. . . Whimsy and nostalgia all entwined in an inky world of discovery . . . This piece was the last piece of artwork my Grandmother got to see of mine before she passed into the Lord's presence this past summer
Graphite drawing in a Moleskine notebook - illustration for Grimm's fairy tale. I'm posting both the raw graphite version and the one I painted in Photoshop b/c I never know which I end up liking better!
Alright , people, who here remembers a brilliant show by the name of Samurai Jack ? Just me ? C'mon now ! Don't be afraid ! Say it loud and proud ! Samurai Jack is A W E S O M E !
At first I planned on keeping this drawing realistic. But over a week ago I learned that a dear friend lost their sibling in an accident. Then this past weekend I worked on a small project that really struck a chord with me. I helped a friend and her son record a song she dedicated to her father, who had recently passed away as well. They sang "Let it Be" by the Beatles. There was so much emotion in the air. And for the first time ever I was brought to tears after I mixed a song. For the rest of the weekend I thought about my family a LOT. Especially my Parents. They've done so fucking much for me and my brother. It sucks that, only as an adult, I realized that every fiber of who I am, and where I am now is due to their love, support, and sacrifice. This piece goes out to the people you can count on. They're there for you no matter what the cost... No matter the pain, even if it's literally killing them. It's Purely out of Love and they wouldn't have it any other way❤️.
I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root.
And yet… I am assigned to hallway duty.
This is compulsory education, after all.
So I sit—posted like a sentinel—watching young lives stream past.
“Get to class,” I say with a smile and a nudge.
The system wants attendance; I’m hungry for presence.
Armed not with a whistle or clipboard, but with a pen—
my scribble’s soft insurgency.
The hallway stretches out like a geometric hymn.
Columns and corners chant structure.
Teenagers swirl past—half-formed galaxies of limbs and laughter—
their orbits chaotic, their gravity pulling time forward.
I begin to draw.
Not their tardiness, but their motion.
A shoulder. A blur of sneakers.
A tilted head chasing freedom.
Feet flickering like seconds.
Each mark a pulse.
Each smudge a breath.
My paper becomes a seismograph of seeing—
trembling gently through the mundane.
This isn’t about making art for a frame or a feed.
It’s about refusing to leak away in the fluorescent hum of obligation.
It’s a quiet mutiny against the clock.
I do this on long car rides, too (passenger side, mind you).
Letting the lines grow wild, jagged, and unapologetic.
Not for polish—
but for presence.
This is how I remember I’m still alive.
Still growing.
Still watching.
Still choosing to see.
Because sometimes mental health looks like
a piece of scrap paper,
a moving pen,
and the simple, sacred act of
marking time with wonder.
This is a reproduction study only of a very famous Monet piece. I am not selling this. I learned how to do art according to the traditional methods of studying great masterpieces. I did this in soft pastel,but the origional is done in oil I think.
This is the book I made which contains the educational paper I wrote and illustrated about my trip to China in the summer of 2017. I gave a lecture entitled, The Sketchbook: Let's Connect at ICON10, The Illustration Conference in Detroit, MI this past July. I gave a few of these books out along with pocket sketchbooks to the audience. Below are a few spreads from the 40-page book.
Jung here. Done with lead pencils on 11x17 bristol paper. One day I was flipping through Frrank frazetta art book I had and one of his painting inspired me, so I close the book and started to draw and this image came about. Original art is up for sale $90 (shipping fee will apply) USD email me jungmeister4@yahoo.com
Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
Jung here. Done 2015 with lead pencils on 11x17 bristol paper. Original art is gone cuz i tried to ink this piece back in year 2021 but it did not come out good so ripped it.
Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
Done 2017 with lead pencils on 11x17 bristol paper. just wanted to draw some image with some story to it cuz usually my drawing do not look like it has stories. Original art is up for sale $60 USD (shipping fee will apply) email me jungmeister4@yahoo.com
Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calaneder.
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
Hand and drapery sketchbook drawing. This combo never gets old for me. Faber-Castell PITT pastel pencils, charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
"There's a North in us all, but my North can't hold me anymore." Oh man, what a day/week/month it's been. Today was the end of first semester, a bit hard to believe half the year is gone, a bit hard to believe we still have half of a year left. The past 24 hours have been nothing less than mental chaos (maybe my coach was foreshadowing all of this when he asked if I was ok last night...) Anyway, here I am, here we are. Llemette on the left (name credit to Josefina), February journal on the right.
Chromatography is used in chemistry to dissolve a mixture and place it into a "mobile phase," which allows the solvent to carry it and its components up the paper. It shows the layers, exposing deeper, hidden tones and colors, something only seen when a solvent of the same polarity is used. It's odd. Life feels a bit like that, and I'm seeing the colors separate for the first time. It's all there, everything that's been hidden in the inky mess for the past however many years. And now it's smeared. Bold. Clear. But blurry. What's on me and what's on you? Where do we go from here?
A drawing that turned out better than I expected. Two hour seated pose.
Pencil, Charcoal Pencil, Pastel Pencils on some weird pad of paper I found in my closet.
One of the scariest characters I've ever seen. The most frightening of the vampires from the movie "Fright Night" (1985). I had to draw her as a form of therapy. Thumbs-up for the art department on that movie! If she had had white eyes instead of the red eyes in the movie, I would've been irreparably damaged! :) (Pencil on paper, size A4).
