(HB pencil on 47mm x 80mm paper) Another of my small Guardian Spirit works, which constantly rip into the idea of guardian angels and spirit guides. An idea just about as ridiculous as alien visitations themselves. Could that be a laser weapon the alien's holding, or a portable anal probe?
The historically significant American Civil War era Remington .44 Army Percussion Cap & Ball Revolver (circa 1860's). From my sketchbook: HB & 9B graphite pencil on 14cm x 14cm paper.
Pastel pencil study of the intertwined hands of the Ambrogio Borghi sculpture, Chioma di Berenice. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
Another Oc who I haven't drawn in a while due to his original design being difficult,Now Tenebris has five fingers and four toes and finally...a tail.he looked more like a grey skinned person than a demon before.he is shirtless since male shadow demons are shirtless but I may give him an open button down shirt instead.Since it was my first attempt,next time I probably will make a reference sheet for him and other ocs.
Art trade with JaredTheFox92 on DA. The character is Aurelia, the Grey Fox, and she is in her giant evil form. Thank you for looking at my art. This only took me around 5 hours, which is a new record for me! Done in Krita.
I enjoy drawing the forms of the back. Especially when classically lit.
Pencil, Charcoal Pencil, Pastel Pencils and white Prismacolor pencil on 9” x 12” Strathmore Toned Grey sketchbook paper.
Mixed media, colored pencils and Photoshop. Blue-gray Gnatcatchers (Polioptila caerulea) are a very small songbirds and are most frequently encountered in pinyon-juniper habitat but can be found in any low-elevation areas with an abundance of shrubs. It prey mainly on small insects. Main source: https://www.instagram.com/camilojulianc/
Here's a drawing I made of pinup model Lalla.I used black ink, color pencil (black and grey) graphite pencil on watercolor paper. Many thanks for looking.
This is a work I made as a reaction to a questionaire about suicide. I got over it, but I have been there, done that. Despair, the feeling of drowning, reaching out but never getting the help you need, deep dark depression, the grey-brown brainfog. Yet: there is some light, there always is, but I'm too scared to look at the light. I didn't varnish this pastel-drawing, just to accentuate the fragility of mental health. What you need to know it that I got out of this and so can you if you are this deep in trouble. I'm doing much better. January 2020, pastel on A3 paper.
The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself.
The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water.
The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt.
The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware.
The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze...
The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.
