Threw together this pattern study last week. Been using Posca pens since December and I'm loving how quickly they dry. I can throw together quick sketches without having to worry too much about smearing the ink as I move along.
Hello. My name is Jenna. As a child, I grew up in an abusive household, where my dad would do some pretty messed up things, as well as gaslight me. My dad has been out of the picture for a while, but I still have a lot of feelings and trauma left over from him. I wanted to represent what being gaslit, felt like to me. Now without further ado, my impression of gaslighting.
I wanted to challenge myself with a different type of drawing without spending too much time on it. I am pretty satisfied with the results. It came out looking a lot more disgusting than I intended but it still works. lol Done in Graphite and Watercolor.
I guess...I'm going to facebook. I hate tumblr by the way, too many spammers and idiots. I can't even enjoy it without someone trying....WAIT...I'll just make a panel about how much I hate them.
Christmas is getting close now, which is why I'm opening these up! I really need a budget for X-Mas shopping :3
I PAY WITH PAYPAL AND KO-FI
So the budget that I need is 50 USD Lets see if I can make it :P
Well actually more if I want to continue drawing, my computer is 7 years old and will die soon and since my art tools are my computer, mouse and Microsoft paint I will need to save up for another one as well XD
As you see they are hip-ups/halfbodies, however here are the prices for other commission types:
Headshot/Portrait: 2 USD
Ex. At the top but the body stops at the shoulders.
+ 1 USD for Additional character (Up to 3)
Bust/Waistup: 3 USD
Ex.
sta.sh/0fmesdmqg5l
+1.50 USD for Additional character (Up to 3)
Hipup/Halfbody: 4 USD
Ex.
The picture on top.
+ 2 USD for Additional character (Up to 3)
Kneeup: 5 USD
Ex.
sta.sh/01v0zn4cxkwg (A bit older drawing)
2.50 USD for Additional character (Up to 3)
Fullbodies: 6 USD
Ex.
sta.sh/01l5np7libm5
sta.sh/0k4t3zcb6sk
sta.sh/01wqafsay981
sta.sh/0i1cc8jbrf4
+ 3 USD for Additional character (Up to 3)
Do not draw:
-NSFW (You know complete nudity)
-Overly fat or muscular characters (I can try but just not the extreme you know)
- Furries/Anthro
-Extreme gore (Some blood, bandages, scares and such are fine)
Except that I can draw a bit of everything.
What you get list when your commission is finished list:
-Your drawing without watermark (Both sketch and finished version)
-High quality image (Original file)
-Transparent image + simple background image.
If anybody wants a commission please comment down below.
Waiting list
Another inktober2020 drawing combining 6 rodent 7 fancy and 8 teeth. Lumin, A blue blooded vampire of mine, apparently does not enjoy his furry visitor arriving without a proper invitation. I tried experimenting with a low single point perspective for this piece and I think It turned well, except for maybe the thumb I forgot was a thumb midway through drawing.
An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
Freehand sketching in ink from a photo reference I found online, to practice conveying that lots-of-stones look without drawing all the stones (photo credit: K. Mitch Hodge). Micron pens + alcohol markers.
Im Kurt and new to Doodle Addicts. Loneliness and anxiety dominate my life and are reoccurring themes in my art. It wasn't until recently, after countless jobs, countless attempts, and thousands of dollars in school debt, that I realized it is what it is. At this point, I am trying to learn how to express myself through art and build a community without the pain from before. Negative or positive, I hope you feel something and will like or comment. #MentalHealth #GeneralizedAnxietyDisorder #ItWillGetBetter
When Rebelle 3 by Escape Motions came out I wanted to create something that really shows off its power. I normally draw in fountain pen first, but this was created entirely from scratch in Rebelle 3.
Digital art tends to be cold and impersonal, but Rebelle's watercolor simulation looks & feels like real paint... and you can undo! That's critical for illustration work, as clients often request changes... But even for personal work- it means an artist can achieve a watercolor look without being at the mercy of the medium. So the result is more true to his or her vision.
Life is hard enough already without anyone else having a say in it. But when you are judged by the world so constantly, you learn to shut yourself out... you fake a smile, but deep down inside you just wanted to be appreciated...
Check out the Untitled Heroes on Youtube :
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I am continuing to try to paint without outlining in pen first - just starting with a pencil sketch. I used this awesome photo as reference: https://www.pexels.com/photo/chimpanzee-sitting-on-gray-stone-in-closeup-photography-during-daytime-33787/
In an attempt to be much more consistent with my drawing practice (and to tackle my insecurities about showing people my drawings) I am hoping that posting some of my sketches online will help keep me accountable. So day 1 sketch, I managed to find a very cheap used college set of Rotring Rapidograph pens online, when they arrived today I was delighted to see that they had NEVER been used! After a bit of a happy dance I got a couple of the pens assembled and started to figure out how they work. This is a quick sketch on tracing paper not that I was tracing anything I just need to invest in better paper with less tooth to be able to use these pens without having ink flow issues.
Imperfect Lines, Honest Presence
This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete.
But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains.
When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing.
So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal?
Perhaps presence itself is the real art.
There’s a lot of waiting in life.
Waiting in lobbies.
Waiting on answers.
Waiting for braces to tighten, kids to grow, hearts to heal, or prayers to be answered.
I sat at the orthodontist, watching dollars tighten on tiny wires, and made this sketch. A tree. A house. A street. Color helped the moment breathe.
I remember once hearing a chess master say, “There is no waiting in chess.”
It confused me—wasn’t there always a turn to wait for?
But he explained: “There’s no waiting. Only planning. Plotting. Analyzing. You’re always thinking.”
I once repeated that to a FIDE master. He got mad.
Maybe because waiting and patience aren’t the same thing.
We can be still and deeply active inside.
We can pause without being passive.
And then there’s Lindsey’s voice in the back of my head:
“That sounds like a first-world problem.”
“Speak life.”
“Be thankful. Rejoice always.”
And she’s right.
So here’s to filling waiting time with something creative.
Something kind.
Something that turns a delay into a doorway.
It’s always good to find some drawing time on vacation. We went to some weird random small towns in Washington and a ghost town called Burke with some particularly interesting history. I had Cheers playing on my phone while I drew this but no similarity is intended. It’s a classic show but it would have been better without the distracting laugh tracks.
Morning sketch. So I was waiting for a go ahead on a 20 illo project. One of the illustrations in the project is a pair of “Chucks” so in the meantime I did a much crazier than they will be wanting version. Sometimes you just have to please yourself without all the boundaries.
This feather rests as a symbol of gentle guardianship. Light enough to drift, yet preserved with intention, it speaks to protection without restraint—something watched over, not controlled. It represents care that is quiet, constant, and strong precisely because it does not weigh anything down.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
