This artwork was requested by @lanahyawnuwuw. You asked for people in dresses, I give you people in dresses! Except now I want someone to use this for a movie. I can just imagine one of the trailer scenes: a guy talking to someone and says “what are they gonna do? They’re just girls with guns.” And he proceeds to get shot by one of them who comes into the room. Someone please make this into a movie.
This is an artwork that took me some time to make. I never really knew when to stop adding details, I felt it wasn’t perfect no matter what I added, but here we are! This was done in Procreate.
Spring has sprung and Peter is enjoying the warm weather. How have you been enjoying the break from winter? Any activity suggestions for Peter and his friends? They’re thinking picnics and lawn games...
Peter was munching on his cheese sandwich and taking bites slowly to make it last longer. It wasn’t fun sitting by himself in a new school in a new town. And then a rabbit with a smile on his face approached and asked, “Want some company?” and Peter’s heart lifted
I’ve been practicing digital art lately. This was made in the Adobe Draw app on my iPad. I wanted this drawing to be a celebration and kind of sweet renewal after everything we’ve been through.
Looking down on the Afon Mellte from its rocky riverbank in Neath's 'Waterfall Country'. I was a little perturbed by the complexity of this scene at first, but soon got into the flow of it. I love doing these wild nature scenes. Uniball Eye Micro on 6x8" sketchbook.
"Whirlwind 24”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 24th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 24, 2020.
A colour study for a larger piece. Unfortunately with the larger piece, I screwed up with the thick over thin rule and consequently, the paint cracked after a few months. Frustrated at having to start it again, but lesson learnt.
One of my early oils from 2017. I was still getting used to the medium. I liked how the oils worked well for the misty distant hills, and I used glazing for the first time on the clouds.
I was going to do a full landscape sketch of the ascent to Cadair Idris, but I kind of chickened out. Still, I quite like the simplicity of this little sketch.
I stumbled across this dilapidated coach house that would have once been part of the Glynhir estate while exploring the public footpaths around Llandybie. I loved the way nature had reclaimed it.
