A foggy morning opens up to a burnt landscape. I wanted to paint a couple of different environments in one painting but still aim to be refined. I used fall colors and smaller lines.
Mermay Day 19: Royal
all hail Ceto of house Humansbane, destroyer of poles, evader of hooks, piercer of nets, mother of all fish-kind, goddess that swims alongside us.
shes holding the scepter of Poseidon and the will of Triton.
they cover the fins of royals because only the gods should see their beauty.
some rumors say that the royal family just has a deformity thats passed on genetically so they cover it up and made the god thing up...who believes rumors though...dead merfolk thats who.
4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
Was itching to play along with the “Draw Me A Robot” challenge for a while now!
Not much I can say about this, pretty spontaneous to say the least...
Definitely wanted to add some sort of low fidelity edge to things though.
Combination of traditional and digital art. I actually hand painted this on some very textured paper with oil pastels a while back, so to 'tidy and clean' it I had to employ digital means. The background was done with alcohol inks, the 'flow' of it I was particularly proud of :).
