lit

This is something I made for someone else, just a little drawing of Sophie Foster from KotLC as a Councilor. I did not draw the background, it's actually a small section from the KotLC official councilor art (by Laura Hollingsworth). Anyway I hope you like it!

A Bob Ross inspired painting, for the Digital Painting Studio challenge, I know composition is a bit off, but I'm still pretty satisfied with the end result, and sometimes, you just have to let go of the image and work on something else...

Sketchbook about mediterranean scenes and scapes with gel ink pen - A french little town called Martigues in south of France

I drew based on a photo. It became a little darker than the original. I drew as an exercise. Tools: Derwent graphite pencils ; Paper size: A3

A first upload to doodleaddicts. This girl came from one of my many little moleskine sketchbooks, and was converted into a very first attempt at riso print. The illustration itself is part of a city project by Risotto Studio - RISO CLUB: ISSUE #24 – HONG KONG

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

I’m getting ready to do a really big drawing of a full horse for a friend so I’m just practicing the muscles and legs in little sketches. If you see anything I should change, I would love feedback.

Here is anime style: https://www.doodleaddicts.com/uploads/69316/noa-rabiner/" Did I request thee, Maker, from my clay. To mould me man?" A foreign ability user named Cohen and his sister Noa visited the Agency. Cohen has the ability "I," which allows him to temporarily animate any objects. For example, tables, chairs, statues, etc. But he must manually "unanimate" them. The weakness of his ability is that objects left animated for too long will go insane. He came to the Agency because his brother, Levi, stole their family heirloom - a golem, the best matter with which "I" works in symbiosis. Cohen is dying of an illness. He must pass on his ability to another, but finding the golem is a priority. The main plot twist, of course, is that his "sister" is the animated golem. She does not know about this since the master ordered her to forget and believe in her familial relationship with him - the golem unquestioningly follows the orders of the master and this includes subconscious self-deception. Noa is an ancient creature, but her age matters little because when her master "turns her off," all the memories she has lived are erased from her memory. With a new "turn on," she needs time to gradually gain an independent mind and begin to feel. Unfortunately, this process is rapid enough to cause terrible problems with controlling emotions and feelings, which always lead to blind violence on her part when she can not cope with herself... In some ways, she is naive, but she highly values ​​life and human life in particular. Human beings amaze her with their complexity and their achievements. And life in general is full of exciting colors and aspects for a once inanimate object. However, there is a person who will do anything to prevent Noa from gaining freedom, and it is not even Cohen... "I" is a reference to a chapter name from Gustav Meyrink's novel "Golem." Characters are not based on any writer, but they have references to "Golem" chapters' names.

This is my uncles young blood hound. Her name is Rusty Rolls. She actually looks nothing like a typical bloodhound. She is a shiny rusty color with white paws and a few other white markings. She was the only one in her litter that looks this was and one of the most unique dogs i’ve ever seen

Just a little practise. (White crayon. Pencil. 2011)

White and sanguine conte pencils on toned paper. These ruins captured my drawing itch with the quality of the light filtering brilliantly through the tangled growth outside, and the open shade within. At a metaphorical level, the image is about the sense of having a laborious path set in stone for me by custom, convention, and culture, while way is wide open to the chaotic fertility of nature, should I choose to follow my own feet and heart.

A cold sunny day in January. Came in to eat and saw this little family waiting for me on the table.

A close up of Echo. Curious little bat.

my first study 2023, oil canvas

This is the first image of a zine I created about Deforestation, showing a perfect little mountain with lots of trees

An article/rant/annotation to an illustration. A #Hackney bar and its flies. This picture is not as sad and blue as it might at first seem, I promise. It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly. In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism. In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever. The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage. The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance. But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence. But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?

I had to re-upload her the last one was so UN-proportional I couldn't stand it. But I know I need to work on hands and fingers. It's an alien that lives in a doll like body. It can manipulate the doll, moving fingers, arms and eyes. So nothing like cutting open your doll just to find an alien creature living inside. No, my aliens will not have any gender. Why don't we reproduce like worms, get split into two.

this is the powerful mantra that I Kanaiyah Ward drew out in block letters and it states that I am rising every day. and I'm conquering my fears, too. how true! I used just a pencil and a little bit of pen. Thank You for believing, liking, and supporting me!!!!! @tigger

Something a little different. Painterly little watercolours from today. Felt like exploring colour mixing – took a sketchbook to the one of the quiet botanical parks.

Be careful with your desires, they have the ability to come true! But remember, the main thing is to ask Santa Claus properly... Happy Holidays everyone! #tesla #MerryChristmas #comic #digitalart #NewYear

A hand-drawn illustration featuring a classic to-go coffee cup overflowing with ibuprofen pills instead of liquid. Perfectly capturing the essence of a rough morning, a long shift, or just the reality of "adulting.", text that reads: Venti Ibuprofen Kind of Day

Watercolor

Little pause in my travelbook, for little watercolors mixed with ink pen on parisian landscapes

Watercolor commissions I did for a wedding theme around Mediterrano and Provence, here are a fisherman on his little sail boat, and a typical house within the lavender fields in Provence

Just a little bit of rock formations and structures

Do you know that Covatar adores people with any kind of features? Like wow, you have freckles? Little scar under the eye? Birthmarks? Jeez, it's amazing! Any of your insecurities can be turned into an advantage! You have no idea how much others can love your special features

Little sketch while revisiting Montage of Heck

Another Star Wars fan art piece of my all time fav character from Star Wars. Which is telling how impactful his performance was considering he had very little screen time. we are talking just minutes in each film.