ugh

When out for a walk, I came across this lone standing tree. Sometimes that's enough to encourage perseverance!

P. G. Wodehouse (1881–1975) Once, when he was beginning a Wooster-Jeeves novel, he experimented with using a Dictaphone. After he had dictated the equivalent of a page, he played it back to check it over. What he heard sounded so terribly unfunny that he immediately turned off the machine and went back to his pad and pencil. After this, according to the biographer Robert McCrum, “he might snooze a bit in his armchair, have a bath, and do some more work, before the evening cocktail (sherry for her, a lethal martini for him) at six, which they took in the sun parlour, overlooking the garden. - From Daily Rituals: How Artists Work by Mason Currey “He had just about enough intelligence to open his mouth when he wanted to eat, but certainly no more.” ― P.G. Wodehouse #dailyrituals #inktober #PGWodehouse @masoncurrey

George Balanchine (1904–1983) Balanchine liked to do his own laundry. “When I’m ironing, that’s when I do most of my work,” he once said. The choreographer rose early, before 6:00 A.M., made a pot of tea, and read a little or played a hand of Russian solitaire while he gathered his thoughts. Then he did his ironing for the day (he did his own washing too, in a portable machine in his Manhattan apartment) and, between 7:30 and 8:00, phoned his longtime assistant for a rundown of the day’s schedule. - From Daily Rituals: How Artists Work by Mason Currey “I like to do things certain ways and I disagree with everybody but I don't even want to argue.” ― George Balanchine #dailyrituals #inktober #balanchine @masoncurrey

Draped in delicate pencil strokes, this artwork elegantly portrays a historic city gate, standing as a timeless sentry to myriad untold stories. Each shaded contour brings forth the intricate details of the gate's architecture, echoing the urban landscape of a bygone era. The deft use of monochrome evokes a nostalgic journey through the annals of time, where every shadow and highlight adds to the depth and texture of this piece. This mesmerizing blend of artistry and history invites viewers to step into the past and embrace the serene splendor of the city's storied gateway.

Hi. Am I hard to see? You are free to look closer. This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity. Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.

From Vermeer's Officer and Laughing Girl

Ugh, it's been a long time since I've painted the good old Jiao... Come on, admit it, who didn't do their homework and made the teacher angry??>:( Oh yeah... An experimental palette! I don't even know if I like it or not

Can you imagine going through a swamp like this?

A Laughing Falcon in watercolor, gouache and ink, with the background added digitally.

Pencils and markers

Looking through a book about cats and studying their body language. Does this look like the right mix of realism and whimsy?

Dragging through the snow On a one-girl open sled Over the hills we go… “Why aren’t we there yet?” PenguinGirl can never say NO to chocolate, and Fatty McPingoo (the fat penguin with the Harry Potter scarf) knows it all too well! I drew this in the afternoon on Christmas Eve, imagining PenguinGirl and her friends traveling in the snow to a Christmas party

Done 2022 with color pencil on 11 x17 bristol paper. Of course he is one of classic D&D video game and also board game as well enemy. so her eis my try on it. If you are interested in purchasing this artwork for $160 and also I do private commissions. Leave a comment or contact me at jungmeister4@yahoo.com (Shipping fee to ship the original artwork will apply) Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar

Jung here. Done with lead pencils on 11x17 bristol paper. One day I was flipping through Frrank frazetta art book I had and one of his painting inspired me, so I close the book and started to draw and this image came about. Original art is up for sale $90 (shipping fee will apply) USD email me jungmeister4@yahoo.com Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar

Playing with faces is fun and I can see where this might actually suggest some kind of meaning, although I can't yet put my finger on it.

Medium : Pen and ink on Bristol Board Size : 11" x 15 " Year illustration was done : 1987 This rendering of a broken down wagon, is part of a group of Pen and ink illustrations I did for a christian mission , for their pamphlet that was put together to imform the public about their services and ministry to the military members and their families. This mission reaches out to miltary through offering hospitality, Bible studies, holding retreats, and hosting luncheons for church groups. Military soldier who are in training also would come out to the rach to spend the weekend off post, to rest, learn the Bible , get home cooked meals, and enjoy out door recreation. I work as a summer missionary with this mission a couple of summer, helping with up keep of the ranch and helping with conducting the retreats. written by Stephen J. Vattimo

I so enjoyed the inktober and now I am going to do whatever whatever for awhile. I grabbed a sketchbook off my shelf. The paper is thin and rough - bad for ink, but so nice for pencil. Will try to switch the gears now and go with a different feeling. Let's ouroboros together. https://www.instagram.com/p/CVvp-ZkrX2I/?utm_source=ig_web_copy_link

Commissioned piece for a friend who thought her guinea pig was a girl at first lol…done with Prismacolor pencils

My day work consists in taking good pictures, so I always hunt for fine pictures. One afternoon, walking on the beach, I admired a stunning nature scene: majestic sunset, gold sunshine, calm water, white bamboo clouds covering part of the sun. The air is cool and the landscape is calm. My camera I took out and this gorgeous scene I caught. © All Rights Reserved

Probably spent too long on this one, plus lower resolution cause the file size was too large. Downtown area of an average city, though typically it's more crowded. Hope you like it. (made with krita)

Many beginnings. Beginning 8. Lola stared in astonishment as the water spout grew and grew and grew. * Starting is easy, it's the middle that is often a muddle. And I won't even mention the endings. Here are some beginnings for children stories that flitter through my head. https://www.instagram.com/p/CO2nszuBn2Z/?utm_source=ig_web_copy_link

Many beginnings. Beginning 3. The mouse was going on an adventure. But he just couldn't decide what to take with him. He wanted his favorite shoes and second favorite shoes. His tennis racket and the cactus he was given for his birthday. And so he put his house on the wheels and went on an adventure in his rolly polly house. * Starting is easy, it's the middle that is often a muddle. And I won't even mention the endings. Here are some beginnings for children stories that flitter through my head. https://www.instagram.com/p/COktNgnhex4/?utm_source=ig_web_copy_link

It’s easier to remain silent for someone whose words only ever got twisted. (spoke in other forms though) Running from what? Nothing. And everything. Until they fell off the edge - or flew- and plunged into an epiphany where words can’t even translate, can’t touch you. “Don’t you come looking for me” on the wind.

A little 4x6 painting study to start the day off. “The Grizzly Guide” gives these ‘Mallows a ride through the creepy forest in the dead of night. Check out the time lapse video on my Instagram page.

Made it procreate

(I had gotten some new fine-point pens last week, and I figured this was a good way to test them out.) Two very different things have been on my mind lately, maybe there's a connection? I think it's interesting how it's taken me 4 years to figure something out, become comfortable enough to open up to others about it, and then embrace it. Yet it's like living a double life, being authentic to some and keeping secrets from others. On the other hand, to the person receiving this drawing, I know I can't do anything to change the situation even though I wish I could. All I can say is I'm forever grateful for all you do, and I truly hope you decide to take advantage of all the opportunities coming your way.

Another silly picture to make my nieces laugh!!

I have no mouth and I must scream! ink, watercolour, gouache and gold leaf on paper, 75x50cm, 2020, POA. Another artwork created in lockdown. A reflection of and introspection into thoughts and feeling of living during a pandemic.

I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well! FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier. I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.