I designed these multicolored trailers using different shades of color only in a different pattern for each trailer. I felt like this color scheme would give the trailers a uniform look yet their own distinct look. The roads look freshly paved with small shrubbery on the corners of the entry ways of the driveways. There are some pretty brown steps that leads to a door on each trailers. Also, as you can see the trailers have been topped off with the same flat style roof only with a different solid color which is one of the colors used on the sides of the trailers. There’s a fishing area with plenty of fish in it as well as places to sit. There’s even a place to use the restroom close by the fishing area so you can continue to enjoy your day catching fish with minimal interruption. This trailer park has a fresh look to it. It has a warm, inviting feel to it and is perfect for living a more simple lifestyle.
Finished this today in urban sketching. View from my backyard with Edinburgh tenements and a back corner of Fountainbridge library. Mixed media on A4 (pencil, watercolour pencil, brush pen, posca markers, white ink and conte pastel). I always end up mixing lots of media these days :O
Inktober day 1, Poison. I drew a octopussy on his head, but then he forgets to keep his mind on the really dangerous thing, the poisonous snake coming from the corner. Be aware out there..
This is my newest OC Scarlet. I put the markers and their numbers in the corner. They are ARRTX markers. If you have any drawing tips i will gladly accept.
Had this OC sitting in the corners of my mind for a few years, decided to revamp her. She used to have an oversized lab coat and sweatpants. Drawn with Fire Alpaca.
This is a digital drawing of four random characters. The two on the left were totally spontaneous -- meaning they didn't exist until this picture was drawn. Buddy (on the right bottom corner) is one of my recent creations and he's developed into a very loveable character. Ninjo, I've actually known for a long time. She's a crazy gal -- always chopping stuff and crashing through ceilings. Come to think of it.. she's not really like a ninja at all..!
The whole purpose of this drawing was to showcase my skill areas. I'm skilled in people (both male and female), animals, and even inanimate objects.
know halloween was almost 3 months ago but this is a old drawing i did on November only to not finish it until now featuring Morrison,Vance and Sidney.I just added the words on the left and right and some dots on each corner to make it look less boring (all of my drawings are boring anyway lol)I added Celebrate because not only does it apply to Halloween but Christmas too (where my parents are from,we celebrate it on the 24th on December)I almost forgotten about the teens already since Im almost busy else where or drawing other OC's but Morrison is still difficult to draw nonetheless.In their world there is no trick or treating or candy eating but pulling pranks and scaring the most people to win prizes while dressing up.It was my first time drawing them on a tablet so of course this doesn't look decent.
This artwork is part of my ongoing visual diary of factory life—small, overlooked corners turned into honest moments.
“Trash Talk” sits right between humor and grit… a reminder that even the most mundane places have something to say.
This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening.
* Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth.
* Symbolism:
* The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world.
* The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.
Up on a hill, deep in Deadwood
Lies an old shack, that fosters no good
Inside this shack floats a very old being
To seek it out, is to regret such a meeting
A blue floating skull, who brings sweet promises of doom
Sits all alone in a dark four corner room
Why is the reason, this being is there
Why does it beckon one to come near
Its lonely and bored
So it calls out to you
The skull was once mighty and powerful too
Causing great pain on subjects like you
The beast of an age
Caught by a mage
imprisoned in here
no longer to torment the world and spread fear
But just being caught wasn’t enough
It stifled its power but its will, was left uncorrupt
The skull, now a seeker of dreams
Destroyer of love, life, and of schemes #embracingnightmares
"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.
The Skyscraper to the Moon and How the Green Rat with the Rheumatism Ran a Thousand Miles Twice.
Blixie Bimber's mother was chopping hash.
And the hatchet broke. So Blixie started downtown with fifteen cents to buy a new hash hatchet for chopping hash.
Downtown she peeped around the corner next nearest the postoffice where the Potato Face Blind Man sat with his accordion. And the old man had his legs crossed, one foot on the sidewalk, the other foot up in the air.
The foot up in the air had a green rat sitting on it, tying the old man's shoestrings in knots and double knots. Whenever the old man's foot wiggled and wriggled the green rat wiggled and wriggled. #dailyDrawing #rootabagaPigeons #carlSandburg
Another drawing I did a while ago. We've got Edward (the guy with the phone on his head), Dave (in a newly designed springlock Bonnie suit), Jack (in the springlock Foxy suit), nondescript employee, the man who brought everybody back to life (in the springlock Chica suit), and Henry (in the springlock Freddy suit). In the bottom left corner is a lonely freddy. I'm thinking that the tame part of Dave (the one that was seen in the flipside) will be the Dave we see in a human form, but the bad part (the one in Davetrap) would be sealed inside of Plushtrap, forever bound in a tiny body so he couldn't do anything bad. He lives in the back alley of the pizzaria and is the king of the lonely Freddys. Freddies? Freddy's? Oh well. Drawn with FireAlpaca.
Ta-da! Finally done! This was inspired by my annual back to school shopping trip in August with my mom, my siblings, and my grandma. The sign is a bit of a clue to that, the heart is similar for he logo of one of my favorite stores (until they closed last month), and the tan thing in the corner reminds me of the dusty playground we stop at between stores. The hair clip, butterflies, and purple corner (it's really a hair extension) are all from my favorite accessory store. The railing is for the walkway between stores and I don't really have to explain the shirt, skirt, pants, and shopping bag. No trip is complete without a bucket of pretzels to eat on the way home! Anyway, I hope you like my art!
Big Al Lopez from Sktchy. Pen and watercolour. This was only meant to be a doodle in a corner of a sketchbook to knock the cobwebs off as I haven't done pen and watercolour in months, but I quickly got enthused with it and really like the end result!
