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A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism. The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation. This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.

Did a sketch of my hand using my drawing hand as reference. During a 20 minute sketch session.

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It is flow. It is bubleee. Not bubble but bubleee

My day work consists in taking good pictures, so I always hunt for fine pictures. One afternoon, walking on the beach, I admired a stunning nature scene: majestic sunset, gold sunshine, calm water, white bamboo clouds covering part of the sun. The air is cool and the landscape is calm. My camera I took out and this gorgeous scene I caught. © All Rights Reserved

have you ever seen the part in a bug's life where he flies into the wall, shows a thumbs up and says "I'm okaaay". that's how I imagine saying the title of this image. I added some bruises and stuff so I didn't have to explain to my younger sisters that I was referring to an emotional state of mind

My latest/last portrait of Joe Rogan and using a 3 year long project of drawing and digitally coloring his guests (500 in total) to create a mosaic. Prints available at https://society6.com/gbernard

I wanted it to look like the chalkboard menus in quirky cafes. I drew the image with a Blackwing pencil, scanned it into Photoshop, inverted, then applied the colors.

Happy World Art Day :) !! #artdavidmeehan /+ 00351969534520 / meehan99@gmail.com / https://www.facebook.com/artdavidmeehan/ + #FUCorona2020 = bringing 2getherness while we have to stay apart from each other at least physically... Peace, love, hugs - but only spiritual 1s 4 now!! #corona #jokes #covid19 #cartoon #cartoons #worldartday #art https://www.facebook.com/groups/fucorona2020/

The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself. The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water. The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt. The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware. The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze... The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.

Here's a traditional art sketch card, produced on a 4 X 5 inch blank licensed card. The cut lines are set at 2.5 X 2.3 standard trading card size. Artwork is Copic marker and Prismacolor colored pencil. This card was created as a random insert for the 2018 Rittenhouse Archives Star Trek Captains collection Card series. This card features my favorite Star Trek bad guy Harcourt Fenton Mudd or Harry Mudd. See more at Sketchcardsandcovers.com

This is a piece I made during a trip in British Columbia. I used colored pencil, watercolor and acrylics.

Aunty Babs Adult Coloring Book

Jury Duty, June 2013 Fifty of us sat in that room, each one staring at a phone or scribbling in a notebook, killing time. The lawyers asked their questions, picking us off one by one like a slow game of dodgeball. I wasn’t chosen, so I drew instead—earbuds, slouched shoulders, the hum of waiting caught in a few quick lines.

I love creating work that starts from a point in nature and develops into something more abstract, something that can be interpreted in many different ways. It’s interesting to hear what people see, what connection to their own life they bring when viewing a work.

In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.” But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe. Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us. This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.

Three attempts at drawing a mouthwatering cocktail using mainly 4 colors (and a little black)

Just some character art for my character Sgt. Chris "Swifty" Mayhew during his time in Vietnam during the Vietnam War.

Botanical Hawk Design I drew for my former junior college alumni banquet. They had it printed on a giant canvas for people to color. It started out as a small doodle and transpired into something else. ha ha. Made this with Sakura Micron Ink ( 01 and 005) on Bristol with Digital Editing to finish.

Illustrated a juicy, mouth-watering hotdog, complete with mustard

digital work during pandemic times

Summoning the devouring shadow

Oils on canvass. This is Charlie. He's the parrot owned by the supermarket where my husband used to work. The owner of the shop brought him in to keep him from getting bored and pulling his feathers out. He has a large cage at the entrance which he often escapes from, and can be found hopping from trolley to trolley on the handles, to amuse himself. He's usually found by a staff member who brings him back. A real character lol

I finished this drawing a day after I hiked to the top of the rocks, I did this during spring break this year in 2018. (Drawing is 6x4 inches in size. ) TIME: 1 hour 20 minutes

24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.

NEW ARTSTYLE? I took 1 hour trying to render this and found out about the arts of colour theory midway through rendering…. So yay I guess? Lol

Very random mind drifting, in a surprisingly good mood today. No matter how much has changed, this figure never dissappears. It continues to be something outside my drawing abilities, appearing as a highly abstract entity.

Their designs are based on a game. I pushed the avatars and made them sisters named Juno and Kimi cousins of my oc Daphne. They are still a WIP I'm pondering on the voices, hairstyles, and initial designs.