two

Two hour sketch that will be presented in my first personal exhibition ❤

Jung here. Done 2020 with lead pencils on 11x14 bristol. Original art is up for sale $40 (shipping fee will apply) USD email me and open for private commissions as well jungmeister4@yahoo.com Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar

Portrait I of a series I never got around to finishing--perhaps I'll get around to finishing the other two this month

Watercolor markers on 9x12 watercolor paper. Sunburst Finish and two Autumns - one is upside down.

A random drawing done in water color and colored pencil

© All my artwork is protected under international copyright law and may not be downloaded, reproduced, copied, transmitted or manipulated without my express written permission . Copyright Registered. Please contact me at (nhvbestyasuo.vn@gmail.com) if you are interested in purchasing or using any of my artwork.

JUST TWO GIRLS AGAIN

This was the first of the same lion drawn on two different surfaces. This one was drawn in pastels on sanded paper.

butterflies # ????? : two holly blues. This was a hard one and worthy of an art block with top and bottom wings distinguishing the species, composition and pose was almost impossible. Cue two of the Holly Blues! :)

Done 2019 with lead pencil on 11 x17 bristol paper. If you are interested in purchasing this original artwork for $80 and also I do private commissions. Leave a comment or contact me at jungmeister4@yahoo.com (Shipping fee will apply) Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calenar

Digital and analogue artwork

Accidental Garfield and Odie vibes between these two.

Two watercolor kitties.

The first two doodles, the Huckleberry Hound and the social media dog are already on here. But I had more space on the paper, and decided to draw a bunch of dalmatian dogs after seeing "101 Dalmatian Street" on Disney XD, and my 1930's rubber hose dog Dipsy Diddle, whom I've done quite a bit of drawings of.

Here are the two tall animatronics. Jester (the one on the left) and Dellusion (the one on the right). They run a pizzaria. Jester and Dellusion are both sentient, but the others aren't. I'm still working on a final version of the shorter animatronics. But for now, have these two! I'm still trying to find a satisfying color palette for Dellusion, so if you have any ideas, let me know! Tomorrow, if I haven't finished the shorter animatronics, I'll post the piskel sprites I've made for them. This picture was drawn with FireAlpaca.

Mixed media - watercolor, graphic marker, pen. Artwork is a piece of Hybrid Mythologies stories, to be featured in the book by the same name.

Tails enjoying some fresh air

Years ago, I sketched Gibby at work—pencil in hand, bold strokes alive with motion. I caught them from over the shoulder: just the back of their head, the soft curve of their face, and that focused arm bringing something into being. They were 9 or 10 then, already showing the spark of creativity and concentration that pointed toward who they’d become. Now in their mid-20s, Gibby is thoughtful, insightful—quick to listen, slow to speak, and wired to process the world with care. Their path has been remarkable: two degrees in 2.5 years, no debt. That didn’t happen by accident. It took grit, German immersion schooling, 16 college credits earned in high school, and testing out of 24 more once at university. That’s Gibby—quietly determined, resourceful, and steady. But their story isn’t just academic. Gibby’s always been gifted with their hands—drawn to set design, locksmithing, welding. Trades they wanted to pursue early on, and still feel pulled toward. They’re at a bike shop now. It’s not the dream, but it fits: their hands know how to build, repair, and reshape the world. There’s been frustration—maybe even anger—that we didn’t let them follow the trade route right away. I get that now. Life veers, and sometimes the path chosen isn't the one imagined. But Gibby’s resilience—their ability to adapt and press on—is what I admire most. They’ve embraced their journey with honesty, stepping into their identity as a they/them person, unafraid to define success in their own terms. That takes courage. I’m proud of them—not for a résumé, but for who they are. This old drawing isn’t just a memory—it’s a thread connecting past to present. A reminder that the creative spark, the steady hands, the deep soul I saw back then is still shining. So here’s to you, Gibby: the kid who sketched with fire and the adult who still shapes the world with quiet brilliance. Your value has never been about the path you’re on. It’s about the person you are. And I’ll be here, cheering you on—every step of the way.

Title: Heart and Soul Medium: illustration pens on sketch book paper Style: surreal Category: illustration Created: Dec-Jan 2024-2024 Artist: Stephen J. Vattimo Heart and Soul This is preliminary drawing for a painting I am about to begin. The concept for this illustration started as a design for a pumpkin carving contest. I feel the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. It was designed for a live pumpkin carving event in mind. At this type of event, the carver must create their piece of art live on site with spectators watching and asking questions, and there is a time limit. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems(color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 .

All Done! I’m pretty happy with how it turned out, but a few of the proportions are way off... but oh well. And I absolutely suck at manes(hair) soooo ya. Also I was curious, I’m thinking about getting some prints made of my artwork to sell, do any of you think you or someone you know would be interested in prints? Just curious, thanks! Hope you all are healthy and well! Photo by: Photography by Kelly and Kelly

2nd series of my favorite artwork, from ‘The Goodbye Series’. Ink on cardboard, A5 size.

Helloou! my mum and I did a fun design in the train. She said she wanted me to design a little friend that represents her. She wanted it to have fun green hair and a pink bag. She told me what the design would look like and i sketched it out. Then we designed a little friend that represents my dad. My mum said that showing the tomatoes are really important, because he loves to take care of the tomatoes in the garden. Some time later I decided i wanted to draw the two little friends enjoying a warm day together. Drawing it was soso much fun. I absolutly wish you a goood day!

Taken by me - Nguyen Dang Lan Huy. This is a photo I took while on vacation in the wonderful Congo River on August 7, 2020. In the photo you can see the sunset, only two colors pink and orange present in the sky and clouds in in the distance and the river imprinted with the faint island in the distance. This is a photo I took while sailing across the river. I am the copyright owner of this photo, I do not allow anyone to repost my photo without my consent. Full name (Photographer): Nguyen Dang Lan Huy Email: nguyendanglanhuy471@gmail.com Current link (Url) to my personal Facebook page: https://www.facebook.com/jahanzaib.attre/

A full-body illustration of Ace. I think he might be my favorite out of the two. I imagine Bowie to be just slightly a little more naive than Ace. Drawn with FireAlpaca.

I had a time, when monkeys were featured very often in my artworks. Even now, they emerge in the story-lines. Amazing creatures! This sketchbook piece is done using graphic markers, posca and pen.

Years ago, while digging through old journals and sketches, I stumbled across a quick, scribbled drawing of two pears. Beneath it, I'd written a raw and honest note: "Ann is pissed. I think it's because she's uncertain about me, us, life itself. She just ran into my car with the van. She says it was an accident, but she seems happier now—almost like it was cathartic. . . Like sex." At the time, I scribbled this in frustration, feeling a deep disconnect between us. Intimacy had become a confusing and distant concept in our relationship. The pears I'd sketched were rough and scratchy, charged with my chaotic feelings. Looking back, I see how emotions can drive us to strange actions, some intentional, some accidental, often leaving us oddly relieved afterward. Humans are complex, fascinating beings, navigating messy emotions and messy relationships, sometimes colliding intentionally or unintentionally, seeking relief in unexpected ways. Perhaps the pears were my subconscious pun on "pair," reflecting the awkward, confusing way Ann and I were bumping through life together—making messes, but occasionally finding strange humor and genuine catharsis in the chaos. I've learned to smile gently at the rawness of our humanity, appreciating even our scratchy sketches and emotional collisions. They're reminders that life, relationships, and our own hearts are never simple, but they're authentically human. Here's to embracing life's unexpected catharsis and finding humor in our imperfections.

A cute bonsai character with a fierce expression holds two swords, wearing an orange martial arts outfit and a headband with a red symbol. Its head is stylized as a bonsai tree, with vibrant green foliage, set against a dynamic red background and the words "BANZAI BONSAI!" above.

Patron Saint of Lost Keys and Small Things. Reminded me of this poem by Elizabeth Bishop. One Art The art of losing isn’t hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn’t hard to master. Then practice losing farther, losing faster: places, and names, and where it was you meant to travel. None of these will bring disaster. I lost my mother’s watch. And look! my last, or next-to-last, of three loved houses went. The art of losing isn’t hard to master. I lost two cities, lovely ones. And, vaster, some realms I owned, two rivers, a continent. I miss them, but it wasn’t a disaster. —Even losing you (the joking voice, a gesture I love) I shan’t have lied. It’s evident the art of losing’s not too hard to master though it may look like (Write it!) like disaster.

Heres the next part of the style challenge. Its fun to draw in different styles, but putting lipstick on a cat feels wrong...