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paper

Misti Misti
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Livingstone’s turaco

I thought I would play with crayons this morning. The bird with the cute hairdo is a Livingstone’s turaco from the family Musophagidae. Found in the subtropical lowlands of southeastern Africa. This bird’s plumage is the color of spring. Crayola crayons on toned tan sketch paper.

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PHILIP GRAY PHILIP GRAY
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Pinup girl drawing - Lalla

Here's a drawing I made of pinup model Lalla.I used black ink, color pencil (black and grey) graphite pencil on watercolor paper. Many thanks for looking.

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Jasmin Jasmin
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Bones

Ink on watercolour paper.

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Paul Mennea Paul Mennea
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statue

ballpoint on paper

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Maia Palomar Maia Palomar
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Pumpkin Pt. 1
1/4

Throwback to October when CPS was on strike and I had extra time to carve pumpkins. This is one of two I carved, both based off original sketches. I don't own any fancy tools, so I created this using a knife, peeler, zester, and some sandpaper.

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Hermit Hermit
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FINNIGEN KAX

(Gel Fineliner on A5 Paper) A fairly simple image of a fantasy wizard.

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Jasmin Jasmin
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Coffee

Acryla gouache and papercut on cardboard.

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Joer_B Joer_B
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Recent sketchbook drawing…

Meadhbh in front of wall of plants. 2024, Ballpoint pens on 5” x 8” (10” x 8” Double page spread) acid free Moleskine sketchbook paper, Adobe Photoshop.

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Jasmin Jasmin
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The hills of Jirkov

Crayons on sketching paper.

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InkCatsAndMore InkCatsAndMore
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Dream Big

Illustrated with Ink and Ink-Pens on Paper. Urh.-Nr:1811955 Copyright  by Carolina Matthes

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Jasmin Jasmin
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Cozy Cottage

...made of pumpkin. Done with watercolours, coloured pencil and some details in gel pen on mixed media paper.

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Anna Anna
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Isis

Oil pastel on black paper

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Misti Misti
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The Eastern Bluebird
1/2

Fat little birds make me smile! The Eastern bluebird is a North American migratory thrush. My subject is a male with the most luxurious neck rolls! Drawn in Prismacolor soft core colored pencils on toned tan sketch paper.

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Chris Richards Chris Richards
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An Old Bridge in Ashdown Forest

I started messing about with line and wash. I really enjoyed the speed and looseness of working on this piece. In hindsight, I'm wondering if it would be worth working on a larger, more considered version as there is quite a lot of nice texture that is missing here. Pen & watercolour on watercolour paper (4x6").

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Elias Rosenshaw Elias Rosenshaw
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Lighthouse of the Cosmos

Elias Rosenshaw 8/13/2020 Gouache, pen, pencil, and coloured pencil on paper

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Joer_B Joer_B
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Malik Twisting Pose

2020, Ballpoint pen on 9” x 12” archival paper, Adobe Photoshop.

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Jasmin Jasmin
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Foxy Stickers

Every couple of months, I turn a bunch of my doodles or rough mini sketches into stickers. I draw them directly onto sticker paper and seal them with bookbinding foil. These foxes will be Christmas presents.

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Jasmin Jasmin
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Candy

Ink and marker on mixed media paper.

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Jasmin Jasmin
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Poppy

Watercolour on 4x4 cm of watercolour paper.

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Jasmin Jasmin
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Green Hills

Watercolour, gouache and coloured pencil on mixed media paper.

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Jasmin Jasmin
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Pumpkin

Ink and marker on mixed media paper.

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myra naito myra naito
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Lion 1

This was the first of the same lion drawn on two different surfaces. This one was drawn in pastels on sanded paper.

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Indira IOFEYE Indira IOFEYE
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Reclaimed faces - rejected masks

Mixed media on paper.

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Dane Mullen Dane Mullen Plus Member
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Wrapping Paper

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Stephen Stephen
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Heart and Soul

Title: Heart and Soul Medium: illustration pens on sketch book paper Style: surreal Category: illustration Created: Dec-Jan 2024-2024 Artist: Stephen J. Vattimo Heart and Soul This is preliminary drawing for a painting I am about to begin. The concept for this illustration started as a design for a pumpkin carving contest. I feel the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. It was designed for a live pumpkin carving event in mind. At this type of event, the carver must create their piece of art live on site with spectators watching and asking questions, and there is a time limit. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems(color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 .

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Chris Richards Chris Richards
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Early Spring at Gwenffrwd-Dinas

Gwenffrwd-Dinas is an RSPB nature reserve out in the wilds of mid-Wales. You could easily miss it driving past, but if you do park up, you're treated to some gorgeous scenery. Here the river Tywi (the longest in Wales) flows past the wooded riverbank then through a rocky gorge on its way down to Carmarthen. Pen and watercolour on watercolour paper (6x8").

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Janna Janna
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ISO cat - Silver

Different type of paper makes blending bit smoother

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Dean C. Graf Dean C. Graf Plus Member
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Passing Marks

I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root. And yet… I am assigned to hallway duty. This is compulsory education, after all. So I sit—posted like a sentinel—watching young lives stream past. “Get to class,” I say with a smile and a nudge. The system wants attendance; I’m hungry for presence. Armed not with a whistle or clipboard, but with a pen— my scribble’s soft insurgency. The hallway stretches out like a geometric hymn. Columns and corners chant structure. Teenagers swirl past—half-formed galaxies of limbs and laughter— their orbits chaotic, their gravity pulling time forward. I begin to draw. Not their tardiness, but their motion. A shoulder. A blur of sneakers. A tilted head chasing freedom. Feet flickering like seconds. Each mark a pulse. Each smudge a breath. My paper becomes a seismograph of seeing— trembling gently through the mundane. This isn’t about making art for a frame or a feed. It’s about refusing to leak away in the fluorescent hum of obligation. It’s a quiet mutiny against the clock. I do this on long car rides, too (passenger side, mind you). Letting the lines grow wild, jagged, and unapologetic. Not for polish— but for presence. This is how I remember I’m still alive. Still growing. Still watching. Still choosing to see. Because sometimes mental health looks like a piece of scrap paper, a moving pen, and the simple, sacred act of marking time with wonder.

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Bleu Hope Bleu Hope Plus Member
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Awaiting Games, February 2022.

Before social hijinks earlier last night, more ideas needed to explode onto paper...

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WILLIAM OBRIEN WILLIAM OBRIEN Plus Member
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GUITAR THING AGAIN

Marker on sketchbook paper

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