light

A study in full body portraits, foreshortening, shading, and lighting.

Trying to make sharp shadows without having everything blend toghether. My goal is to convey the warm, pinkish sunlight on the first day of spring, and light is not something i have given enough care to earlier. Removing colors from a photography is an effective way to get an idea of how sharp shadows actually are!

It was 230am

My "Enchanted Portals" fan character Wilma (the wizard in blue) and my little witch girl Wilma and her ghost friend Spookers have a nice little night flight.

The forests citizens flee a common threat

“The politics of the world frustrate me. I control my frustration when I write, but it explodes when I perform.” A quote from a Benjamin Zephaniah documentary I caught not long ago on BBC iPlayer’s been resonating with me as of late. Granted, I tend to keep politics light here (if anything) but I stand by what I’ve just said regardless.

Elias Rosenshaw 12/1/2023 (Taken 11/30/2023) Filtered photography bordered with layers of gouache with poster & dot matrix filters. Wall design created by my mother with paint marker on acrylic paint.

Have a very inclusive Christmas!

A linework ink drawing of the Gladekeeper, the dragon goddess of nature on dragon pet sim Flight Rising. Drawn for inktober 2019!

Hi, this work is NOT done and I would like to finish it soon. If your wondering the light pink is known as "king" and the light grey one is known as "dyson". These two are known for being best friends and go on many adventures together. Eerrmmmm!! Thanks for viewing!!!!!!!! :3

Jean is my clan leader on the dragon petsim Flight Rising, in-game she is a nature elemental female pearlcatcher. Her in-game profile is here https://www1.flightrising.com/dragon/4025429 Lore outline: Originally born in the nature elemental lands she found herself enchanted by the stars above the canopy, and journeyed to the light territories in search of knowledge. But these dragons had little in the way of passion besides snobbery and a burning desire for truth. In her love of the night sky and shunning of the sun she did not fit here, and was bullied for it. One particularly bad episode altered the golden runes that her scales bore, covered her with patches of glowing gold - a permanent mark of the burning sun. But she did not only come to harm in the light flight, for it was here that she came across a clan of misfits just like her, formed by a guardian dragon who wanted to protect all those who were different. And then she, along with the clan, moved to the territory of the arcane flight - the home of curiosity, and those that loved the stars. They have been there ever since. Art method: I started with graphite and ink on white A4 paper, scanned it into the computer and set to multiply then used photoshop to add colour and further shading + a simple gradient for a background on the layers beneath.

9x12 on gray toned paper.

I love cities. Especially the lights at night.

Practicing sketching trees. I'm starting to get a little bit of a handle on light and shade.

Tao Te Ching “A great nation is like a great man: When he makes a mistake, he realizes it. Having realized it, he admits it. Having admitted it, he corrects it. He considers those who point out his faults as his most benevolent teachers. He thinks of his enemy as the shadow that he himself casts.” ~~~~~~~ CIM Chapter 10 88 Children perceive terrifying ghosts and monsters and dragons, and they are terrified. Yet if they ask someone they trust for the real meaning of what they perceive and are willing to let their interpretations go in favor of reality, their fear goes with them. When a child is helped to translate his “ghost” into a curtain, his “monster” into a shadow, and his “dragon” into a dream, he is no longer afraid and laughs happily at his own fear. You, my children, are afraid of your brothers and of your Father and of yourselves. But you are merely deceived in them. Chapter 12 35 It is through these strange and shadowy figures that the insane relate to their insane world. For they see only those who remind them of these images, and it is to them that they relate. Thus do they communicate with those who are not there, and it is they who answer them, and no one hears their answer save him who called upon them, and he alone believes they answered him. Projection makes perception, and you cannot see beyond it. Again and again have men attacked each other because they saw in them a shadow figure in their own private world. And thus it is that you must attack yourself first, for what you attack is not in others. Its only reality is in your own mind, and by attacking others, you are literally attacking what is not there. 36 The delusional can be very destructive, for they do not recognize that they have condemned themselves. They do not wish to die, yet they will not let condemnation go. And so they separate into their private worlds, where everything is disordered and where what is within appears to be without. Yet what is within they do not see, for the reality of their brothers they cannot see. 41 Vision depends on light, and you cannot see in darkness. Yet in the darkness in the private world of sleep, you see in dreams, although your eyes are closed. And it is here that what you see you made. But let the darkness go, and all you made you will no longer see, for sight of it depends upon denying vision. Yet from denying vision, it does not follow that you cannot see. But this is what denial does, for by it you accept insanity, believing you can make a private world and rule your own perceptions. Yet for this, light must be excluded. Dreams disappear when light has come and you can see.

A fairy brings the stars to light as she flies before the crescent moon. 8 1/2 by 11 black and white ink on medium weight sketch paper.

Suppose that 'meaning' is a faint word scribbled on a wall in a dark room. The words that we use are often barriers that separate, then, our 'comprehension' from 'meaning.' Let us suppose then that the light of the intention of a speaker is obscured by a 'word.' The angle and setup of that intention then, along with the angle and setup of the comprehension of the listener, can distort or disguise the true meaning of what the speaker is saying. Of course, the angle and setup of these things can vary greatly, just as easily as the shadows that cover 'meaning' can vary. It would seem best, then, with this in mind, to communicate as transparently as possible and to avoid and/or to detect deceit whenever possible. Dishonesty and misdirection, whether deliberate or otherwise, in the speaker or in the listener, always risk shrouding 'meaning.' When communicating earnestly, distraction can be dangerous. Shrewdness is recommended.

This painting was done with the Tuscan style in mind. The Tuscan style favors a rustic look. To me this never goes out of style because it’s as if the new and the old have found a common medium and have agreed to blend so well. There’s plenty of green, beautiful grass. The windows are complimented by the various colors of flowers that are perfectly placed below them. I love how there’s a table set outside of the building with a string of lights (even more beautiful at night) for people to enjoy the scenery as they eat some tasty, authentic Italian cuisines. There’s a group of people walking past the wall of yellow flowers and vines on the way to the inside of the building. In this scene, the ladies are wearing some long, beautiful dresses with gentlemen by their side to accompany them. This gives the impression that this group is out to have a good time. The white birds tops it off in this painting by giving it an inviting feel...”a moment to remember” feeling.

About once a year I set aside a page in my sketchbook, or bullet journal, to do a marker test. I go through every pen I own including Sharpies, highlighters, Bic Permanent Markers, Crayola markers, Stabilo pens, Expo dry erase markers and everything in between. I document the quality and determine whether to keep or toss the utensil. I find it’s easy to collect art materials, especially when you’re like me and switch mediums regularly. It’s important to know that when I reach for a certain pen or marker, it’s going to work the way I want it to. I do keep a page at the back of my sketchbook open for testing mediums, but it’s an important part of the process of creating art to go with the flow and just draw.

Wanted to keep it simple while working on blending watercolors. I hope the highlights are nice, and the muted palette makes you reflect.

A painting I just finished to work on lighting, inspired by a painting done by SamDoesArts. This one was especially fun because I haven’t worked with layer effects for lighting in a little while and liked the way this turned out.

#embracingnightmares

This portrait was created using mixed media like colored pencils, markers, and ink. The portrait features the face of a man resting in his hand, and staring dead-eyed at the viewer. I used non local color techniques to create depth and form using colors not typically found in the human face, like blues and violets for shadows and yellows and oranges or highlights. Parts of his face include small pink stars which originally faded from the previous page, but I really like the look it gives, they almost look like celestial freckles.

Digital painting in procreate

Hello. My name is Jenna. As a child, I grew up in an abusive household, where my dad would do some pretty messed up things, as well as gaslight me. My dad has been out of the picture for a while, but I still have a lot of feelings and trauma left over from him. I wanted to represent what being gaslit, felt like to me. Now without further ado, my impression of gaslighting.

The theme was 'tension' in which we had to create a work of art using brown paper bags. In the midst of high school drama and stressful testing seasons, I created this mixed media drawing of a woman screaming and pulling at her hair. The hair is made of the brown paper bags to give it depth and texture. The drawing was created on brown paper with white pen highlights.