer directly — not with fear, but with inevitability.

Its hard to deal with the truth...well when your a zombie.

Done 2022. This is my latest artwork so far as i have 2 color pencil ARTS in the making. with lead pencil on 9x12 bristol original up for sale $45+s/h . if interested leave a comment or jungmeister4@yahoo.com. ALSO THERE IS STORY TO THIS DEVIL'S TREE AND IT IS REAL STORY. DO NOT SCARED AS YOU READING YOU WILL BE OK. This is one sinister looking tree, and according to the locals, who told us of its legends, everyone in the vicinity of Bernards Township seems to have a story about it. They say that at one time a farmer killed his entire family, then went to the tree to hang himself. According to some, numerous suicides and murders occurred around the evil arbor. Supposedly anyone who tries to cut down the tree comes to an untimely end, as it is now cursed. It is said that the souls of those killed at the spot give the tree an unnatural warmth, and even in the dead of winter no snow will fall around it. When Weird NJ visited the Devil’s Tree we noticed evidence that many attempts had been made over the years to fell the unholy oak, but all have failed. The tree stands all alone in the middle of a large field off Mountain Road. Its trunk has been severely scared by axes and chain saws, some wounds appearing to be quite old. Why no one has yet been successful in toppling the timber we cannot say for sure. Nor do we know what has become of those who have tried. One Weird NJ reader described the Devil’s Tree to us this way: There’s a big field and right near the road is the tree. It’s the only thing in the field. Supposedly it’s a portal to hell and a sentinel guards it. He drives an old black Ford or pick-up truck and will chase you down the road until a certain point. You will see headlights one second, and the next nothing – the car is just gone. Another local told us that the inherent unholiness of the Devil’s Tree is the result of the evil that men do, and should not to be blamed on the Devil. Devil’s Tree is a KKK Hangout There is a very evil truth to the mythology of the Devil’s Tree. At one time, Bernards Township was one of the central headquarters of the KKK in New Jersey – they held many demonstrations in our town and held many meetings throughout the hills. As per KKK policy, often they would lynch local African-Americans to set an example, not only to other African-Americans, but also as an example of their principles and resolve. The Devil’s Tree was more secluded in those times before the developments spread across the rural countryside like a blight. It stood in a very isolated area of woods and fields, far from the prying eyes of the police. The evil energy around the tree comes from the souls of dead men and women who were killed by this vile organization. If you look at the tree you can see the left most branch extends almost parallel to the ground. This was the hanging branch. Pretty freaky and true stuff. To freak ourselves out, sometimes my friends and I would drive down the road at night telling ghost stories. When the moon is a full red harvest moon, and the wind is blowing just right, it looks like there might be bodies hanging from the branch, slowly swaying in the breeze.” –Rob S. One of our readers reported that at times there have been bodies seen hanging from that branch, though they turned out to be merely uniformed dummies of rival high school football players hung in effigy by the local home team. The Devil’s Tree Will Break You At the time of our arrival to the Devil’s Tree, there was a six foot noose hanging from the big branch, which extends out of one side. We noticed what looked like claw marks from a person or very large animal. To get a better view, myself and a friend climbed the tree to see if any unique marks were further up. After we climbed up, we were sitting on the branch trying to remove the noose. As we sat on the branch, we began to hear noises coming from inside the tree. When these noises grew even louder, a big bang sounded and a burst of energy came from the tree sending myself and my friend flying into the air. When I crashed to the ground, I landed on my ankle, breaking it in 2 places. –Steve K. The Devil’s Tree and Heat Rock Right next to the Devil’s Tree, there is a rock. It is very warm. Some people call it Heat Rock. People say it is the gate to hell. –Elmo M. No Snow at the Devil’s Tree We went to the Devil’s Tree in December when the ground was snow-covered. However, an eight by twelve foot circle of ground around the tree was totally bone dry. Later, when we were driving home, one of our friends thought he was cool because he took a piece of bark off of the tree and had it on him in the car. We pulled the car over, yelled at him, and made him throw it out the window! –Damian The Mark of the Devil My friends and I went up to the Devil’s Tree one night and got out of the car and touched the it. Afterward we went to Applebee’s to get something to eat and everyone that was sitting at the table suddenly had all of our hands turn black! We don’t know why, but it took us two and a half hours to get the blackness off of our hands! –Melissa C. The Children of the Tree We have all heard the story of not messing with Devil’s Tree, so we were smart and didn’t mock the tree. We went right next to the tree, and put our ears next to the bark. We heard sounds of screaming and children playing. –Matt W. A Shocking Experience I went up to the Devil’s Tree this past mischief night with two of my friends (both of whom were girls). I just wanted to scare them. I told them all the stories and tall tales that went along with it. I parked the car and proceeded to get out and walk to the tree. I got within arms distance and reached out and touched it as I had many times before… it’s kind of like a ritual I have. When I placed my hand on the tree, a single strike of lightning illuminated the sky. I don’t know what caused it to happen, but when I touched the tree, the lightning struck, and when I took my hand off, the lightning disappeared. It could’ve been coincidence, or could have been paranormal proof of the legend’s truth. Either way I thought it was cool and it scares the hell out of me now. –Brian D. Don’t Pee on the Devil’s Tree! I am reminded of an incident which occurred about 8 years back, when I was in high school, concerning the Devil’s Tree. We had all heard the legend of this infamous spot and there was much talk of it around my school. One night, my friends and I decided to pay it a visit and see for ourselves how true the legends were. We headed out and came upon the tree. We all began to have very bad feelings and decided to scrap our idea of actually getting out of the car and approaching the scene. We turned around and left without incident. About a week or so later, the talk of the tree began to escalate and one of the kids in the popular crowd began saying that it was all a bunch of bullshit. A few days later, his mind would be changed forever. This guy and a carload of other rowdy types decided to go up to see the tree that weekend. On Friday night, they began their journey up the mountain to see what it was all about. A friend of mine was in that car, and his story is as follows. Apparently, after cruising back and forth several times, the kids were getting bad vibes and wanted to leave. The kid who was driving, and who was the one proclaiming in school that the story was bullshit became angry at the “wimps” for having bad feelings. He stated to his friends that he was going to prove once and for all that the story was nothing and that he wasn’t fazed by it. He pulled his car over on the side of the road, right before the bend and got out. Marching up to the tree, he began yelling challenges to the so-called spirits. Nothing happened, so to further prove his fearlessness, he pulled down his pants and urinated all over the base of the tree. Still, nothing happened. He muttered an “I told you so” and got back into the car. After starting the car, he began to drive towards the bend in the road slowly. Suddenly, without warning, the gas pedal of the car became floored and the car sped up all by itself. Surprised at what was happening, the guy was unable to control the car and it skidded out and collided into a tree. The kids in the car sustained minor injuries but the car was totaled. I showed the stories of the Devil’s Tree featured in your magazines to my sister. As I read the tales aloud she became very pale when I got the part about the headlights which follow you then go out suddenly. I asked her what was wrong and she replied, “Oh my God – I went up there about a year ago and got chased out by the same black pick-up truck. It was severely tailgating me and when we got a short distance away, the lights were just suddenly gone.” She and I have never gone back since then. I am open for commission using color pencil or lead pencil for original artwork of subject matters such as Sci-fi, Fantasy, Horror, Comics, Fanart, NSFW, Surreal art, Whimsical art, Abstract art, and Tattoo designs. Sizes range from 8.5x11, 9x12, 11x14, 11x17. The Commission rate starts from $20 and up. if interested leave a comment or jungmeister4@yahoo.com MY CALENDAR FOR SALE: https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar

Sower and the Seed This painting illustrates the parable “The Sower and the Seed,” a teaching of Jesus recorded in the book of Matthew chapter 13. The four hearts in the sky represent four different responses of those who hear the Gospel message. The heart on the lower left represents those who have heard the gospel but reject it. The devil then comes and takes it away from their hearts. This is illustrated by the crows flying away with the seed that fell on the road side. The second heart on the upper left side of the sky represents those who receive the gospel message with joy, but it doesn’t take root in their faith, and their faith is temporal, falling away when trials or affliction come their way because of the gospel. This is illustrated by a grape vine withering away in the heat of the day due to a lack of a deep root system. The heart in the upper right corner of the sky represents those who received the gospel and believe, but the worries of the world, and the deceitfulness of riches, choke the word, and it becomes unfruitful. This is illustrated by the grapevine being choked out by a purple, flower-bearing, climbing, strangling vine called, morning glory. These vines produce pretty flowers, but they are an organic farmer’s enemy because they will choke out his crops. I learned this firsthand in organic farming when I was a missionary for a couple of summers. The heart in the lower right corner of the sky represents those who hear, believe, and are committed to living for the gospel, so they produce much fruit. This is illustrated by a healthy, strong, fruit-bearing grapevine. The tilled field represents the world that God has prepared to receive the Gospel message. The sower represents all Christians that are commanded to go into the world and proclaim the gospel message. The seed being thrown by the sower represents the gospel message going out to the world. The seed bag has written on it, “The Word Seed Co.” (October 28, 2017)

Let's take a look at the real anatomy of our favourite clucking critter!

Cover of banal book series (1930s-60s) when I was in grade school, along with a truth: "Open Dorr, insert cat".

This is a painting of a first century Galilean fishing boat, most likely the very type of boat used by Peter when he was called by Jesus to follow him. This illustration is part of a bigger mural I am working on, about the ministry of Jesus the Christ. If you notice, the boat is beached facing backward, with the fishing net coming from the back of the boat. This is to signify that Peter, like all the other apostles, except Matthew the tax collector, dropped their fishing occupation and followed Jesus, Who would make them the fishermen of men’s souls. Here is a truth about me as an artist. Two parts of this painting gave me trouble in carrying out this illustration. The fist was illustrating the ropes of the rigging. My first attempt was horrendous it took me a second try to get it right. I had to look up pictures of ropes on the Internet to overcome this challenge. The second was illustrating the rocks on the bottom of the Sea of Galilee and the reflections of the boat on the water. I must have made about five attempts until it finally clicked. Even when I kept looking at the reflections of boats on water, I could not make the breakthrough. In creating the kind of art that I do, it is very rare to find a model that meets all my requirement for what I am illustrating. So, it takes photos and imagination and the grace of God to create an illustration that looks better than a stick figure and communicates the message intended. So, I figure God has me go through these challenges to keep me humble because, without humility, God is not able to use our talents for His glory. (October 12, 2017)

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

I don’t know, I doodled on my hand and took a photo of it and edited it. I personally think it looks cool but that’s just my opinion. -I have depression, and have been/am a cutter so that explains the words written.

This piece critiques the modern tendency to hide identity behind brands and consumerism. * Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze. * Symbolism: * The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed. * The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly "seeing" the individual, while simultaneously restricting the individual's full sight of the world.

This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice. * Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head. * Symbolism: * The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading. * The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.

Uncomfortable truths are enough to rip you apart… literally.

One day, in the afternoon she was sitting on that seat with a thin heart. She was feeling watercolor with full brightness hitting her soul slowly. In her heart said, "what was I do? Everything is very simple, just follow the truth about my life. But, I can't do it and back anymore". If you like my art, you can check and follow me on Instagram: @misahiraysa or buy my artwork printed on : https://www.redbubble.com/i/art-board-print/The-hopeless-woman-by-misahiraysa/118536377.TR477