Meadhbh standing while clasping her forearm. Two drawing details along with two in-progress scans of my technique: red Bic pen layer first, then green layer and finally the yellow ink layer. Bic4 Ballpoint Pen on Archival 9” x 12” paper. Model: Meadhbh (Maeve).
Watercolour and the tiniest bit of coloured pencil and acrylic marker on watercolour paper. Size A4. Done with negative painting technique. This was inspired by a figure found in a Kinder egg from my daughter. It seems to be common sense these days to scan and fix your artwork digitally before posting it on any social media. I don't do that. I kind of like the little (or bigger) imperfections in my work, and I also believe that uploading traditional work that has been digitally fixed gives people the idea that such perfect pictures can be achieved in a traditional way.
This portrait was created using mixed media like colored pencils, markers, and ink. The portrait features the face of a man resting in his hand, and staring dead-eyed at the viewer. I used non local color techniques to create depth and form using colors not typically found in the human face, like blues and violets for shadows and yellows and oranges or highlights. Parts of his face include small pink stars which originally faded from the previous page, but I really like the look it gives, they almost look like celestial freckles.
Jook’s doodle colouring books are a collection of true gems. Her anthropomorphic and surreal scenes depict a plethora of creatures, spanning from cute and innocent-looking to downright bizarre and monster-like. Flip through the pages, get colouring and get inspired. Join Jook’s world. Colouring books for ages 7 to 77.
I am a Belgian female artist & illustrator and I use a self-invented technique of automatic drawing to delve into my subconscious. I doodle everywhere and every spare moment. By quickly drawing, barring any conscious thought, I am giving as much room as possible to my imagination. Through extensive, at times even compulsive, doodling, a new and totally unique world arises. Come visit, get inspired and maybe get lost in my subconscious. Join my world and my obsessive-compulsive drawings. More info: doodleart.shop | Facebook | instagram | youtube page of the book
This was done with oil pastels in a technique known as Sgrafitto, as part of a 100 day challenge on Instagram. I scratched the black paint off with a chop stick. Worked like a treat, so I'm planning a bigger piece with that technique.
I wanted to redo a simple drawing from 2011. I found it lying around the piles of paper that I swarmed myself with a decade ago. I like to think I've learned a bit more technique in these past years.
My first attempt at digitally drawing two people from a reference and experimenting with various watercolor and ink splatter techniques. Comments and critique always welcome. ♡♡♡
Trees in a reflection have always been a subject of interest to me. I have created several of this version, trying to fine-tune my skills and explore some opaque techniques.
The leaf painted by using Watercolors & Splash Technique. It creates nice combo of colors to a Leaf. Dew Drops on top make em realistic. Dew drops show purest form of nature.
This is more of a test than anything, but I thought this would be go a good one to test uploading with. I basically just created this character from my head. If you're interested in the materials I used, I created it with a basic watercolor set using a wet on wet technique for the background, A sharpie outline, and the color on the character was created by using Prismacolor colored pencils.
Sorry I haven’t been around to post much. I’m always really busy during the summer months. I decided to buy a set of oil paints and experiment with them. When my set arrived, it was missing a blue paint so i had to improvise on this one. The painting is still wet so there is some glare in the image. I feel like it looks good, but I am definitely lacking the skill and technique in oil paints. That is why this painting is super simple and easy subject matter. Hopefully, I can start to get a feel for the oils :)
Another attempt to work on more dynamic posing, I did a series of sketches pushing the pose into something outlandish and a tad pin-uppy for my unnamed Houdini knockoff escape artist. I used a different framework technique than usual to help me along, but I'm noticing now a few errors in the final sketch as per usual :)
Oh how I miss using watercolour again! Been awhile since the last time I used this medium because now I draw with digital technique more often than the traditional ones.
Mostly wet on wet technique and then wet on dry for the white paint. I used a Mont Marte Round 2 brush and Reeves watercolor paint tubes.
Also concocted my very own magic watercolor paint that made the black background somewhat similar to gouache.
I learned this painting from one of the best artists named Maria Raczynska.
I uploaded a version of this that I felt was kind of a throwaway. Just dinking around and trying to get a feel for techniques. In the end, while I was happy with what I learned, I didn't think much of it as far as a completed work goes. But I couldn't leave it alone so I took about another hour and fixed what I felt could be fixed short of starting from scratch. Because it's a process, right?
I played with some different rendering techniques in my digital lineart/with some diagonal shading in the shadows in addition to my usual cell shading. I used the same colour as the hair /skin/ clothing in for my lineart on a 'multiply' layer then duplicated that layer and added a blur/reduced the opacity for its copy to soften the look of the lines.
Spent some time last week trying to work through a new digital painting/colouring technique . It needs some more work and I haven't decided if I like It yet or not. One of the images turned out blander but the original skin tone was very orange I did like the brush textures a lot better on the orange skin but the lighting feels better on the purple-toned image.
A stylized architectural illustration capturing the intricate beauty of a classic brick gateway and decorative ironwork. This design blends traditional sketching techniques with a modern, vibrant color palette, making it a perfect statement piece for those who appreciate urban history and fine masonry details.
