Another attempt to work on more dynamic posing, I did a series of sketches pushing the pose into something outlandish and a tad pin-uppy for my unnamed Houdini knockoff escape artist. I used a different framework technique than usual to help me along, but I'm noticing now a few errors in the final sketch as per usual :)
Bork, bork, bork! The Swedish Chef is taking “fast food” to a whole new level—now with 100% more chicken anxiety. Camilla did not sign up for this Tour de Flap, but here we are. Will they reach the kitchen safely, or will this turn into an unscheduled poultry emergency? Stay tuned.
Latest from my Bikes of Amsterdam series
Urszyg [oorshig] – a daimon watching over garden cabins, summer houses, dachas, etc. He’s very fond of DIY projects, grilled dishes (although he wouldn’t say: „No“ to a good cat food). Unfortunately, he also likes strong beverages (particularly if they have a cherry flavor). For this reason, not all of his repairs and DIY projects can be considered successful. Generally, however, he is a good soul and I can‘t say anything bad about him.
A weird little project i started a while ago. All pictures are based on, more or less, drawings from my childhood. Hence the childish style and story. I'm not going insane, so you know, yet...
My son and I were blowing bubbles in liquid watercolors with dish soap, then putting the bubbles on the paper. I took a pen to some of mine, and these little guys appeared.
This one I designed when I was 7 years old,hence the silly name and simple design,but effective......I Recently stumbled upon yugioh card "ryu kishin" and really liked pose he was drawn in,so I tried to redraw my Vampis in that pose while using ink and polychromos colored pencils. I always imagined Vampis being some kind of mischeavius minion using shadows to move around doing all sort of childish pranks,like throwing rocks at windows,or setting houses on fire....it's one of the two monsters that I remember from young age and I kept redrawing him every year or so.
My half of the art trade with OptimisticJerk (https://www.deviantart.com/optimisticjerk). The trade was to draw a monster as made up by your counterpart without seeing a reference image, based only on the description. Here is her half (which is awesome): www.deviantart.com/optimisticj…
For mine, I had to draw a monster called a "niter" based off of his description:
"Niters communicate in whispers. Nocturnal. Shy away from light. They’re black and oily and emanate a bluish glow. Large, looming 6 foot shadow things with massive hind legs, clawed for climbing trees and they have ‘maws’ instead of arms, claw-like appendages they stab people with and only one gaping blue eye. Their mouths open up and they swallow their victims whole."
What's funny is that I didn't see the fact that they emanate a bluish glow until now. So, the glow from the eye is purely by coincidence. Figuring out the hind legs of this creature was difficult, and so I sought reference images, and of all things, the koala turned out to be a pretty good reference.
For a while, there, it was looking like Carnage from Spiderman, but I toned down the reddish-hue a bit. The intention was to give the appearance of motor oil.
So, now to find out how badly I failed at drawing this...
This art trade was fun, though, and I would do a similar one, again. But I am le tired.
Handmade
Material
Ceramic
Description
Add a splash of color to your morning coffee or tea ritual! These ceramic mugs not only have a beautiful design on them, but also a colorful rim, handle, and inside, so the mug is bound to spice up your mug rack.
• Ceramic
• Height: 3.85" (9.8 cm)
• Diameter: 3.35" (8.5 cm)
• White print area
• Color rim, inside, and handle
• Dishwasher and microwave safe
Revenge is a dish best served cold. Think of those old kung fu movies with a strange comic twist in style, not scenario. Handpainted with a brush only, no pens!
Suppose that 'meaning' is a faint word scribbled on a wall in a dark room. The words that we use are often barriers that separate, then, our 'comprehension' from 'meaning.'
Let us suppose then that the light of the intention of a speaker is obscured by a 'word.' The angle and setup of that intention then, along with the angle and setup of the comprehension of the listener, can distort or disguise the true meaning of what the speaker is saying.
Of course, the angle and setup of these things can vary greatly, just as easily as the shadows that cover 'meaning' can vary. It would seem best, then, with this in mind, to communicate as transparently as possible and to avoid and/or to detect deceit whenever possible. Dishonesty and misdirection, whether deliberate or otherwise, in the speaker or in the listener, always risk shrouding 'meaning.'
When communicating earnestly, distraction can be dangerous. Shrewdness is recommended.
A3 format, acrylic, felt pen, colored pencils
Visual artists from the World of Fantasy are familiar with these creatures who are alive to every creator. Their court cannot be affected, there is no way to deceive the inner voice that knows the truth, created by the Observers. When the artist starts with some work, they appear, at first in a small number. At the end of their work, eg some pictures or sculptures, and especially when finished, their number is significant, they carefully study the artwork, and if they see a mistake, disharmony, lack of emotions, etc., dissatisfied will grumble somewhere inside artist's insights. The artist will feel that his work is nothing special, similar to many other artistic attempts that disappear in the dark of forgetfulness. Some spark is missing in his artistic creation, which would do its job gave a life that lasts. The disapproval of the Observer, their unpleasant resonance, if frequent, it can make a more sensitive artist to dump the brush and consecrate himself a completely different job, in which self-criticism does not play a significant role.
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