Claire here with another species I designed! This is a digital drawing of what I call a Gormadon. It's likeness is most like a bear, but it has spikes and frills kind of like a dragon or dinosaur. I imagine this species to be quite big if it were real. Perhaps about the size of an adult elephant. Thanks for checking it out and please drop a like if you liked it. *Please do not copy or claim this species as your own. It is not allowed in any circumstance*
This is someone's OC I drew (the design is not mine. No stealing please.) It's also one of my first attempts at drawing a dragon-like creature. This one, I'm pretty proud of. However, I need practice on drawing scales. Getting them to look right is more difficult than I thought. Overall, super happy with this picture. I hope the image makes your day a little more magical.
One of dozens of cartoons I created the last couple of years. A little voice is telling me to get these published in a book. If the voice gets louder, it will happen. In the meantime, I'm brainstorming and filling my sketchbook.
This is a digital drawing. Me and my family are fans of chinese food, so one day I decided to draw something based on chinese cuisine. I also love pandas and they're really fun to draw. Hope you like this fun little pic!
"The painting ""The Girl in a Shirt"" is one of the paintings series ""Her"".The artwork is painted in oil on canvas with wide textured strokes of a brush and a palette knife. In the work, we can see the opposition of a gentle female image and deliberately careless aggressive rough strokes of paint. The artist plays of black and white hard contrast against delicate pastel colors. The girl depicted in the painting feels
constrained by external conditions, which prevents this painting from having an erotic value. The girl nervously tries to unbutton her shirt in order to get more air and freedom. Her pose is not balanced, which shows even more uncertainty and indecision. That's why this artwork is considered rather dramatic."
This is a digital drawing of two magical lions. I'm pretty happy with the way they turned out. The magical wind behind the Sky lion (with the horn) is especially cuter than I thought it would be. That wasn't planned at all -- just a last minute decoration thing. Anyway, hope you like.
This is a drawing of Venoct, one of my favorite characters from Yo-Kai Watch. I drew it a couple years ago, so it isn't very recent.. But it's still a nice drawing I think. *Edited for clarity*
Imperfect Lines, Honest Presence
This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete.
But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains.
When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing.
So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal?
Perhaps presence itself is the real art.
this is a traditional illustration in colored pencil and copic marker of Venom swinging over a city street drawn on an Amazing Spider-man blank sketch cover. See more at Sketchcardsandcovers.com
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
My name is Jenny Lebedev.
I am a multidisciplinary artist and illustrator, Making painting on canvas and digital platform, video, photography, drawing. Graduate of the Department of Multidisciplinary Art at Shenkar.
I recently finished illustrating the second children's book. I also accept commission projects and work with the client in close communication. I make digital art work for postcards, prints, incl. producing prints.
In the field of art I deal with conceptual art on the topics of "nothingness" and the existing emptiness, awareness of the air.
When I was a little girl I was drawing postcards and during holidays I was selling them to the neighbors for half a shekel. At home my family always appreciated my creativity. Because of this when I moved to Israel, I decided on an art degree where I had the freedom to try different kinds of art. I became a painter and my final exhibition at Shenkar College was a plumbing work with sculpture and dio.
Nowadays I am more involved in digital painting and specializing mainly in illustration and design. I take my inspiration from nature because it has an amazing integrity. But of course a simple emphasis will make most people notice it better.
Extremely useful around the house, but doomed to constant despair, the Kitchenware Octopus loves to cook but has no free hands for carrying groceries. The last of her kind, she yearns for a mate to lovingly entangle ladles with, but has yet to meet anyone willing to risk constant proximity to the cheese grater.
"If you're a goblin in need of a smoke, you know where to go" Part of a series I've started with monsters in the modern world, this is the digital work I've liked the most so far, but I'd appreciate feedback on anything I could improve on.
