Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
Heard about a supposed art fight, got no idea what that is but I brung my sword to the fight..
Also I took advantage of this to try and study the style of @Dominik Mayer, @Artem Chebokha and @Andrew Maleski (once more)
Recently I saw beautiful Van Gogh exhibition. I really enjoyed movement of his brush and vivid colours. It was more about energy and feelings than realistic details.
I am always gravitating towards realism and always want to spend more and more time perfecting paintings like they are never really finished so this time I decided to challenge myself not to do that.
This was the best sketchbook I ever owned. It appeared mysteriously and within a year, was gone to the wind. These are the back pages where I was exploring different water and alcohol marker brushes and ballpoint on the amazing vellum-like paper.
Another page of my travelbook, made with gel ink pen for a future art book about mediterranean way of life. Here a woman enjoying a coffee on an italian terrasse
A motif I having been enjoying in my sketchbooks lately but this time experimenting with positive and negative space. Watercolor and Posca pen in 8.25x11.75 Moleskine sketchbook.
Elias Rosenshaw (under the name Sage Stanley) 2/9/2023
Acrylic paint, paint marker, and gel pen on canvas board. 18" x 24"
On display in the "Nocturne" virtual gallery at www.119northweatherly.com March 9 - April 30.
Note: The date is an approximation. I created it to submit to the show, but forgot the exact date I completed it.
Recent commission: How do women move forward when doors are continually closing in front of them? Doors that were open in the past are now being closed by those who think that you should live your life the way they do even though your life situation is vastly different from theirs. 2022, 13” x 19” Ballpoint Pen on Paper, Digital. Model: AmyM
