David Lynch (1946-2025)
I like things to be orderly,” Lynch told a reporter in 1990. For seven years I ate at Bob’s Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee—with lots of sugar. And there’s lots of sugar in that chocolate shake. It’s a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. “
- From Daily Rituals: How Artists Work by Mason Currey
“I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.”
― David Lynch
Thank you for all your amazing art!
#dailyrituals #inktober #DavidLynch #goals @masoncurrey
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
Immanuel Kant (1724–1804)
Kant’s biography is unusually devoid of external events.
As Heinrich Heine wrote: The history of Kant’s life is difficult to describe. For he neither had a life nor a history.
In actual fact, as Manfred Kuehn argues in his 2001 biography, Kant’s life was not quite as abstract and passionless as Heine and others have supposed…. If he failed to live a more adventurous life, it was largely due to his health: the philosopher had a congenital skeletal defect that caused him to develop an abnormally small chest, which compressed his heart and lungs and contributed to a generally delicate constitution. In order to prolong his life with the condition—and in an effort to quell the mental anguish caused by his lifelong hypochondria—Kant adopted what he called “a certain uniformity in the way of living and in the matters about which I employ my mind.”
This routine was as follows: Kant rose at 5:00 A.M., after being woken by his longtime servant, a retired soldier under explicit orders not to let the master oversleep. Then he drank one or two cups of weak tea and smoked his pipe. According to Kuehn, “Kant had formulated the maxim for himself that he would smoke only one pipe, but it is reported that the bowls of his pipes increased considerably in size as the years went on.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #ImmanuelKant @masoncurrey
2023, Ballpoint pen on 5” x 8” acid free Moleskine sketchbook paper, Adobe Photoshop. First sketchbook drawing of 2024! Based on a photo of a model in a makeup company advert.
This is my project for the Mooncolony's Lunar Academy Online Art School https://mooncolony.co/lunar-academy It was such a great experience! Huge thanks to my mentor Ekaterina "Rin" Shapovalova. It was a pleasure to learn from you! https://www.youtube.com/watch?v=PZfIZx4aRQ4
This is a colour pencil artwork based on the likeness of British actress Madeline Smith. She starred in a James Bond film once, and a few Hammer Horror films. Many thanks for looking and hope you like it !
I pride myself for not being into internet drama or spreading gossip, but i do have a guilty pleasure. Mohammad agbadi is a youtuber who talks about problems with the art community, like tracing, theft, harassing and difficulties with etnic representation. Hopefully he wouldnt mind me borrowing his face to practise drawing black men... even though i heavily overworked his skin.
It's my third illustration with a lantern theme.
I had doubts while drawing this illustration. I changed the concept a few times. And I'm not sure if I got the expected effect.
But I'm not afraid to share it and say: "this illustration could be better."
It gives me the motivation to work harder.
It gives me reasons to push myself forward.
Have a creative weekend!
My name is Yasia Kagan (Tsarevski) - i'm artist, painter and teacher. I was born in a family of architects and painters, in a special atmosphere imbued with creation and art, love for aesthetics ...
Since I remember myself I was painting, this was always part of me. It wasn’t be me without painting. But I have paved a long way to where I am now - today I paint every day by teaching people and open their eyes to the amazing world around and within them. I started drawing black and white graphics, but since than I evolved my style by adding colors. Now I have found a combination that can express best what I want to see and feel.
I am director of a painting and creation studio "The Magic of the Brush" in the growth of the network of experience in Carmiel. I was born into a family of architects and artists, painting and a passion for art have fascinated me all my life, I started with black and white graphics like a forest of books and slowly rolled into color painting. The creation of all work makes me alive - I feel, I think, I understand.
I believe that art is a way of life. I Want to bring it to as many people as possible in order to make our world a better place.
Here are two of my paintings that are some sort of combination of graphics and color.
Hebrew:
אני יאסיה קגן (צרבסקי) ציירת, אמנית ומורה לציור. מנהלת סטודיו לציור ויצירה "קסם המכחול" בצמיחת רשת המתנסים בכרמיאל. נולדתי במישפחה של אדריכלים ואמנים, ציור ותשוקה לאמנות ליבו אותי כל החיים, התחלתי בגרפיקה בשחור לבן כמיערת ספרים ולאט לאט התגלגלתי לציור בצבע. מצירת כל משאני מרגישה, מש אני חושבת, מש אני מבינה.
ציירת, אמנית יאסיה קגן צרבסקי.
צייר ו מורה לציור מאמינה ש אומנות היא דרך חיים. רוצה להקיר אותו לכמה שיותר אנשים בשביל להפוך את העולם שלנו לטוב יותר.
מציגה כאן שני ציורים שלי שהם איזה שהוא שילוב של גרפיקה וצבע.
Done 2017 with lead pencils on 11x17 bristol paper. just wanted to draw some image with some story to it cuz usually my drawing do not look like it has stories. Original art is up for sale $60 USD (shipping fee will apply) email me jungmeister4@yahoo.com
Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calaneder.
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
Hello everyone! My new OC is finally finished! Her name is Lunaria and she is a forest guardian. I also got hugely inspired by Yasuo art from League of Legends. Timelapse process https://www.youtube.com/watch?v=7tdbkctDr7M
This artwork was requested by @lanahyawnuwuw. You asked for people in dresses, I give you people in dresses! Except now I want someone to use this for a movie. I can just imagine one of the trailer scenes: a guy talking to someone and says “what are they gonna do? They’re just girls with guns.” And he proceeds to get shot by one of them who comes into the room. Someone please make this into a movie.
This is an artwork that took me some time to make. I never really knew when to stop adding details, I felt it wasn’t perfect no matter what I added, but here we are! This was done in Procreate.
"Whirlwind 24”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 24th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 24, 2020.
One of my early oils from 2017. I was still getting used to the medium. I liked how the oils worked well for the misty distant hills, and I used glazing for the first time on the clouds.
