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composition

NAJ NAJ
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self synthesis in cerulean

i want to peel off ur skin delicately and pry out ur eyeballs with care i want to witness the bare white of ur bones and ur fragile composition

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Abby Fichtner Abby Fichtner
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Master Study of Kay Nielsens 1912 illustration from In Powder and Crinoline. Graphite. 11

"She stopped to speak to him, altering her mind, and went on her way." Trying to learn more about Kay Nielsen's style. He illustrated folk and fairy tales in the early 1900s for Grimm and Disney and others. I love his dark/moody style with everything so flowy, elongated, elegant, and tragic. And his amazing compositions.

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Izabela Izabela
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A Family of Trees. Whimsical illustration - Day 16.

I changed the composition, types of silhouettes, and background texture a few times. I didn't have any expectations about the finished work. It was a creative flow with many changes. I think the creative process looks like this. Don't be afraid to try. If you make your art digitally, it's simple. You can: - create a new layer, - use shortcut Ctrl+Z. In traditional art, it depends on the art supplies you use. Sometimes you can try more times. Sometimes you need to start again. But any attempt is better than giving up.

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Kazrarr Kazrarr
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Happy little cabin

A Bob Ross inspired painting, for the Digital Painting Studio challenge, I know composition is a bit off, but I'm still pretty satisfied with the end result, and sometimes, you just have to let go of the image and work on something else...

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Sneezy Sneezy
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VOLCANA

VOLCANA (MARVEL COMICS) DONE 2015. ORIGINAL ART WAS THROWN AWAY Marsha Rosenberg was born in Denver, Colorado. She was a day care center employee who, along with her friend Skeeter, was among the residents of Denver transported to the Beyonder's "Battleworld" during Marvel Comics' first Secret Wars limited series. Seeking power and respect, she and Skeeter agreed to serve Doctor Doom in exchange for super powers. Doctor Doom had learned how to operate a machine utilizing alien technology. He used it to grant Rosenberg the ability to transform into a molten lava form with powerful thermal energy blasts, hence her codename "Volcana". She allied herself with Doctor Doom and the criminal faction and battled the She-Hulk in a confrontation with the heroic faction.[1] During the series, she developed a relationship with the supervillain Molecule Man, Owen Reece.[2] She bargained with the Enchantress,[3] and then battled the Enchantress with the intent to renege on her bargain.[4] During the Secret Wars II limited series, Marsha was residing back on Earth with Owen Reece. They hosted the Beyonder upon his arrival on Earth.[5] She tricked the Molecule Man into challenging the Beyonder[6] and then participated in the defeat of the Beyonder.[7] Some time later she accompanied the Molecule Man and the Fantastic Four to the Beyonder's universe. She separated from the Molecule Man when he apparently became irrevocably merged into another "cosmic cube" along with the Beyonder. Unlike her friend Skeeter who became the supervillainess Titania, Marsha did some superhero work.[8] She battled the Wizard[9] and Moonstone.[10] Volcana assisted the Avengers in repairing the damage to the Earth's crust caused by the Beyonder.[11] Volcana later took a comatose Molecule Man to the army hospital. After Molecule Man recovered, he turned the tent they were in into a hot air balloon as Captain Marvel's hologram wanted to talk. Volcana destroyed the projection. Because of the Silver Surfer, Volcana and Molecule Man were redirected to the Avengers and the Fantastic Four. After a brief fight, Molecule Man and Volcana were allowed to return to their apartment in Denver.[12] Later, she was briefly reunited with a de-powered Molecule Man (who had mysteriously returned to Earth) and battled Klaw. It was at that time that she gained the ability to assume volcanic rock and volcanic ash forms. She subsequently discovered that, just before his supposed "death," Molecule Man had secretly "willed" her a portion of his reality-warping power, and it was this power that gave her the ability to manifest these other forms at critical times, just when she needed them. Once he regained his power from her, she found herself no longer able to tolerate the darker side of his personality. She terminated their relationship, although Molecule Man vowed to one day prove his full love to her.[13] After losing a lot of weight, Volcana attended the wedding of Absorbing Man and Titania. Marsha discovered that Molecule Man was also invited. When Volcana went to check up on Titania following the supervillain attendees' fight with She-Hulk, she encountered Crystal, and Hydro-Man arrived to help Volcana until Crystal was defeated by Molecule Man.[14] Molecule Man still pined for Volcana. He captured Doc Samson, and after a fight with Doc Samson and She-Hulk, Molecule Man escaped and used his powers to carve Volcana's face in Mount Rushmore. Marsha saw the news of this on TV but did not suspect that Molecule Man was who made it happen.[15] During the "Fear Itself" storyline, Titania commented how Volcana just came along for the ride back when Titania was brought to Battleworld as she tells Dr. Wooster at the Farnum Observational Facility in Upstate New York.[16] Nightwatch later hired Volcana and Titania to fight She-Hulk in order to keep her from getting the documents that would incriminate him. With the help of her secretary Angie Huang, her supernatural monkey Hei Hei, and Hellcat, She-Hulk was able to defeat them with Huang redirecting Volcana's fire attack back to Volcana enough to melt her.[17] Powers and abilities Marsha Rosenberg gained superhuman powers through genetic manipulation by highly advanced technology performed by Doctor Doom. As Volcana, she originally had the ability to convert her entire body into a plasma form, in which she blazes with white-hot intensity, at times setting aflame any surface beneath her. In her human form, the 6 ft 5 in (1.96 m)[citation needed] tall Marsha has long black hair, and often wears only her magenta-colored swimsuit; her clothing is manufactured from unstable molecules, thus it is not destroyed when she is in her plasma form. The alien technology that empowered her makes her powers totally undetectable when she is in human form. Her plasma form grants her superhuman durability and consists of highly charged particles which surround her in white-hot flame and is able to emit controlled bursts of thermal energy up to 40 ft (12 m).[citation needed] She later gained the ability to convert her body into a stone form, a volcanic rock (basalt)-like composition which still enables movement and grants her superhuman strength. She subsequently gained an ash form, a volcanic ash (pumice)-like composition whose configuration she can shift, shape and control at will. Volcana cannot make partial transformations; she can possess the attributes of only one of her forms at a time. Monitoring devices subcutaneously implanted by Doctor Doom can be triggered to stimulate the aggression centers of her brain.

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Caden Hoyt Caden Hoyt
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Tenzing Norgay

Really working on the composition of a face, trying to draw it as a whole face rather than as the separate parts of a face Still need some practice but I'm not unhappy with the result

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Pankaj Pankaj
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eBay Logo Redesign

We improved visually eBay logo composition and concept for the next position. It is a dummy project. Need a logo design? Email evenflowstudio@gmail.com

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kritika goyal kritika goyal
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Life As A Journey Ink

Life is full of difficulties and hurdle. A mixed bag of happy and sad days. But when it comes to measuring them, we tend to weigh them towards the difficult ones more forgetting or avoiding the happy ones. This illustration is a composition to share how small or short life is to worry about tough times. Instead we can focus on being positive and happy and live every moment fully

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Psylent Psylent
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Thorny Mess

Abstract composition of thorns or horns on sour keys/soothers. Pen and paper drawing.

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Misti Misti
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Mouth/teeth study
1/2

In trying to improve my composition of the human form I am breaking it down to individual studies. I welcome your feedback!

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Jasmin Jasmin
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Inktober 1 - Crystal

I decided to explore negative space, hoping to develop a better sense of composition.

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Joyia Echols Joyia Echols
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Light and Shadow Studies

I've been looking at film stills and using them as a basis to understand how light and shadow can work effectively in a composition.

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Ray Ray
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Rajasthan, India

Village women walking along the desert carrying water in clay pots.

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Godel Santos Godel Santos
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study

study of anatomy n composition,,,no reference,,,

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Godel Santos Godel Santos
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Arcane search comunity

oil n pencil,,,,composition fantasy landscape ,,,hope you like!!

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Josh Gee Josh Gee
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Dwarf : what a concept

a rough list of ideas and musings that may indeed make up the composition of the race we call dwarves.

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Olga Olga
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Squirtle Circle

Squirtle: no more no less. Actually more about it, my lighting is bad, aka the yellow tint. Also color picking is really hard, and i might have to do a bit more outlining to the piece to make it look cohesive. But overall the composition is balanced i think, even if i slacked off with the execution a bit towards the end

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erik cheung erik cheung
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EMPRESS

This turned out to be a finished painting. It started with a full canvas of doodle lines (check my patreon log if you are interested in the raw file) This was executed just this March. Still, no lines were altered except the face area. Impossible you say?

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Jeff Brown Jeff Brown
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Based on one of Hakusais View of Mt. Fuji

Working on composition. I really like the work of the Japanese masters.

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Carolyn S. Pio Carolyn S. Pio
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Vitruvian Women

I have been wanting to explore the concept of creating a Vitruvian Women. Also felt like I struggled with the composition of the Reflect piece (which I am working on developing a series). Hence trying to learn from the best - in a scientific way:)

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Ryan Ryan
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Earth meets Sky

Another practice piece with watercolor. I wouldn't mind revisiting this composition later once I actually know what I'm doing with the medium.

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Monica Ortega Monica Ortega
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Nature takes back what its owned

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Jim Romer Jim Romer
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UPDATE: Fantasy Reading Scene (for SCBWI)

UPDATE: I was working on this illustration a while back, but I had no spare time and had to put it aside. The composition was too busy, but now I think it looks a little better. I made a few major changes, like: • Made adjustments to light sources • Created bolder outlines • Got rid of the Knight reading over the dragon's shoulder

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » de Mondrian : Composition numéro 4

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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erik cheung erik cheung
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Echoes

This was a transitional piece as I enlarged/zoomed out the 'mass' of the doodle towards the edge of the paper. This was one of the last pieces of abstracts before my figures surfaced from the compositions.

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erik cheung erik cheung
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Danse Macabre

These figures found must cast some meanings from my subconscious. They simply came and as a whole composition! I uploaded a full description on youtube giving them individual names, mostly ghostly. This piece contains a spooky atmosphere stronger than the others and remains one of my favorites, probably because better works come effortless.

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erik cheung erik cheung
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The Psychic

The only line added consciously is the hand. It leads the eye to the eye and thereby showing the viewers that it is in fact a figure. The shape on the right feels kind of right to be there, it really does not matter what it is. Compositional-wise , it works.

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Ashley Aliko Ashley Aliko
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Chari - Loosely based on.
1/5

Chari is one of my favorite folks to draw! I have been drawing a lot more while out and about. Using the cheap graph composition notebook, non-expensive art supplies and going to a coffee shop to draw people. Sometimes I can get a likeness with my mind, eyes, hands and draftsmanship and other times it is the "many moods of my subject." :-) This is a place (in my book) where I can learn from my perceived fails. ****The images are sideways! I know this. I do not know how to make them portrait orientation. They started out as portrait-scaped orientation and now they are landscape. Well..... Okay then. The figurative landscape. Hahaahhha! Cry. I even tried the visa versa. Nope. They want to be on their sides.

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Lena Zvereva Lena Zvereva
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The final hand lettering composition.

The complete first task of my lettering course. I thought maybe wait for the critique and refining it it before uploading here. Yet the suggested changes would make a whole different work.

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Kathryn Shuff Kathryn Shuff
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Black and Yellow III

Digging through some mid-century and art nouveau pieces to put the composition together for this one.

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