Author: Dang Minh Hoan
Photographer: Dang Minh Hoan
Media Company
Date of photo posting: September 5, 2019
Contact me: damepage2@hotmail.com
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The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Lead pencils F,B-B7, kneatable- ,normal-, pencil eraser, paper stomps, tissue on A3 bamboo fibre rag paper. Choose to draw her bald, for no particular reason. Zoom in for full detail. Photographed in the sunlight with the canon 28 mm f/1.8 prime lens. Photoshop for greysteps contrast-boost and cropping. Like if you dare. Or else post some critique. Just some try to imagine Christina bald. Realistic? Still doodling? Her eyes are like dominating the whole draw... kind of unreal, isn´t it?
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
This is a rendition of a traditional Buddhist deity. Read the essay that goes with the image here: https://docs.google.com/document/d/1gbpgx8-zX3ZVJrZanSG24ZGu2VMt6dNWVM34G_R0oW8/edit?usp=sharing
I haven't posted for awhile. The only thing I seem to be able to do right now, besides boring traditional student work (does anyone really want to see endless figure studies? I think not) is this weird graphic Journal. It may be the only thing I do for awhile here.
I have a good bit more to do with this but I thought I’d post the progress so far. First time using real software besides stuff like paint. Sketched out the bones of it in pen and scanned to myself.
