It's been a while since I draw on kraft paper.
So, here is the result on the thinking process: How can faun shield themselves from sunlight if they can't put a hat on?
Answer: They tie branches to theirs horns.
...
I should be the one shielding myself from the sun just so it can't kill anymore neurones.
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Ça faisait vraiment un moment que je n’avais pas dessiné sur du kraft.
Donc voilà le résultat de la réflexion: Comment les faunes font pour se mettre à l’abri du soleil s’ils ne peuvent pas mettre de chapeau?
Réponse: Ils s’attachent des branches dans les cornes.
…
Je crois que c’est moi qui devrait me protéger la tête du soleil, histoire que ça ne cogne pas trop sur mes pauvres neurones.
May 2019 was a month that I focused on collaging my own handmade paper together to create illustrations. I also started trying out gouache, to mixed results. It's a skill I intend to learn!
I share with you a very special project I had the pleasure to participate in 2021, an initiative of @humanityonthemove.hom with @thisisastromag
There were more than 70 artists who, in collaboration with refugees, worked together to build artistic pieces. The result was a virtual exhibition, which culminated in an online auction to support @donate4refugees .
With all the art pieces sold, they managed to raise 3336 euros. Here is the result of my collaboration with F.!
As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years.
For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin.
Prints available via my website.
Side Face Portrait Drawing by Oz Galeano
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About once a year I set aside a page in my sketchbook, or bullet journal, to do a marker test. I go through every pen I own including Sharpies, highlighters, Bic Permanent Markers, Crayola markers, Stabilo pens, Expo dry erase markers and everything in between. I document the quality and determine whether to keep or toss the utensil. I find it’s easy to collect art materials, especially when you’re like me and switch mediums regularly. It’s important to know that when I reach for a certain pen or marker, it’s going to work the way I want it to. I do keep a page at the back of my sketchbook open for testing mediums, but it’s an important part of the process of creating art to go with the flow and just draw.
This was a labor of love. Completed with Prismcolor pencils and Copic Markers. I'm very influenced by my surroundings, and all around me are hipsters. I'm also surrounded by artist and those in studio & animation jobs that I hope to have one day. This piece reflects a point in my life of where I am physically and shows my career aspirations. And it was also just for fun because I love Rick&Morty.
