This is a concept sketch that i might use on a bigger piece, it has a bit more to the design that ive added on to the top of the sketch as i was playing around with different ideas and angles to look at things. i love playing around with different symbols and markings that are quite tribal and almost mystical giving a depiction of mother earth or something shamanic also playing around with the vines and branches in the hair was a cool concept.
I wanted to draw Ash but without his bat features. Ash takes on bat like features in his orignal concept. I will be keeping those features, because I like how it looks. Every color I used in this picture was used for a reason. I had to do some research, so the colors would reflect is personality and his role he plays within the world in which I created him in.
Colors with purpose:
-Purple
-Green
-Red
-Orange
This is a scanned pencil sketch of a picture that I still want to work out. The whole thing is supposed to be a kind of fantasy landscape. The castle depicted does not have to be historically correct either. I will try to work it out in Procreate. It's a great programme, but unfortunately I'm not yet as proficient as I'd like to be ... As soon as there's any progress, I'll post it here!
Regards
Christian
My name is Jenny Lebedev.
I am a multidisciplinary artist and illustrator, Making painting on canvas and digital platform, video, photography, drawing. Graduate of the Department of Multidisciplinary Art at Shenkar.
I recently finished illustrating the second children's book. I also accept commission projects and work with the client in close communication. I make digital art work for postcards, prints, incl. producing prints.
In the field of art I deal with conceptual art on the topics of "nothingness" and the existing emptiness, awareness of the air.
When I was a little girl I was drawing postcards and during holidays I was selling them to the neighbors for half a shekel. At home my family always appreciated my creativity. Because of this when I moved to Israel, I decided on an art degree where I had the freedom to try different kinds of art. I became a painter and my final exhibition at Shenkar College was a plumbing work with sculpture and dio.
Nowadays I am more involved in digital painting and specializing mainly in illustration and design. I take my inspiration from nature because it has an amazing integrity. But of course a simple emphasis will make most people notice it better.
This is the second edition of my snake drawing collection, the first one was titled "slipped secrets" and addressed the conveyance of information between certain parties that should not have been shared. This artwork portrays a sense of love and mutual agreement/understanding using snakes as the conceptual medium through which the action and emotion is portrayed
2021, pandemic is still upon us. My memory is fuzzy but it’s wreaching the one year mark when I had to tell a patient for the first time in my career that they were COVID positive. It was also the first documented COVID diagnosis in our clinic system.
Originally inspired by the occult fiction of the seventies, this began life as a cover concept for a commercial horror anthology. It later transitioned away and became a personal project, granting me more freedom with its content, and a return to one of my favourite themes – the offsetting of monstrosity with beauty.
the black and yellow garden spider (also called the writing spider; Argiope aurantia) and the banded garden spider (A. trifasciata), which have vivid yellow and black markings on the abdomen, are commonly referred to as garden spiders.
https://www.britannica.com/animal/garden-spider
Although it is often refered to as a banana spider...which is were I am connecting the irony and source of my inspiration...from the piece #Comedian created by artist #Maurizio_Cattelan...known at the moment as the
This is the 3rd of the 3 glow-in-the-dark space satellite poster series. This concept sketch was done on a digital tablet with pencil setting. Will try to up the finished version tomorrow.
One of the most difficult practices is being ready to accept anything and everything that comes, without judgement, staying in the moment with our experience. This is a powerful practice. I tried to express some essence or feeling of it.
After 1.5 hrs of experimenting...
It wasn't easy to decide on what body shape my character should have. Through an "intuitive approach" of shifting anatomical proportions, it was still decided to remain on an avian's concept instead of a wyvern's. Wyvern can be kept to the wyvern... The phoenix needs something more like an bird's, after all.
p.s: I also have to remember to keep the neck shorter...
