--- His wide doll-like eyes go distant as he focuses on the assembled bones from the crypt. Tendrils of blood knit between his long fingers as he begins to weave his spell-work, expertly puppeting the dead. Their bones scrape against each other assembling into familiar shapes. His old friends sway in the dusty air. Their hollow eyes stare back at him awaiting a command. It comes once they're all upright. The Karnathi warriors don their armour and raise their weapons again despite the laws that forbid it, despite what may wait for Sir ir'Olar when judgement comes for him. This was what he was raised to do. It was cruel for the world to toss him aside now that things are peaceful.
I love this design pattern. It gives a feminine touch...a fresh and clean feel. It’s uniform and repetitive pattern gives it a functional flow as well as an elegant look. I used familiar shapes in a way to make a statement of agreement. I love the background as well. It’s white and lightly smeared to give it a more stylish look. Also, the background is a subtle lattice style to add more sophistication.
Hey, I’m still alive I’ve just been busy with life and what is it that I want to draw next that I haven’t really posted anything. I’ve mostly been working on human anatomy from the ground up, so I have not been drawing human bodies just mostly boxes, circles and shapes of the human body and just like my last post I decided I wasn’t going to post process I wanted to post stuff that I was proud of, I didn’t want to post just to post I want to make something and be proud of what I post. I really proud of this fanart i made of Courtney from deadend:paranormalpark.
I haven’t done fan art in a long time and I enjoyed the show on Netflix it was interesting, i suggest you guys check it.
A vibrant, hand-rendered standing strawberry illustration featuring rich textures and expressive marker strokes. This piece captures the organic beauty of summer fruit through a modern, illustrative lens.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
“Just as the permanent foundation of the ground provides the springboard for voyages into outer space, so it is with the more mysterious flights of imagination.”
— Roland Penrose.
f someone can point me in the direction of a Lowly Worm plush for my collection that would be greatly appreciated, heheheh! Must confess though, I didn’t grow up with much in the way of Richard Scarry…
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
