Artwork on paper. Pen, graphic pen, coffee and watercolor. Part of the Hybrid Mythologies series. Inspired by different mythologies and stories, this series is an intuitive exploration and associative drawing project with multiplicities of scenes inside each other.
I’m coming out of another one of those periods where I’ve drew or doodled very little (all the other projects on the go until now!), but as always I got my mojo back in the nick of time, it seems. :)
Same old stuff here for now!
I made this inspired by my outfit, pretty much the same, if there is like white or part is erased it’s because something weird happened and so it got slightly messed up.
Nikola Tesla (1856–1943)
After he had started his own company, Tesla arrived at the office at noon. Immediately, his secretary would draw the blinds; Tesla worked best in the dark and would raise the blinds again only in the event of a lightning storm, which he liked to watch flashing above the cityscape from his black mohair sofa.
Tesla ate alone, and phoned in his instructions for the meal in advance. Upon arriving, he was shown to his regular table, where eighteen clean linen napkins would be stacked at his place. As he waited for his meal, he would polish the already gleaming silver and crystal with these squares of linen, gradually amassing a heap of discarded napkins on the table. And when his dishes arrived—served to him not by a waiter but by the maître d’hôtel himself—Tesla would mentally calculate their cubic contents before eating, a strange compulsion he had developed in his childhood and without which he could never enjoy his food.
- From Daily Rituals: How Artists Work by Mason Currey
“Of all things, I liked books best.”
― Nikola Tesla
“One must be sane to think clearly, but one can think deeply and be quite insane.”
― Nikola Tesla
#dailyrituals #inktober #NikolaTesla @masoncurrey
Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #jeanPaulSartre @masoncurrey
These are birthday creatures created in a lab to help celebrate. They come with a confetti aura and built in party horns. They are optimized for maximum fun, but frighten very easily.
I love the Blade Runner films and the new one had such awesome weird lighting that I had to draw Luv at least once. So here is the crazy psychotic android. Done with a mix of hard and soft pastel.
A whimsical illustration of a large horn-whale creature with fangs, an anchor tattoo on his fin, and a tattoo of how many ships he has sunk on his back, with a whale rider perched on its back, is surrounded by gentle waves. The contrast between the massive creature and the tiny rider suggests a playful narrative. The muted colors and simple lines create a charming and imaginative scene.
1979’s The Tin Drum is one of those films I’ve been itching to see for a long time, but haven’t got round to yet for some reason. The main character in that film’s played by a guy called David Bennent. Not a household name for most, but you’ve seen Ridley Scott’s Legend, you’ll recognise him when he played Honeythorn Gump, Tom Cruise/Jack’s elfin pal.
Not sure why the idea to name this piece after D.B. occurred to me, but it did!
