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climbing

Junkyard Sam Junkyard Sam Plus Member
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Untitled

Way back in '88 I was staying up late, Playing games like Donkey Kong (and of course Pac-Man was great!) Smashing barrels, chomping dots, chased by Blinky, eating Clyde- Climbing ladders, jumping fire all to make that princess mine!

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Bleu Hope Bleu Hope Plus Member
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“Fishes Sick Of Climbing Trees”, July 2023.

Post-job interview mindful drawing time!

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Kevin Loftus Kevin Loftus
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Just keep climbing

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Duncan Weller Duncan Weller
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Climbing Sun

A fun pic I did based on a book I did with the boy from the sun.

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Stephen Stephen
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Sower and the Seed

Sower and the Seed This painting illustrates the parable “The Sower and the Seed,” a teaching of Jesus recorded in the book of Matthew chapter 13. The four hearts in the sky represent four different responses of those who hear the Gospel message. The heart on the lower left represents those who have heard the gospel but reject it. The devil then comes and takes it away from their hearts. This is illustrated by the crows flying away with the seed that fell on the road side. The second heart on the upper left side of the sky represents those who receive the gospel message with joy, but it doesn’t take root in their faith, and their faith is temporal, falling away when trials or affliction come their way because of the gospel. This is illustrated by a grape vine withering away in the heat of the day due to a lack of a deep root system. The heart in the upper right corner of the sky represents those who received the gospel and believe, but the worries of the world, and the deceitfulness of riches, choke the word, and it becomes unfruitful. This is illustrated by the grapevine being choked out by a purple, flower-bearing, climbing, strangling vine called, morning glory. These vines produce pretty flowers, but they are an organic farmer’s enemy because they will choke out his crops. I learned this firsthand in organic farming when I was a missionary for a couple of summers. The heart in the lower right corner of the sky represents those who hear, believe, and are committed to living for the gospel, so they produce much fruit. This is illustrated by a healthy, strong, fruit-bearing grapevine. The tilled field represents the world that God has prepared to receive the Gospel message. The sower represents all Christians that are commanded to go into the world and proclaim the gospel message. The seed being thrown by the sower represents the gospel message going out to the world. The seed bag has written on it, “The Word Seed Co.” (October 28, 2017)

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Nick Wolfe Nick Wolfe
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A dither

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Stacia Leigh Stacia Leigh
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Can and Will

"This time, there was no other reality." ~ A blackout poem from a recycled page of Dealing with Blue, a young adult romance.

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Ellis Illustrations Ellis Illustrations
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Climbing for the moon

This days illustration is climbing up for the moon. Feeling impulsive or adventurous? Thats an imaginative one.

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WaterproofFade-Proof WaterproofFade-Proof
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Auren Portrait

Luminary Festival - Auren Farkis (Digital Portrait I did as a colour study) Crisp reverberating strings danced through the evening. Notes twisted and echoed up through the emerald, velvet tiers of Ridgedow Gardens. Dusk’s veil had long since darkened to a diamond-encrusted black, and Clarglow was alive with activity. Footpaths were choked with revellers that formed a river of light that coursed and pulsed through the park. Will-o-whisp spots of light also glowed among the neatly trimmed hedgerows and statues. Their magic-addled voices rose up, joining in with the music of the Luminary Festival. A young man, no more than a quarter of a century old, glowed brightest of all. A soft orange radiated from his eyes, and his veins pulsed a brilliant red. He was dripping in gold and gems. Over an outfit that somehow managed to be heavily layered and revealing at the same time, he wore a sheer cape, which was heavily embroidered with blood-red crystals that refracted his own light around him in dazzling, concentrated rays. It was such a dangerous colour of magic, but his expression was soft and dreamy. Excited laughter rose up as a clustered group shot metallic confetti skyward. Gold flake drifted down and settled into his silver hair, cheeks, and shoulders. No doubt he would discover the remnants of this festival in his home weeks from now. He increased his pace, stepping off the cobbled path to overtake the group, when one of their number split from the group. The coils of her dark hair were so saturated with gold that she looked like she belonged on a pedestal next to the other statues. She intercepted him, matching his pace. She snaked a long, slender arm around his waist and pulled him closer. She pressed her lips against his neck, leaving a wake of golden kisses up to his earlobe, where she leaned closer to whisper. — “Aurie, Luv, I know that look. Don’t tell me you’re headed home. The eve has only just begun. “ Her glowing eyes Locked with Auren’s, her grip tightening, slowing the both of them to a stop, causing a temporary blockage in the flow of people. “Overdid myself Mel.. you’ll have to –” –” Come with us to the reflecting pool.” She cooed, meeting his lips in an off-center kiss, smearing his inky wine lipstick. Momentarily, he allowed himself to relax. He considered saying yes. His heart pounding, he dipped his friend backwards gracefully, resenting that he had to leave. An itch in his left arm reminded his fuzzy brain that he was in danger. Gasping softly, he gently lifted Mella upright and spun her out towards her friends, who were growing impatient. He couldn’t make out their faces in the fuzz of the evening. “I can’t, I’m sorry Mel! We’ll talk later.” Before she could protest, he danced, spinning forward in a brilliant display of speed that ended in a stumble as he met a set of steep steps that coiled sharply upwards out of the park and onto the pink brick streets overlooking Ridgedow Gardens. The glazed windows facing the street were empty and blank… their occupants elsewhere, enjoying the festival. The empty buildings were like faces, judging him for his lack of zeal. Auren wound his way through streets and side streets, his pace increasing as he grew more and more alone. Finally, he was climbing a set of steps to his own front door. Smirking at the sight of it he reached down into the front of the bodice that held together the layers of his outfit pulling free a loop of keys that were on a long chain looped around his neck. Aligning it to the keyhole he struggled with the lock, cursing softly under his breath as it initially failed to cooperate with him. In the quiet black of his foyer, he latched the door behind him and stumbled forward, tearing at the ribbon that held the gleaming cape that draped from his bare shoulders. He let it drop on a black lacquered table. He reached up to unclasp an elaborate choker and tore his single, crimson glove down from his elbow. He pressed a gilded fingernail against a band of red ink encroached upon by a spreading corruption. Marginally extending beyond the band were sinews of mismatched muscle and skin; even his hair had begun to glow red. Pulse rising, he wrenched his rings from his fingers, casting them into the ever-darkening room. Precious jewellery piled under him until only the dimmest glow from his own veins remained.. Slumping onto the steps, he tightened his grip on his arm and twisted it ninety degrees. A sharp click of crystal against porcelain met his ears. The room was enveloped in black as his final stone slid away from his arm, rendering the prosthesis inert. He slid to his side, the sounds of the party below overtaken by his own gasping breaths, panic refusing to subside alongside his magic.

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Stephen Stephen
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Salvation in a Storm

This painting illustrates a man who finds safety from drowning in a stormy sea by climbing on to a platform in shape of a cross. The storm itself represents the trial we face in life. The shipwrecked person shows that we have nothing we can approach God with that would sway Him to help us when we call on Him for help. Only out of grace and mercy does He rescue us. The platform in the shape of the cross represents that God has provided a way for man to escape punishment for his sins, which would have been casting him into the lake of fire after death. Through God’s love and mercy, He punished Jesus for man’s sin; the guiltless Son of God was punished so that the guilty sinful humans could be saved through faith. The step represents man’s need to come to God humbly through Jesus to receive anything from God. The light breaking through the clouds represents God hearing the man’s prayer and answering it. (October 28, 2017)

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Ceskus Ceskus
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Reflection

#inktober52 #inktober2021

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Embracing nightmares Embracing nightmares
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Climbing to new heights.....

You can be right like me, with god in the hole you’re a righteous soul. I got a halo round me. I’m not the same as you, cause I’ve seen the light and I’m gaining in height now, I’ve got a halo round me......- porcupine tree (halo)#embracingnightmares

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William Bulmer William Bulmer
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Niter (art trade)

My half of the art trade with OptimisticJerk (https://www.deviantart.com/optimisticjerk). The trade was to draw a monster as made up by your counterpart without seeing a reference image, based only on the description. Here is her half (which is awesome): www.deviantart.com/optimisticj… For mine, I had to draw a monster called a "niter" based off of his description: "Niters communicate in whispers. Nocturnal. Shy away from light. They’re black and oily and emanate a bluish glow. Large, looming 6 foot shadow things with massive hind legs, clawed for climbing trees and they have ‘maws’ instead of arms, claw-like appendages they stab people with and only one gaping blue eye. Their mouths open up and they swallow their victims whole." What's funny is that I didn't see the fact that they emanate a bluish glow until now. So, the glow from the eye is purely by coincidence. Figuring out the hind legs of this creature was difficult, and so I sought reference images, and of all things, the koala turned out to be a pretty good reference. For a while, there, it was looking like Carnage from Spiderman, but I toned down the reddish-hue a bit. The intention was to give the appearance of motor oil. So, now to find out how badly I failed at drawing this... This art trade was fun, though, and I would do a similar one, again. But I am le tired.

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Agnes Agnes
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Portrait

With a complex structure, I tried to find the ways to reach the light, like climbing a mountain

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Evgeni Evgeni
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Naked woman climbing a staircase

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Sam Tansley Sam Tansley
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Beetle in a hard place

Went climbing at Harrissons rocks, saw a beetle and felt arty...

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Sarah Kate Sarah Kate
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Tree Climbing fun

I painted this doll with the face of a middle aged woman. I like how distressed she looks, and the glasses complete the look. I sew on hair, but it just made her look normal so I removed it.

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Olivia Hathaway Olivia Hathaway
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Reid Hall Rose Watercolor

This watercolor painting was done of one of the first flowers I saw upon arriving in London. It was a yellow climbing rose on the outside of our residence hall. I have the design for sale as prints and as printed products like mugs and shirts on Redbubble, Society6, Zazzle, and Threadless. Check out those sites via this link: https://linktr.ee/okhismakingart

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