wet

This painting is a technique I enjoy mostly because I see figures in the ordinary and draw them out from what I see in abstract backgrounds I paint. In it you see a group of people enjoying time together. I used Acrylics on Aquaboard, a surface especially made for many layers of wet media.

This is a mess I made with Monet's Crimson Red and Ultramarine Blue paint tubes. Wet on wet technique and a bit of a mindlessly overdone splatters.

The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself. The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water. The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt. The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware. The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze... The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.

The flow of wet on wet watercolor with a little structure.

Tree done with black ink, leaves with blue and yellow inks (wet in wet technique). I really like how the leaves turned out.

You know you can always count on me, friend Like no one else, I've gotten used to the coldness of the stone So I can be with you often Silver rain will wash away the tears of the Dread Sky I will rise with the sun… I will rise with the sun… - Valyrym.  Referring to the story "The Dragon In The Dungeon" Some say I'm hitting the point. So I strike again. When the Writer dies, the World creates a seemingly imperceptible void, a void waiting to be filled, greedily begging others for revelation.  For the next One to take its place in this great spiral. Light. Narrow tunnel. Echoes. Arise. Rest in Peace Coyote - Of The Wilds was a talented writer, author of many fantastic stories which he never managed to finish. He was able to convey true, deep emotion through words, through many unfinished stories. Now, through the ending of the Story. These stories have contributed a lot to my life in 2020, as I wrote about in “Split Of… Personality”. Like for many others, he inspired me to create. I wrote “Split Of Fate”, deleted it, now I'm bringing it back to life, but I also have other plans - regarding the stories of Of The Wilds… but more on that later… This was difficult to draw. Difficult without getting eyes wet. Just a quick doodle… Well, if I were nearby, I would place an apple on his grave. 

Ink, Colored Ink wet in wet technique

I first started this oil on canvas painting at a conference in Lexington Kentucky. Transporting the wet canvas was a challenge

So I'm a little behind the curve, but here's my day 1 for Inktober. This was my first time using my fountain pen for drawing, so I can't complain too much. There's definitely some room to grow. Lined with a TWSBI Eco: fine nib with Organics Studio Walden ink on Tomoe River paper. I'm a sucker for sheen, what can I say. The sad attempt at shading was done with a wet paper towel, so I'm guessing I could try upgrading my technique there ;D

'Pod' (2019) Very quick test doodle of a pod of orcas in Paper Pro by WeTransfer with Apple Pencil G2 on an iPad Pro G3.


Created in Paper by 53 (WeTransfer) and polished in Procreate. 

Dry and wet bristles in Krita. Getting somewhat familiar with them. Need to remember to do actual background planes next time.