An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.
Model Portrait Art by Oz Galeano
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Artwork sketched traditionally with pencil then transferred to iPad to finish in Procreate. I'm trying to free myself from my own expectations. Stubborn is the word :/
I love the versatility of acrylic paint. You can change the consistency by adding water or acrylic mediums. These additions enable artists to create transparent glazes or thick impasto textures. The fast-drying nature of acrylics makes it easier to correct mistakes or make alterations during the painting process. This painting is part of a three piece set featuring my favorite plants painted on a soft gradient background.
Zidane Portrait drawing by Oz Galeano
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I changed the composition, types of silhouettes, and background texture a few times.
I didn't have any expectations about the finished work. It was a creative flow with many changes. I think the creative process looks like this.
Don't be afraid to try.
If you make your art digitally, it's simple. You can:
- create a new layer,
- use shortcut Ctrl+Z.
In traditional art, it depends on the art supplies you use. Sometimes you can try more times. Sometimes you need to start again.
But any attempt is better than giving up.
I initially wanted to draw a mandala but after outlining the big circles, I thought "why not add some texture?" and there you go. Experimenting with different shapes and shades always pays off.
This is a 19 in by 24 in oil painting on Bristol paper. I love this piece because of the textures and the bright but muted colors. I did this in 2019 in the spring at the Fashion Institute of Technology. The professor always pronounced "fruit" in a very bazaar way. It was a great class overall.
(HB pencil on 74mm x 106mm paper) A dreamscape (automatic drawing) image. A weird one showing a somewhat annoyed elf hiding amongst the trees and shrubs. The face itself was one of the first things to take form and I liked the way the dream construct became the texture of the tree branches.
I created this card for someone to bring to a Law of Attraction event. I drew the flowers on textured paper, came up with the phrase, and then set the type. I am a professional Healer so this phrase is powerful advice I give to others in my practice.
India ink on tissue paper. I had never used ink on this kind of paper before; I really liked the results! There are some folds and wrinkles on the paper that give the pattern some interesting details. The paper is also super absorbing, which plays nicely with the quantities of ink. Since it's very thin, there can easily be overlays between textures. And finally, when trying to use less ink (so that it wouldn't seep through and cause a big dot - the absorbing quality is nice, but it was also somewhat of a challenge!) I used very little ink on the lettering, causing a scratchy, dry look.
