Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
Heard about a supposed art fight, got no idea what that is but I brung my sword to the fight..
Also I took advantage of this to try and study the style of @Dominik Mayer, @Artem Chebokha and @Andrew Maleski (once more)
Elias Rosenshaw (under the name Sage Stanley) 2/9/2023
Acrylic paint, paint marker, and gel pen on canvas board. 18" x 24"
On display in the "Nocturne" virtual gallery at www.119northweatherly.com March 9 - April 30.
Note: The date is an approximation. I created it to submit to the show, but forgot the exact date I completed it.
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Wait a damn minute! Would you believe that Winona Ryder was only 16 acting Lydia Deetz in Beetlejuice? With the dark and mysterious delivery, she makes this unusual character a total treat. Thanks to Winona, Lydia Deetz certainly became one of the Halloween legendary images!
A little sketch, 3” by 5”, made better with a bit of cheap watercolour paint. I don’t know why, but I like this little scene. It isn’t a terribly brilliant sketch and I didnt paint it with great care, but still, i like it. And in the end, it really doesn’t matter what anyone else thinks. If you finish a little piece of art snd can say you like it even weeks and months later, then it is a winner for you.
A bit of a departure from my usual style. I wanted to try something a bit messy, fast, and loose. The scene is an ancient woodland in Pembrokeshire called Tŷ Canol, an atmospheric place and full of inspiration for artworks. Pen and watercolour in Seawhite sketchbook.
I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.
I was too late and missed the entry deadline…eating too much ProCrastinate?? lol. Anyways, couldn’t resist and fired up Adobe Dimensions, Illustrator and Photoshop for this quick and dirty advert.
Here's the second pumpkin I carved (I did find the sketch, so I posted that in there too). Both carvings were really fun and very time consuming. I'm usually not good with 3D models or sculptures, but carving pumpkins seems to work out.
This is my first plant abstract in over six months because college takes up all my time during the school year now. This one was supposed to be more pastel, but the scanner washed out some of the lighter colors.
