I started this with the Doodle Addicts Pre/post quarantine diptych drawing challenge in mind, but I didn't make the deadline (I started it on the day of the deadline, so it was a little ambitious!). The first half of the drawing represents before the corona virus and the second half is after the virus and kind of living with it. No pencil, just straight into the drawing with ink. It's rough, but I like how it turned out and there are some fun characters.
This is one of my artworks in high school. It is about Chinese culture and tradition. To see more artworks, follow my Instagram account the.rainmaker_
Link : https://www.instagram.com/the.rainmaker_/
This is the finished drawing. It took me about 6 hours over the course of two days. I decided to just lightly shade the background so my finger prints didn’t show so much. I was afraid that going darker would make the horse blend in too much. I’m happy with how it turned out! Done in charcoal, marker, colored pencil, and pencils.
Still behind but whatever :P
Day 2: mindless. I had an idea for this prompt and will probably still do it, but this is a doodle I just mindlessly did on the front of my sketchbook. No thought to these I just doodle this same snarling, twisted mass when I just randomly doodle.
#viowolf #vioart #vioarts #vioartstudio #vio #art #artist #inktober2019 #inktober #mindless #doodles #sketchbook #ballpointpen #monstermaker #monsters #teeth #horror #macabraart #twisted #instagramstories #Halloween #October #fearcon2019 #fearcon #supporlocalartists #darkart #artistoftwitter #artistoffacebook #artistofinstagram #artistoftumblr
Due to financial/logistical reasons, I can't do literal linocuts as often as I'd like, so I draw my illustrations in reverse, flip them digitally, have them printed, and then color them in by hand. The result is basically an "artist's print". I only make one of each. These were watercolor, but I've recently discovered gouache, so keep an eye out for future pieces that incorporate that.
I've been getting questions about how I create my art here, so I figured I would upload some progress pieces. Here's the first one! I was listening to the Westworld season 2 soundtrack which always makes me want to draw Harvey (for some reason). I wasn't really practicing anything in particular, just doodling. It was fun to just let my hand wander, though I think the sketch was much better than the inking I did.
Toys used to be so much cooler back in the day. I realize this makes me sound like a very old nerd. I also realize that I AM a very old nerd. So there's that.
"Lost little red." *He took a step closer as he towered her smaller form. He chuckled lowly as if her mere presence was a joke to him. He reached out, his long, sharp, black claws touched a strand of brown hair. "What a little snack you'll make."
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
Band logo and linocut artwork for a band. The image was actually cut from Lino and printed from which a digital scan was taken to make a silkscreen for printing.
FEDERICO FELLINI
In a 1977 interview, he described his morning routine:
I'm up at six in the morning. I walk around the house, open sindows, poke around boxes. move books from here to there. For years I've been trying to make myself a decent cup if coffee, but it's not one of my specialties. I go downstairs, outside as soon as possible. By seven I'm on the telephone.
- Daily rituals by Mason Curry.
#inktober #masonCurry #federicofellini #dailyritual
"There is," said the marzipan pig, "such sweetness in me!"
"The Marzipan Pig" by Russell Hoban is one of my favorite books. During the pandemic, @pgoedi from @communitybookstore read it and I drew it. Found it again and wanted to share it.
This makes me want to draw live again. It is such a nerve racking thing and so fun!
"Spaced-Out" (0.18 technical pen on 120mm x 35mm card) and "Medusa" (HB pencil on 125mm x 42mm card). Another two simple images drawn on pieces of off-cut card that make great bookmarks.
Trying to make sharp shadows without having everything blend toghether. My goal is to convey the warm, pinkish sunlight on the first day of spring, and light is not something i have given enough care to earlier. Removing colors from a photography is an effective way to get an idea of how sharp shadows actually are!
These are some gesture drawing sketches I did in ink with white pen highlights on brown paper. I was in Europe and sitting around a fountain watching people go about their lives. This was a really fun figure study and I think people make for great works of art.
Pintu is wishing you a wonderful day and wants to give you a little reminder that you aare absolutly brilliant :) My aunt gave me a beautiful pink cup as a present and I wanted to integrate it in this drawing hihi. I absolutly love that cup. (There is a integrated straw in it and it looks amazing and ahh it makes me so happy) okay. Soo wish you a good day!
My name is Jenny Lebedev.
I am a multidisciplinary artist and illustrator, Making painting on canvas and digital platform, video, photography, drawing. Graduate of the Department of Multidisciplinary Art at Shenkar.
I recently finished illustrating the second children's book. I also accept commission projects and work with the client in close communication. I make digital art work for postcards, prints, incl. producing prints.
In the field of art I deal with conceptual art on the topics of "nothingness" and the existing emptiness, awareness of the air.
When I was a little girl I was drawing postcards and during holidays I was selling them to the neighbors for half a shekel. At home my family always appreciated my creativity. Because of this when I moved to Israel, I decided on an art degree where I had the freedom to try different kinds of art. I became a painter and my final exhibition at Shenkar College was a plumbing work with sculpture and dio.
Nowadays I am more involved in digital painting and specializing mainly in illustration and design. I take my inspiration from nature because it has an amazing integrity. But of course a simple emphasis will make most people notice it better.
