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Herman Melville (1819–1891) "I rise at eight—thereabouts—& go to my barn—say good-morning to the horse, & give him his breakfast. (It goes to my heart to give him a cold one, but it can’t be helped.) Then, pay a visit to my cow—cut up a pumpkin or two for her, & stand by to see her eat it—for it’s a pleasant sight to see a cow move her jaws—she does it so mildly & with such a sanctity." - From Daily Rituals: How Artists Work by Mason Currey “I would prefer not to.” ― Herman Melville, Bartleby the Scrivener “A smile is the chosen vehicle of all ambiguities.” ― Herman Melville, Pierre; or, The Ambiguities #dailyrituals #inktober #HermanMelville @masoncurrey

The black woman of the Wittelsbach family is a ghost haunting the Schleißheimer Castle. She was a widow who killed her own children because of an misunderstanding. The man she loved told her they cannot be together because of 2 pairs of eyes. He meant his parents wouldn't agree the relationship. Horrified by her cruel act she was thrown in the dungeon and died there. To this day she still said to be roaming the castle.

Austria, German forest kobold/nature spirit named Schrat (or Forest Schrat) they are usually solitary and range from friendly to mischievous

This was my take for the 2019 Inktober prompt, “B A I T”. You can find more of my work and get in touch with me on my Instagram (@wieldingcolor) as am more active there!♥️

Spooky sketch filled in with Golden Fluid Acrylic paint in Carbon Black. The background and other colors are watercolor.

Done 2022 with lead pencil on 11 x17 bristol paper. This was private art commission i did for a person in Canada who is die hard D&D fan and hardcore fantasy board game player. If you are interested in purchasing this artwork for $100 and also I do private commissions. Leave a comment or contact me at jungmeister4@yahoo.com (Shipping fee to ship the original artwork will apply) Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar

Mermay Day 19: Royal all hail Ceto of house Humansbane, destroyer of poles, evader of hooks, piercer of nets, mother of all fish-kind, goddess that swims alongside us. shes holding the scepter of Poseidon and the will of Triton. they cover the fins of royals because only the gods should see their beauty. some rumors say that the royal family just has a deformity thats passed on genetically so they cover it up and made the god thing up...who believes rumors though...dead merfolk thats who.

Shark time again.

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

Okay, like I said, I am cruddy at drawing hands so I decided to practice, here you go!

brown and blue floral pattern

Title: Heart and Soul Medium: illustration pens on sketch book paper Style: surreal Category: illustration Created: Dec-Jan 2024-2024 Artist: Stephen J. Vattimo Heart and Soul This is preliminary drawing for a painting I am about to begin. The concept for this illustration started as a design for a pumpkin carving contest. I feel the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. It was designed for a live pumpkin carving event in mind. At this type of event, the carver must create their piece of art live on site with spectators watching and asking questions, and there is a time limit. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems(color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 .

Where do I begin with this one? This is a drawing of my dad and I; the picture was taken back in 2006, a happier time, I suppose. I don't commonly think about my dad, I don't necessarily think about how much I miss him or how I wish I could see him again, so it was odd for me to sit and look through old photos. I don't really know my dad; I do, but I don't. My dad was physically part of my life for 10 years, the second half of those were not the best. Mental illness, self medicating for years, debt, heroin, arguments, threats, uncertainty. I feel like I remember the negative more because I was older, my parents couldn't hide it from me like they used to. At the same time, when he was sober and stable, life was good. Life was great, things felt complete. So here I am, 6 years since he died. I don't want to say his image is fading, but I know less of who he was than I did before. I see the good from some (the ones who praise him, who act like he was a saint), and I see the bad from others (the one who felt the pain). I suppose I no longer see my view, my memories aren't there anymore. I don't necessarily feel sad, the anger has faded, and I can't say I'm happy. Maybe I'll figure it out one day, but, for now, it is what it is.

Inktober day 3. a Banshee. I found it interesting that they are more often old women. Since pop culture usually shows them as young ones.

Bad Cat gets the woven blanket treatment. circa 2019

This piece consist of 2 sheets, the bottom sheet is painted by my four year old daughter, on top of that is a orange paper which I cut the kitchenware out of.

When goldilocks visits.

"Beauty of Hope" as one of the original painting I donated to charity and it was auction in exhibit. It was one of my favorite painting so far. I used koi watercolor and a fabriano 200 gsm paper. Most of the color I used are blue, green, light green and yellow and a bit of orange. The metallic gold paint was one of the color that added flavor to the painting.

Years ago, I sketched Gibby at work—pencil in hand, bold strokes alive with motion. I caught them from over the shoulder: just the back of their head, the soft curve of their face, and that focused arm bringing something into being. They were 9 or 10 then, already showing the spark of creativity and concentration that pointed toward who they’d become. Now in their mid-20s, Gibby is thoughtful, insightful—quick to listen, slow to speak, and wired to process the world with care. Their path has been remarkable: two degrees in 2.5 years, no debt. That didn’t happen by accident. It took grit, German immersion schooling, 16 college credits earned in high school, and testing out of 24 more once at university. That’s Gibby—quietly determined, resourceful, and steady. But their story isn’t just academic. Gibby’s always been gifted with their hands—drawn to set design, locksmithing, welding. Trades they wanted to pursue early on, and still feel pulled toward. They’re at a bike shop now. It’s not the dream, but it fits: their hands know how to build, repair, and reshape the world. There’s been frustration—maybe even anger—that we didn’t let them follow the trade route right away. I get that now. Life veers, and sometimes the path chosen isn't the one imagined. But Gibby’s resilience—their ability to adapt and press on—is what I admire most. They’ve embraced their journey with honesty, stepping into their identity as a they/them person, unafraid to define success in their own terms. That takes courage. I’m proud of them—not for a résumé, but for who they are. This old drawing isn’t just a memory—it’s a thread connecting past to present. A reminder that the creative spark, the steady hands, the deep soul I saw back then is still shining. So here’s to you, Gibby: the kid who sketched with fire and the adult who still shapes the world with quiet brilliance. Your value has never been about the path you’re on. It’s about the person you are. And I’ll be here, cheering you on—every step of the way.

Updated version of an old drawing

New year, similar kind of tricks. Hope it’s treating you all well so far!

A cute bonsai character with a fierce expression holds two swords, wearing an orange martial arts outfit and a headband with a red symbol. Its head is stylized as a bonsai tree, with vibrant green foliage, set against a dynamic red background and the words "BANZAI BONSAI!" above.

Hold the S because i am an ain’t……Marilyn Manson - (S)aint #embracingnightmares