Drawn with a Sailor/Wancher Turquoise 1911L. The M nib on this pen comes to a sharp point which allows for some line variation not from flex but based on how deep the firm nib digs into the watercolor paper. The Noodlers Black ink is a little dry and that contributes to this effect.
So I am making a little animation (as part of my art training) and this is the first frame. It's to a song, so I put the words on the screen, so that's why the word is there
"Lost little red." *He took a step closer as he towered her smaller form. He chuckled lowly as if her mere presence was a joke to him. He reached out, his long, sharp, black claws touched a strand of brown hair. "What a little snack you'll make."
A simple drawing for the new part of Split Of Fate.
"Chain and collar"
- https://www.royalroad.com/fiction/141547/split-of-fate/chapter/3150236/chain-and-collar
Stripped of skin, status, and story, what remains is the truth beneath it all. Bone Deep is a minimalist skeletal portrait rendered in graphite and ink on canvas, built through cross-hatching, stark contrast, and deliberate restraint. The exaggerated skull and hollow eyes confront the viewer directly — not with fear, but with inevitability.
I was going through some old sketch books that marked 2024. I had completely forgotten about this guy. I did change his look a little. I added hair to him and took his horns off. But I had created him to be my demon or devil. I thought he had died, no he was just waiting.
I wanted to draw Ash but without his bat features. Ash takes on bat like features in his orignal concept. I will be keeping those features, because I like how it looks. Every color I used in this picture was used for a reason. I had to do some research, so the colors would reflect is personality and his role he plays within the world in which I created him in.
Colors with purpose:
-Purple
-Green
-Red
-Orange
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
The theme was 'tension' in which we had to create a work of art using brown paper bags. In the midst of high school drama and stressful testing seasons, I created this mixed media drawing of a woman screaming and pulling at her hair. The hair is made of the brown paper bags to give it depth and texture. The drawing was created on brown paper with white pen highlights.
GLOOSCAP AND THE BABY
From Favorite Folktales from Around the World byJane Yolen.
Glooscap, having conquered the Kewawkqu’, a race of giants and magicians, and the Medecolin, who were cunning sorcerers, and Pamola, a wicked spirit of the night, besides hosts of fiends, goblins, cannibals, and witches, felt himself great indeed, and boasted to a woman that there was nothing left for him to subdue.
But the woman laughed and said, “Are you quite sure, master? There is still one who remains unconquered, and nothing can overcome him.” In some surprise Glooscap inquired the name of this mighty one. “He is called Wasis,” replied the woman, “but I strongly advise you to have no dealings with him.” Wasis was only a baby, who sat on the floor sucking a piece of maple sugar and crooning a little song to himself. Now Glooscap had never married and wasignorant of how children are managed, but with perfect confidence he smiled at the baby and asked it to come to him. The baby smiled back but never moved...
#dailydrawing #folktales #kidlitart #babies #algonquian
little project of collage, about woman in their daily life at home, using primary colors.
Here Fanny in her parisian flat with Kelloggs her cat
collage, acrylic painting, colored pencils, charcoal, aluminium
little project of collage, about woman in their daily life at home, using primary colors. Here Penelope in her kitchen preparing herself a meal for lunch
collage, acrylic painting, colored pencils, charcoal
The Jack Story from Rooster's Wife by Russell Edson.
There was the Jack of the beanstalk story, and a Jack Sprat who could eat no fat. And there was Jack-in-a-box who used to spring out of a box for no reason at all. And Jack who broke his crown fetching water with a certain Jill. Not to forget little Jack Horner, or the jack who jumped over a candlestick...
Theirs is a club of Jacks.
https://www.instagram.com/p/CjniuMsuDWM/?utm_source=ig_web_copy_link
Dream of the Yellow Chrysanthemum from Dialogues in Paradise by Can Xue.
I was hiding behind the window aiming my air gun at a squirrel on a roof in the distance. I had been taking aim for two hours. But when I finally shot, full of confidence, the steel pellet zinged right into Old Jiang's arm. God knows why I lost my mind at the crucial moment, I was born with the impulsive personality. Immediately he jumped up and dashed into the room, shouting, "Murder! Murder!" I was totally embarrassed.
Pintu is wishing you a wonderful day and wants to give you a little reminder that you aare absolutly brilliant :) My aunt gave me a beautiful pink cup as a present and I wanted to integrate it in this drawing hihi. I absolutly love that cup. (There is a integrated straw in it and it looks amazing and ahh it makes me so happy) okay. Soo wish you a good day!
My name is Jenny Lebedev.
I am a multidisciplinary artist and illustrator, Making painting on canvas and digital platform, video, photography, drawing. Graduate of the Department of Multidisciplinary Art at Shenkar.
I recently finished illustrating the second children's book. I also accept commission projects and work with the client in close communication. I make digital art work for postcards, prints, incl. producing prints.
In the field of art I deal with conceptual art on the topics of "nothingness" and the existing emptiness, awareness of the air.
When I was a little girl I was drawing postcards and during holidays I was selling them to the neighbors for half a shekel. At home my family always appreciated my creativity. Because of this when I moved to Israel, I decided on an art degree where I had the freedom to try different kinds of art. I became a painter and my final exhibition at Shenkar College was a plumbing work with sculpture and dio.
Nowadays I am more involved in digital painting and specializing mainly in illustration and design. I take my inspiration from nature because it has an amazing integrity. But of course a simple emphasis will make most people notice it better.
I rarely add colors to my drawings but am dabbling in unfamiliar territory with the Krita app. I am enjoying the ability to add textures as well. For me, it is similar to drawing left handed. This is the same drawing with a different technique.
