The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
I love the song Blackbird by Paul McCartney. But, blackbirds are very territorial when they have young ones in the nest. There is a sunny tree-lined path I like to walk in the summer. I have seen a fox running out of those woods, a doe lying in the sun-drenched grass, and an irate couple of blackbirds diving at my head while I was peacefully walking by their nest of young ones. I had to start carrying a stick to ward them off. Blackbird Fly! Just stay away from me!
Actually I saw this scene when I was traveling in bus early morning. In the foggy outskirts of city. I spotted this farm. I loved the one small patch of farm with Greeny patch.
Couldn't paint the fog, but tried to give the sky a feel of foggy.
I'm playing a lot with the background texture. I'm discovering the power of brushes from Krita Software.
I fell in love with the gouache texture effect.
I like the silhouettes in this illustration, but the leaves could be better. I need to find a good brush for drawing leaves faster and with ease.
Or maybe I should try some other techniques?
Have a creative time!
Daily sketching is one of the best habits every artist should build.
The second important habit is sharing your work. It doesn't matter if it's a sketch, a work in progress, or finished artwork. Just share!
GLOOSCAP AND THE BABY
From Favorite Folktales from Around the World byJane Yolen.
Glooscap, having conquered the Kewawkqu’, a race of giants and magicians, and the Medecolin, who were cunning sorcerers, and Pamola, a wicked spirit of the night, besides hosts of fiends, goblins, cannibals, and witches, felt himself great indeed, and boasted to a woman that there was nothing left for him to subdue.
But the woman laughed and said, “Are you quite sure, master? There is still one who remains unconquered, and nothing can overcome him.” In some surprise Glooscap inquired the name of this mighty one. “He is called Wasis,” replied the woman, “but I strongly advise you to have no dealings with him.” Wasis was only a baby, who sat on the floor sucking a piece of maple sugar and crooning a little song to himself. Now Glooscap had never married and wasignorant of how children are managed, but with perfect confidence he smiled at the baby and asked it to come to him. The baby smiled back but never moved...
#dailydrawing #folktales #kidlitart #babies #algonquian
