In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
Up on a hill, deep in Deadwood
Lies an old shack, that fosters no good
Inside this shack floats a very old being
To seek it out, is to regret such a meeting
A blue floating skull, who brings sweet promises of doom
Sits all alone in a dark four corner room
Why is the reason, this being is there
Why does it beckon one to come near
Its lonely and bored
So it calls out to you
The skull was once mighty and powerful too
Causing great pain on subjects like you
The beast of an age
Caught by a mage
imprisoned in here
no longer to torment the world and spread fear
But just being caught wasn’t enough
It stifled its power but its will, was left uncorrupt
The skull, now a seeker of dreams
Destroyer of love, life, and of schemes #embracingnightmares
A vibrant assortment of rainbow watermelon slices is arranged on a wooden serving board, featuring colorful triangular and round shapes. The contrasting colors against the neutral background create a lively and appetizing display.
This new Bikes of Amsterdam painting is of this wooden bike I saw (no pun intended) a while back. I thought it was probably owned by a lumberjack although it’s more likely some city hipster type. Either way cool bike. Guess you would need to varnish it every year.
A drawing of a scene in a forest in Rocky Mountain National Park. Large rocks strewn among tall trees on a hill side. The drawing was done with Pencil, pen and white charcoal.
Charcoal and graphite. I drew this while standing in the woods for over an hour. The light kept changing as the sun was going down. Fortunately, I was able to capture some dramatic shadows!
"Foxed Fruits" is a 36cm x 10cm x 19.5cm x 7.5cm oil painting on custom cut plyboard with acrylic Venetian gold embellishments. This piece is available for sale.
This is another way of working that I really like. Fine liners and chalk (colour) pencils were predominantly used, with a quick smothering of acrylics for her scarf and coarse posca pen marks for the jumper :). About the subject, Handmaid's Tale was one of those rare books that I read more than once growing up and it stayed with me, hence why I decided to draw Margaret Atwood (not seen the series yet though but I hear good things!). I accidentally had her hand cut out while penning the figure - still working on my scale and composition!
Nornwan. Once there were Nature dwelling elves. They only ever lived, frolicked and played in the deep woods. Their bodies were quite accustomed to the trees. They could speak with the elements of nature, they could make the trees move and cause great mushrooms to grow from the earth. Theirs was the power to ask the spirits that watched over the wood fro guidance and peace. The Knights Factions implored these wild folk for aid on one fateful day. Few elves agreed to give trees and other supplies to the army, those that did not were attacked and destroyed and given no help by the army of Knights.
