I don't know how the movie ends; I won't see it, considering my country, but all my headcanons are sequels to the movie.
I have no idea what happens to Tommy, but I hope my imagination is strong enough to figure out how to save him without breaking canon. Otherwise, this is all AU.
The OC's name is Caroline Shelton. She belongs to the middle-upper class; her father is quite wealthy, so she knew no hardship much. But she is eccentric and zealously strives for knowledge, has many hobbies and is skilled in many things because of her pursuits. Basically, all she cared about in life was intellectual development. She had only one friend who could stand her personality and temper, James Holloway. Some time later, he disappeared, and Caroline received his bloodstained watch from an anonymous sender with no explanation, only the mailing address from which the anonymous sent the package.
Caroline couldn't think of anything better than to dress up as a man and travel to the town the package came from, introducing herself as James Holloway and gaining fame with her skills. She hopes that if the anonymous hears about an albino man named James Holloway in the town where they might live, they'll contact her again when they hear about her. Her logic is this: this person sent a package containing something important to Jim to her, so they must know something about Jim, her, and their friendship, and if they hear Jim's name used by an albino, they'll understand everything. So she sets out on a dangerous journey, making herself a kind of beacon/signal for the anonymous sender to find them and through them to find Jim or learn what happened to him.
Probably spent too long on this one, plus lower resolution cause the file size was too large. Downtown area of an average city, though typically it's more crowded. Hope you like it. (made with krita)
I've always loved Hedgehogs ever since Sonic the Hedgehog. Here in Italy there are actually wild hedgehogs, when I found out I had to try and find one. Usually at night if we are driving I will be attentive to find some critters. I've seen crested porcipines, boars, badgers, weasels, owls, eagles, bats, lizards, deer and other things. But for awhile I never saw a hedgehog (one time I thought i did but that doesn't count), but finally about a year ago I finally found one while passing through the country of San Marino (it's in Italy)! It was crossing the road and it was the hugest hedgehog I have ever seen! Thanks be to God! lol. It was about the size of like a big small dog or something, probably about a foot long. So yeah I had to draw one in tribute of my weird obsession to find one, haha.
Day two of my art training! It took way too long, haha. So, anyways, this is my DnD character, Pox's, dad. I have no idea what to name him because lately, I have been very uncreative. Anyways! This guy is the god of illness and poison, and is just generally really cool. I like him, even if I don't like this drawing all too much.
The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself.
The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water.
The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt.
The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware.
The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze...
The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
My mind is on Puna so much lately. I love Hawaii...was born there and rediscovered it as an adult. I stay in Puna area when I go, in little houses I rent, or once, housesitting for a friend. This drawing was made one day when Mom and Dad and I went to Pohoiki to sketch. This little cottage and park is in the path of the flow and may already be gone. You can no longer drive there as the roads have been cut off by the lava flow. My heart goes out to all Hawaii residents dealing with this massive lava flow, and the VOG that goes with it.
There might be a few weird reflections in this as I had to take a pic of it on my screen to get a file large enough....I gave the original to a friend who lives near the park.
This one is important to me. I had been having a very long dry spell, not making any art, and then one day last Fall, while on a road trip, camping in Mesa Verde park, I drew this using some copic grey scale brush markers and a fine liner, and it was like my vision was returning. I got really into seeing, and imagining ... Anyway since then I've still been struggling to make more work, but have been making more creative things when I do get productive, and been organizing older work... It's also interesting that I titled this piece Phase Transition back in Nov '23, and subsequently had quite a sea change of life experiences, adventure, and new visions. Now if I could just sit down and draw more...
A long time ago In Egypt you would bury the person with some belongings you think they would benefit in their after life. A few interesting objects I chose were from a mobile, baked beans, kitkat, toothpaste, apples, gloves to a paintbrush and more. A fun artwork where egyptian hieroglyphic symbols were used.
Hey everyone, sorry for such a long hiatus! The main reason is that I haven't been drawing so I had nothing to post. I also went through a name change, from BurningCinders to Umbra! For this piece, I played around with some new brushes and attempted to play with fog for the first time.
A predator reduced to bone but not to silence. The body is gone, yet the motion remains — jaw open, spine curved, still moving through water that no longer needs flesh to carry it. This is not a fossil resting in sand; it is a hunter that never learned how to stop.
The ocean keeps its shape alive. Instinct outlasts life.
Some creatures don’t die — they continue.
Got started on the classic show again and got the urge to draw out the greatest evil that ever crossed our screens. Though with the twist of showing the Great Evil in a more desolate, ruined presentation.
What do you guys think?
Original characters for a story which might never see the day of light. Amar and Aska belongs to me, Augustine and Sayeed belongs to my Hubby. We call them the Ass quartet or The triple As A-S. Augustine would be the main character, Amar her foil/lancer, and Aska and Sayeed would be supporting characters. I'm still practising communicating though character and setting design, so I will probably re-design them about 100 times more before they will ever be done.
Emotionally speaking, this is definitely the hardest pieces I've made so far. On July 18th, 2019, an arson attack on Kyoto Animation's Studio 1 left 36 dead and 34 injured, one of the deadliest mass casualty incidents in Japan since the end of WWII. KyoAni has some of the best working conditions in the industry and have made some of the most iconic anime to date, including Clannad, A Silent Voice, and the show that got me started on anime, Violet Evergarden (as seen in this drawing). I sent this drawing to them through their website, and there's a good chance it was displayed along with thousands of other fan submissions in Kyoto this past November as part of a public memorial service. While this was a tragic blow to the company and community, they're healing and getting back to their feet, and I can't wait to see what they create next.
Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
This is a drawing I did not too long ago, I think the pink and brown were blended nicely together in the piece. I use Copic markers, Microns, gel pens, and Ohuhu markers. I really enjoyed the theme of this character, (cherry blossoms) I think I was able to show the colors nicely together in the artwork.
This is the converted school bus that belonged to Route 66 super sketcher Bob Waldmire (RIP). It's here at our museum, so I sketched it one day. It's an amazing studio/home on wheels!!
