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tone

Josh Gee Josh Gee
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A Gentle Guardian in Green Spring

She watches us all as we pass through her lands. The grass , the rocks, the trees...

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L K M L K M
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“Rise & Shine”

Garden Stone Doodle acrylic paint, permanent marker

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Joer_B Joer_B
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Agony
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Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.------------- The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.

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Maia Palomar Maia Palomar
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Chromatography

Chromatography is used in chemistry to dissolve a mixture and place it into a "mobile phase," which allows the solvent to carry it and its components up the paper. It shows the layers, exposing deeper, hidden tones and colors, something only seen when a solvent of the same polarity is used. It's odd. Life feels a bit like that, and I'm seeing the colors separate for the first time. It's all there, everything that's been hidden in the inky mess for the past however many years. And now it's smeared. Bold. Clear. But blurry. What's on me and what's on you? Where do we go from here?

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Stephen Stephen
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Foundation of America

This pen-and-ink illustration was done for the cover of a church statement of faith. I named this illustration Foundation of America because I believe this country was founded by Christians who had strong faith in the God of the Bible, and through faith, prayer, and sacrifice, the patriots overcame the mighty British military. By the hand of God, a new nation was born: the United States of America. When the United States was filled with God-fearing people, God raised the country to be a super power, and the world envied the United States and flocked to her shores, the land of freedom and opportunity. Now this country has forgotten the God who gave birth to her and now is setting up new idols to worship: idols of wood, stone, metals that do not hear or see or care. Because the United States has forgotten God, it has been plagued with storms, tornadoes, floods, droughts and her enemies are waging war with her, waiting to celebrate her fall. It is my hope and prayer that people who love this country will return to honoring God and return to giving Him thanks for all the great works He has done for this nation and turn from our sins and follow God by obeying His Word: the Holy Bible. That God will remove His hand of judgment and His blessing may return to our country. This church was fist built in 1890 and is still being used as a church. It is in Norristown, Pennsylvania. This was the first Bible-believing church I attended when I became a Christian. (October 28, 2017)

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Derek Lowes Derek Lowes
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Impalla, Wart Hog and Topi

Impalla, Wart Hog and Topi is a strange painting of a young doll like female puppet head with large intimidating eyes. The scary doll head puppet looks like a frozen predator. Her expression almost ferrel but still oddly innocent at the same time. I chose the vintage storybook background based on the mottled rich tones of the paper itself and the fact that the title refers to prey and predators in Africa. It is an excerpt from an old African adventure story. I love the arresting expression and bright colours of this painting. She has great stopping power and evokes all kinds of emotions.

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Manan sheel Manan sheel
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The King of Colors...

My watercolor painting of a bird, for the creation of which God didn't leave any stone unturned...:)

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Tyler vevea Tyler vevea
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Toned tan portrait

My first ever toned tan portrait. I messed up the hair but I learned a lot for next time.

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Ilga Jansons Ilga Jansons
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Boy in Blue

Playing with colored pencils this week. This is very loosely based on a photo....changed hair, eyes, and skin tones to suit my mood. Vintage Conte a Paris Criterium, Prismacolor Verithin, and Tombow Irojiten pencils.

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Sneezy Sneezy
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VOLCANA

VOLCANA (MARVEL COMICS) DONE 2015. ORIGINAL ART WAS THROWN AWAY Marsha Rosenberg was born in Denver, Colorado. She was a day care center employee who, along with her friend Skeeter, was among the residents of Denver transported to the Beyonder's "Battleworld" during Marvel Comics' first Secret Wars limited series. Seeking power and respect, she and Skeeter agreed to serve Doctor Doom in exchange for super powers. Doctor Doom had learned how to operate a machine utilizing alien technology. He used it to grant Rosenberg the ability to transform into a molten lava form with powerful thermal energy blasts, hence her codename "Volcana". She allied herself with Doctor Doom and the criminal faction and battled the She-Hulk in a confrontation with the heroic faction.[1] During the series, she developed a relationship with the supervillain Molecule Man, Owen Reece.[2] She bargained with the Enchantress,[3] and then battled the Enchantress with the intent to renege on her bargain.[4] During the Secret Wars II limited series, Marsha was residing back on Earth with Owen Reece. They hosted the Beyonder upon his arrival on Earth.[5] She tricked the Molecule Man into challenging the Beyonder[6] and then participated in the defeat of the Beyonder.[7] Some time later she accompanied the Molecule Man and the Fantastic Four to the Beyonder's universe. She separated from the Molecule Man when he apparently became irrevocably merged into another "cosmic cube" along with the Beyonder. Unlike her friend Skeeter who became the supervillainess Titania, Marsha did some superhero work.[8] She battled the Wizard[9] and Moonstone.[10] Volcana assisted the Avengers in repairing the damage to the Earth's crust caused by the Beyonder.[11] Volcana later took a comatose Molecule Man to the army hospital. After Molecule Man recovered, he turned the tent they were in into a hot air balloon as Captain Marvel's hologram wanted to talk. Volcana destroyed the projection. Because of the Silver Surfer, Volcana and Molecule Man were redirected to the Avengers and the Fantastic Four. After a brief fight, Molecule Man and Volcana were allowed to return to their apartment in Denver.[12] Later, she was briefly reunited with a de-powered Molecule Man (who had mysteriously returned to Earth) and battled Klaw. It was at that time that she gained the ability to assume volcanic rock and volcanic ash forms. She subsequently discovered that, just before his supposed "death," Molecule Man had secretly "willed" her a portion of his reality-warping power, and it was this power that gave her the ability to manifest these other forms at critical times, just when she needed them. Once he regained his power from her, she found herself no longer able to tolerate the darker side of his personality. She terminated their relationship, although Molecule Man vowed to one day prove his full love to her.[13] After losing a lot of weight, Volcana attended the wedding of Absorbing Man and Titania. Marsha discovered that Molecule Man was also invited. When Volcana went to check up on Titania following the supervillain attendees' fight with She-Hulk, she encountered Crystal, and Hydro-Man arrived to help Volcana until Crystal was defeated by Molecule Man.[14] Molecule Man still pined for Volcana. He captured Doc Samson, and after a fight with Doc Samson and She-Hulk, Molecule Man escaped and used his powers to carve Volcana's face in Mount Rushmore. Marsha saw the news of this on TV but did not suspect that Molecule Man was who made it happen.[15] During the "Fear Itself" storyline, Titania commented how Volcana just came along for the ride back when Titania was brought to Battleworld as she tells Dr. Wooster at the Farnum Observational Facility in Upstate New York.[16] Nightwatch later hired Volcana and Titania to fight She-Hulk in order to keep her from getting the documents that would incriminate him. With the help of her secretary Angie Huang, her supernatural monkey Hei Hei, and Hellcat, She-Hulk was able to defeat them with Huang redirecting Volcana's fire attack back to Volcana enough to melt her.[17] Powers and abilities Marsha Rosenberg gained superhuman powers through genetic manipulation by highly advanced technology performed by Doctor Doom. As Volcana, she originally had the ability to convert her entire body into a plasma form, in which she blazes with white-hot intensity, at times setting aflame any surface beneath her. In her human form, the 6 ft 5 in (1.96 m)[citation needed] tall Marsha has long black hair, and often wears only her magenta-colored swimsuit; her clothing is manufactured from unstable molecules, thus it is not destroyed when she is in her plasma form. The alien technology that empowered her makes her powers totally undetectable when she is in human form. Her plasma form grants her superhuman durability and consists of highly charged particles which surround her in white-hot flame and is able to emit controlled bursts of thermal energy up to 40 ft (12 m).[citation needed] She later gained the ability to convert her body into a stone form, a volcanic rock (basalt)-like composition which still enables movement and grants her superhuman strength. She subsequently gained an ash form, a volcanic ash (pumice)-like composition whose configuration she can shift, shape and control at will. Volcana cannot make partial transformations; she can possess the attributes of only one of her forms at a time. Monitoring devices subcutaneously implanted by Doctor Doom can be triggered to stimulate the aggression centers of her brain.

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Joer_B Joer_B
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Waiting Room
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From a snap of me sitting in the waiting room. Pencil, Charcoal Pencil, Pastel Pencils and white Prismacolor pencil on 9” x 12” Strathmore Toned Grey sketchbook paper.

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Suzy Walker-Toye Suzy Walker-Toye
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Morgan Freeman

Pen, pencil and white pencil portrait on grey tone paper

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Joer_B Joer_B
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Hand Study 22
1/2

Pastel pencil study of the intertwined hands of the Ambrogio Borghi sculpture, Chioma di Berenice. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.

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Gerhard Schellert Gerhard Schellert
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The Creator

Ink, marker, white pencil and white pen on Strathmore mixed media toned grey paper

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Jeanette Jeanette
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Inktober Day 3 path

Inktober Day 3(Path) Year 2 For this one I was really stuck because there are so many ways to draw the word Path because path has different meanings to it . But I ultimately decided to draw a Stone path after some inspiration on Pintrest

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Isadora Griffin Isadora Griffin
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Stonewall sample

How do i paint stone walls with a pallette without grey? I tried some different alternatives, i hope to get used these later.

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WaterproofFade-Proof WaterproofFade-Proof
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Auren Portrait

Luminary Festival - Auren Farkis (Digital Portrait I did as a colour study) Crisp reverberating strings danced through the evening. Notes twisted and echoed up through the emerald, velvet tiers of Ridgedow Gardens. Dusk’s veil had long since darkened to a diamond-encrusted black, and Clarglow was alive with activity. Footpaths were choked with revellers that formed a river of light that coursed and pulsed through the park. Will-o-whisp spots of light also glowed among the neatly trimmed hedgerows and statues. Their magic-addled voices rose up, joining in with the music of the Luminary Festival. A young man, no more than a quarter of a century old, glowed brightest of all. A soft orange radiated from his eyes, and his veins pulsed a brilliant red. He was dripping in gold and gems. Over an outfit that somehow managed to be heavily layered and revealing at the same time, he wore a sheer cape, which was heavily embroidered with blood-red crystals that refracted his own light around him in dazzling, concentrated rays. It was such a dangerous colour of magic, but his expression was soft and dreamy. Excited laughter rose up as a clustered group shot metallic confetti skyward. Gold flake drifted down and settled into his silver hair, cheeks, and shoulders. No doubt he would discover the remnants of this festival in his home weeks from now. He increased his pace, stepping off the cobbled path to overtake the group, when one of their number split from the group. The coils of her dark hair were so saturated with gold that she looked like she belonged on a pedestal next to the other statues. She intercepted him, matching his pace. She snaked a long, slender arm around his waist and pulled him closer. She pressed her lips against his neck, leaving a wake of golden kisses up to his earlobe, where she leaned closer to whisper. — “Aurie, Luv, I know that look. Don’t tell me you’re headed home. The eve has only just begun. “ Her glowing eyes Locked with Auren’s, her grip tightening, slowing the both of them to a stop, causing a temporary blockage in the flow of people. “Overdid myself Mel.. you’ll have to –” –” Come with us to the reflecting pool.” She cooed, meeting his lips in an off-center kiss, smearing his inky wine lipstick. Momentarily, he allowed himself to relax. He considered saying yes. His heart pounding, he dipped his friend backwards gracefully, resenting that he had to leave. An itch in his left arm reminded his fuzzy brain that he was in danger. Gasping softly, he gently lifted Mella upright and spun her out towards her friends, who were growing impatient. He couldn’t make out their faces in the fuzz of the evening. “I can’t, I’m sorry Mel! We’ll talk later.” Before she could protest, he danced, spinning forward in a brilliant display of speed that ended in a stumble as he met a set of steep steps that coiled sharply upwards out of the park and onto the pink brick streets overlooking Ridgedow Gardens. The glazed windows facing the street were empty and blank… their occupants elsewhere, enjoying the festival. The empty buildings were like faces, judging him for his lack of zeal. Auren wound his way through streets and side streets, his pace increasing as he grew more and more alone. Finally, he was climbing a set of steps to his own front door. Smirking at the sight of it he reached down into the front of the bodice that held together the layers of his outfit pulling free a loop of keys that were on a long chain looped around his neck. Aligning it to the keyhole he struggled with the lock, cursing softly under his breath as it initially failed to cooperate with him. In the quiet black of his foyer, he latched the door behind him and stumbled forward, tearing at the ribbon that held the gleaming cape that draped from his bare shoulders. He let it drop on a black lacquered table. He reached up to unclasp an elaborate choker and tore his single, crimson glove down from his elbow. He pressed a gilded fingernail against a band of red ink encroached upon by a spreading corruption. Marginally extending beyond the band were sinews of mismatched muscle and skin; even his hair had begun to glow red. Pulse rising, he wrenched his rings from his fingers, casting them into the ever-darkening room. Precious jewellery piled under him until only the dimmest glow from his own veins remained.. Slumping onto the steps, he tightened his grip on his arm and twisted it ninety degrees. A sharp click of crystal against porcelain met his ears. The room was enveloped in black as his final stone slid away from his arm, rendering the prosthesis inert. He slid to his side, the sounds of the party below overtaken by his own gasping breaths, panic refusing to subside alongside his magic.

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Lindsay Baker Lindsay Baker
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Stonehenge

Pencil and watercolour, 7x5".

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Josh Gee Josh Gee
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dwarf portrait

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Joselo Rocha Joselo Rocha
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Thailand coastal scene

An illustration of a Thailand coastal scene is depicted with loose, expressive strokes, showcasing a rocky outcrop and the meeting of land and sea under a blue sky. Sparse vegetation sits atop the rocks, adding touches of green to the predominantly blue, green and beige tones.

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Josh Gee Josh Gee
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Photoness

https://tapas.io/episode/2316174 random link to cartoon series where she might appear

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Suzette Suzette
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Forgotten Graves

A 45 minute drawing of some old tombstones. Done in pencil, graphite powder, charcoal powder and used a kneaded eraser to create effect, also edited digitally.

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Brianna Eisman Brianna Eisman
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Greyscale Doodle by Brianna Eisman

This drawing is titled "Greyscale Doodle" and was created by Brianna Eisman, Artsy Drawings. The pen and ink drawing is a fun doodle of organic blobby shapes with circles and floral patterns and lines. It's drawn in greyscale using grey, black, and white ink tones. The doodled image features an abstracted floral mandala type pattern. For more like this, please visit my website at ArtsyDrawings.com

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Baobab Tree at Sunrise

I gravitated towards the fony baobab, a real type of baobab. Sadly, all baobabs are in decline, which informed my composition. I used pastel earth tones and a lot of blacks. Digitally hand-drawn in Rebelle 6

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Molly Kate Martin Molly Kate Martin
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Slay Girl Slay

Done with Prismacolor Colored Pencil on Toned Tan Paper

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Piotr Piwko Piotr Piwko
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Under the stone

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myra naito myra naito
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Leopard

Charcoal leopard on toned paper.

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Christy Van Orden Christy Van Orden Plus Member
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Circles of Light

9x12 on gray toned paper.

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Duncan Weller Duncan Weller
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Stone Hill

An image for an upcoming poetry book, using lots of crosshatching with Rapidograph pens.

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Nora Thompson Nora Thompson Plus Member
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Skinny Frank

Colored pencil on toned paper

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