Done 2016 with color pencil and ink on 2.5 x 3.5 bristol. It is sketch card. Original art $20+s/h and I am open for commission using color pencil or lead pencil for original artwork. Sizes range from 8.5x11, 9x12, 11x14, 11x17. The Commission rate starts from $20 and up. If your interested leave a comment or jungmeister4@yahoo.com My artbook is ready for purchase If interested you can purchase each book by clicking on the link https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Books&CPID=1133
I created this piece yr 2016 as portfolio to get into a company doing sketch card art, but by asking some sketch card artists on this site about how much you get paid for doing this sketch card art`and it was so ridiculous that I decided to not send this portfolio piece to the trading card company also you have to give up your original artwork to the company cuz they need to put this sketch card art in the pack of trading cards so lucky buyer will get the original sketch card that is the idea. For how much they paying the artists for giving up their original art did not make any sense to me .
Done 2016 with color pencil and ink on 2.5 x 3.5 bristol. It is sketch card. Original art $20+s/h and I am open for commission using color pencil or lead pencil for original artwork. Sizes range from 8.5x11, 9x12, 11x14, 11x17. The Commission rate starts from $20 and up. If your interested leave a comment or jungmeister4@yahoo.com
My artbook is ready for purchase If interested you can purchase each book by clicking on the link
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Books&CPID=1133
Ink on ultra white background highlighted in blue. Inspired by the challenges in life and compartmentalization of each challenge to better manage them all.
This is my contribution to a Diversity and Unity Mural. The meaning behind it is how we are all different and have our own backgrounds, but we're all connected to each other like the roots show. We are stronger unified, and our progression in making the world a better place is like this plant, it can only grow with care and under the right conditions. Together we can make a better future, while still keeping our roots because of their importance to our identities.
I spent christmas holidays 2015 inking a very small children's book as a present to my friend's kids. About 20 pages or so. Here the main character of the story is tuning the instrument owned by The Strange Animal, with help from The Whistling Compass. A terrible noise from The Magical Forest was disturbing the night sleep of a local king and the problem was solved thanks to our protagonists skills.
What happens to the animal kingdom once used and abused for human entertainment? This drawing represents the spirit of those creatures, once killed for sport, taking their rightful revenge on mankind. There's no room for bullfighting in modern society.
This is a scanned pencil sketch of a picture that I still want to work out. The whole thing is supposed to be a kind of fantasy landscape. The castle depicted does not have to be historically correct either. I will try to work it out in Procreate. It's a great programme, but unfortunately I'm not yet as proficient as I'd like to be ... As soon as there's any progress, I'll post it here!
Regards
Christian
In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.
Another beautiful illustration of imaginative style and earthly tones! This is not a real scenery it just combines sea and mountains with buildings and creature like mountains with fishy style elements or wings and this into a night sky.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Often I am given to making marks on paper that reflect the objects I see coming towards me as I gaze out the front car window. I do this exercise as a passenger of course. The goal is not the end product, but the process of connecting what I see with motor control. The product is an indication of movement and energy. Give it a try!
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Ce dessin était à la base le croquis d'une femme d'un clip d'une musique qui m'a finalement inspiré à libérer mes idées sans en juger le manque de logique dans le cheminement. J'ai décidé de lâcher prise et d'appliquer ce qui me venait à l'esprit. Je suis maintenant fière de cette œuvre qui peut porter l'interprétation de chacun. Son titre en est la mienne.
This drawing was basically a woman's clip of a music video that lately inspired me to release my ideas without judging the lack of logic in the process. I decided to let go and apply whatever came to mind. I am now proud of this work which can support everyone's interpretation. Its title is mine.
