Umberto Eco (b. 1932)
Eco says that he is able to be productive during the brief “interstices” in the day. He told The Paris Review’s interviewer: “This morning you rang, but then you had to wait for the elevator, and several seconds elapsed before you showed up at the door. During those seconds, waiting for you, I was thinking of this new piece I’m writing. I can work in the water closet, in the train. While swimming I produce a lot of things, especially in the sea. Less so in the bathtub, but there too.”
- From Daily Rituals: How Artists Work by Mason Currey
“When men stop believing in God, it isn’t that they then believe in nothing: they believe in everything.” ― Umberto Eco
#dailyrituals #inktober #UmbertoEco @masoncurrey
Living, breathing, and creating with nature
When you wake up to the gentle sights and sounds of the pond, trees, plants, birds, bees, and dragonflies, inspiration flows effortlessly. So, when the owner asked for a menu design for @SarayaGoa Art Café, I thought—why not let nature speak for itself?
Using pen and ink, I captured the beauty of my mornings here—each stroke reflecting the lush surroundings that make Saraya unique. Instead of focusing on just food items, I filled the cover and inside pages with illustrations of the vibrant life around us. Dining here means eating among the green, surrounded by the diverse plants of our permaculture gardens.
This study is a tribute to the beauty that shapes every meal at Saraya.
I drew Zilsti and Zizavy for the first time along with the other two in early-mid 2019 when I was 17 so the original drawing is really old,its from my original sketchbook I forgot about,i'll upload a few more drawings from there soon and redraw them.I changed the designs of the other imps especially Malicia (the yellow one)her hair being tied suits her the best
I saw other artists use a white out pen to add small details to their finished drawing so I decided to experiment. Unfortunately, it doesn't always work.
Some endoskeletons I made a while back. The one on the left is spring-safe, which means it can be openly used as a costume. The one on the right is not spring-safe, and has a much higher chance of springlock failure. If you aren't familiar with the concept, springlock failure is basically where, while wearing a suit such as one of these (which are typically inside of mascot suits), the metal parts and such which pull in while a human wears it jolt back into position (which are there so they can operate on stage without a human in them) and dig themselves into your flesh. This normally kills the person inside the suit. Don't worry, though! Not like this is likely to happen. You usually have a 50% chance or higher to live... or less. ;) Drawn with FireAlpaca.
Last month, on Artefact Challenge, I was the one choosing the theme.
After what I got them, I think it'll be the last XD
These were two characters meant for Okhong, for an eventual PONIES event, so I keep them for myself.
To the left, Fi, the unicorn centaur, on the right, Tak, the draft-horse centaur.
One of them is a mean killing machine, and it's not the draft-horse.
Fi: What did you say about my WIFE?
Tak: Dear: No.
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Le mois dernier, pour Artefact, c’était moi qui devait choisir le thème…
Je me demande si ce sera pas la dernière vu ce que je leur ai sorti XD
Il s’agissait de deux personnages que je voulais sortir pour un éventuel évent PONIES d’Okhong, du coup, je les ais gardé pour moi.
A gauche, Fi le licorne centaure, à droite, Tak, la percheronne centaure.
L’un des deux est une machine à tuer, et c’est pas la percheronne.
Fi: Qu'est ce que tu viens de dire sur ma FEMME?
Tak: Chéri: Non.
This is my "Plant Abstract" doodle as a fleece blanket (available on Society6 and Threadless). All my art shops are at this link: https://linktr.ee/okhismakingart
