Final assemblage - manual drawing enriched with digital elements, A5 format
The punch line:
An external, independent force ruined the morning by shattering the cup.
Fate took its share.
The question is:
Does this same external interference have the power to destroy the rest of the day?
Does one rotten fruit have the chance to rob all the others of their flavor? The sun will shine no matter the situation.
Choice and acceptance don't have to be mutually exclusive!
An idea sitting around in my head for some time. It came out today as a sketch, but I still feel that I am not ready to draw this for real. Next time, maybe.
Just a simple little mandala doodle drawing I drew this morning.... getting better a doodle at a time!! Hope to draw better more complex and more evenly spaced out designs in the future. I am a completely self-taught artist who is not at all naturally talented in drawing or any art medium for that matter but am learning and praticing and getting better daily. My advice is if you are a beginner or aren't naturally blessed artistically but have the passion creative mindset and desire to become good at art then keep going keep on praticing and learning from those before you and I promise you will get better and eventually great! YOU ARE AN ARTIST!!
have you ever seen the part in a bug's life where he flies into the wall, shows a thumbs up and says "I'm okaaay". that's how I imagine saying the title of this image. I added some bruises and stuff so I didn't have to explain to my younger sisters that I was referring to an emotional state of mind
This is a drawing of the ocean. It shows all the different zones of the ocean. It also shows animals that live in those zones. At the top is the sunlight zone. Next is the twilight zone. After that is the midnight zone. The last is the abyssal zone.
Emotionally speaking, this is definitely the hardest pieces I've made so far. On July 18th, 2019, an arson attack on Kyoto Animation's Studio 1 left 36 dead and 34 injured, one of the deadliest mass casualty incidents in Japan since the end of WWII. KyoAni has some of the best working conditions in the industry and have made some of the most iconic anime to date, including Clannad, A Silent Voice, and the show that got me started on anime, Violet Evergarden (as seen in this drawing). I sent this drawing to them through their website, and there's a good chance it was displayed along with thousands of other fan submissions in Kyoto this past November as part of a public memorial service. While this was a tragic blow to the company and community, they're healing and getting back to their feet, and I can't wait to see what they create next.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever.
Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall.
Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.
This one is important to me. I had been having a very long dry spell, not making any art, and then one day last Fall, while on a road trip, camping in Mesa Verde park, I drew this using some copic grey scale brush markers and a fine liner, and it was like my vision was returning. I got really into seeing, and imagining ... Anyway since then I've still been struggling to make more work, but have been making more creative things when I do get productive, and been organizing older work... It's also interesting that I titled this piece Phase Transition back in Nov '23, and subsequently had quite a sea change of life experiences, adventure, and new visions. Now if I could just sit down and draw more...
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Can you believe this is my first time drawing Bowser? It's not perfect, but I love how it turned out for a first. I did this because my sister found this non-profit organization that makes lunch packages for hungry children. This organization is allowing people to send them decorated paper lunch bags for them to use. We're about to send our first batch and I'm so excited! I have the links if you want to join the fun!
PLaying in the studio with watercolour paints and inks - created a planetarium of textural ideas - had great fun doing this and now plan to use some these effects in my next piece.
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
A striking hand-drawn conceptual illustration featuring a brain wearing a colander like a helmet, titled "Selective Ignorance." This piece explores the conscious choice to filter out the noise of the world to protect one's mental clarity and focus.
Michael B Jordan Portrait Drawing by Oz Galeano
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"Mask Up" by Ty Tatmore (2024) is a powerful and unsettling piece of contemporary social commentary. This work throws the viewer into a scene of post-apocalyptic anxiety where an individual, wearing a striking conical hairdo and a defiant "MASK UP" t-shirt, sits amidst the wreckage of a dilapidated room.
The artist uses dark humor and surreal imagery to explore the cultural tensions surrounding public health mandates and personal responsibility. The sign "CHOOSE WISELY!!" acts as a stark warning, while symbols like the gas mask and the Scream mask and also wearing a mask suggest a spectrum of survival and fear. The massive explosion breaking through the window is a haunting, almost surreal symbol of the unstoppable outside forces impacting daily life.
With its raw, graphic style and intense atmosphere, this painting is a memorable and thought-provoking statement that captures the isolation, uncertainty, and dark irony of living through a moment of global crisis.
