Last post for me for a while while I focus on finding myself a job again. Hope you enjoy and visit my site if you like to see all the other stuff I do.
I chose to build on the liminality of the door and its status in the imagination as a link between two worlds or identities. In this section I am using the fibres of gloves to create different forms of hands and transparent boxes to represent the idea of space.
Through my art I try to express the limited space in which I live, thus focusing on the sense of self that is to be achieved by isolating one's cognitive processes through dialogue with space. The relationship between solitude and space is a subjective process of self-consciousness that involves the absence of social attributes and interaction with others. In other words, it is a non-objective state of space in which the self can find expression. Loneliness therefore manifests itself in a reluctance to approach groups.
I wanted to draw someone who is actually in my life. My moms friend Chanda was around and I just secretly took a photo of her, and traced her face outline because I am sucky at outlines.
Trying my hand at some character design with the intention of eventually modeling it. Only the front view so far. Still have some painting to do to get rid of the rather "designy" black ink outline. Then on to the side view, then to POLYS!
Steve is a musician and head sound engineer for Microsoft in Seattle. I drew him after visiting, trying to capture a bit o the otherworldliness of his music.
“Whirlwind 6”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature and date in the back of the drawing. This drawing is the 6th in a series of drawings that were posted over a period of 100 days. The original post date on this drawing was September 6, 2020.
“Whirlwind 1”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature and date in the back of the drawing. This drawing is the 1st in a series of drawings that were posted over a period of 100 days. The original post date on this drawing was September 1, 2020.
Kind of the icon or logo of Jester's restaurant, "Ringmaster's Pizza Hall". Before it was known as such, we called it "Jester's Mini Jamboree". If you didn't know, Jester has a line of steel dividing his bottom left and bottom right faceplate, which forms one mouth. So, in order to eat (even though Jester CAN'T eat, because he's a robot), he'd need to open those faceplates so he can fit food through the mouth. Drawn with FireAlpaca.
This is another way of working that I really like. Fine liners and chalk (colour) pencils were predominantly used, with a quick smothering of acrylics for her scarf and coarse posca pen marks for the jumper :). About the subject, Handmaid's Tale was one of those rare books that I read more than once growing up and it stayed with me, hence why I decided to draw Margaret Atwood (not seen the series yet though but I hear good things!). I accidentally had her hand cut out while penning the figure - still working on my scale and composition!
So I'm a little behind the curve, but here's my day 1 for Inktober. This was my first time using my fountain pen for drawing, so I can't complain too much. There's definitely some room to grow. Lined with a TWSBI Eco: fine nib with Organics Studio Walden ink on Tomoe River paper. I'm a sucker for sheen, what can I say. The sad attempt at shading was done with a wet paper towel, so I'm guessing I could try upgrading my technique there ;D
