A drawing of a scene in a forest in Rocky Mountain National Park. Large rocks strewn among tall trees on a hill side. The drawing was done with Pencil, pen and white charcoal.
Unexpected Visitor
This color sketch was done for a pumpkin carving design I did for the Chadds Ford Historical Society Great Pumpkin Carving contest. The sketch is a a lot more impressive then what you can see here ,unfortunately when the picture was scanned ,The Kinkos sale person chopped half of the image that shows the hands, one point at you, and the other holding the sickle,and the flowing rope hanging off the Grim Reaper's arms. I spent a couple of week just studying skeleton to do this sketch. I was Inspire to do this design by the thought that came across my mine about death. We are like helpless babies playing Peek A Boo when it come to our knowledge of the time death will drop by to pick us off. Some people who are terminally ill and are told by the doctor they have only a couple of days to live,must feel like the Grim Reaper is sitting right in front of them with his face hidden behind his hands, and when you lest expected he opens his hand like to great door turning on their hinges to open up to reveal him sticks his face in their's and shrieking ,"Peek A Boo," and followed by a hideous laugh .
Stephen J.Vattimo July 19, 2012
As far as things that I can’t seem to shake off are concerned, it’s this fact that a place like Edinburgh where I live is akin to a village where everyone (artist folk in particular) seems to know everyone, and the patterns or quirks that emerge from this said thought process. In most collectives I’m a part of and/or are associated with, there’s what seems like an endless sense of crossover and overlap with fellow artists etc for lack of better words, which is lovely as it is insane... you know? All in all though, even if it drives me mad it does so in a strangely positive way and I’ve learned to live with that. So yeah, make of that what you will. :-)
Here's a 3 hour drawing of Haru and Legoshi having a moment. I just love this panel from volume 17. Great read - Beastars - go check it out. There's definitely mature content in there, you have been warned.
This was done with oil pastels in a technique known as Sgrafitto, as part of a 100 day challenge on Instagram. I scratched the black paint off with a chop stick. Worked like a treat, so I'm planning a bigger piece with that technique.
Taken me a while to finish this one - not feeling very focused lately. Also, I restricted myself to using Bic’s yellow ink, which is way more vibrant than the cheap 10-colour ink click pens that I usually use.
