I started messing about with line and wash. I really enjoyed the speed and looseness of working on this piece. In hindsight, I'm wondering if it would be worth working on a larger, more considered version as there is quite a lot of nice texture that is missing here. Pen & watercolour on watercolour paper (4x6").
I got a pack of loose watercolour paper from eBay in 2018. The side this was painted on had a really strange pitted texture on it. I thought it might be interesting but I didn't like the way the paint gathered in the pits. I just use it for sketching and testing colours these days.
New Quay is a quaint little seaside town on the Ceredigion coast. This was my second attempt at pen and wash in 2018 and it totally bombed. I'm not sure there's anything I like about this - the colours, the linework, the lack of texture. Nah! Definitely worth trying again at some point.
This is part of a sequence inspired by @moonchildillustrations and her #moontoberweekends prompts (this one is apple!). This was fun, I want to start incorporating more animation/ sequences on what I create. I got inspired by my mother, when she was little she was scared of eating seeds because she thought they would grow out of her ears. With that in mind, have a great October!
Golden acrylic on canvas. This is the second abstract I've attempted. It's not fully finished but it's looking pretty cool so far. I used the palette knife to create texture and metallic paints in my color mixes
I initially wanted to draw a mandala but after outlining the big circles, I thought "why not add some texture?" and there you go. Experimenting with different shapes and shades always pays off.
This is a 19 in by 24 in oil painting on Bristol paper. I love this piece because of the textures and the bright but muted colors. I did this in 2019 in the spring at the Fashion Institute of Technology. The professor always pronounced "fruit" in a very bazaar way. It was a great class overall.
Quick 1 hour sketch working with a limited palette for a moody, gritty atmosphere. I always like to think of the story behind a piece before I start, and this one was a reflection of where I see the world going - a dystopian world in which many parts of the city have been abandoned, taken over by urban foliage, and left to ruin as people flee.
(HB pencil on 74mm x 106mm paper) A dreamscape (automatic drawing) image. A weird one showing a somewhat annoyed elf hiding amongst the trees and shrubs. The face itself was one of the first things to take form and I liked the way the dream construct became the texture of the tree branches.
Animaux origamiques répétés et rapprochés pour former de manière subjective un vêtement ou un accessoire. Un animal seul est représenté par illustration. L’animal donne une indication sur l’apparence du vêtement en suggérant une texture, une nuance, une odeur. Dans la série, « lipstickrabbit » fait référence au testing des rouges à lèvres sur les lapins.
