This looks simple, but i spent days researching to get the buildings and clothing right. There was also a lot more layers than i planned for. This buildings are still in use, there are different shops in them now. Sadly they no longer have those colorful decorations,
(Done on 110gsm acid free sketch paper. Trees,ducks,land dine with sankura micron pen. All the blurry things done with hints of hard charcoal pencil)
Serenity... the lighting outside seemed to be playful today due to misty weather. Hence this outcome.
I swear i didn't use any filter
We have finished the second season of The Witcher and I was inspired to make a composition with Cirilla. I have decided to take the visuals from the game where Ciri is already a grown up and became very strong. Behind her is Geralt who looks after her. I hope you like the story as much as I do! https://www.youtube.com/watch?v=m6cfNkwJY6k
Luisa was my favorite character in this beautiful, fun Disney animation. I drew this in Adobe Fresco in about 6 hours. Still learning the program and testing brushes. Be sure to check out the time-lapse of the drawing on my Instagram. Cheers!
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
