The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
It's a second attempt at drawing a landscape with a water element.
I'm not focusing on many details by drawing water. Creating a lot of blurry shapes and lines gives a great reflection effect.
Done 2020 with lead pencil on 11x14 bristol paper. I wanted to draw hand one day so this drawing came about and i love drawing ripples and organic shapes so this background drawing came about and ripples on the hand as well. If you are interested in purchasing this original artwork for $50 and also I do private commissions. Leave a comment or contact me at jungmeister4@yahoo.com (Shipping fee will apply) Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
This black and white piece adds definition to the walls of office space, the clean and composed look of the work renders great vision. It contains a collection of geometric shapes to provide meaning to your office walls of the office. Painting for office walls, black and white paint, acrylic painting for walls, geometric painting. #acrylicpainting #blackpainting #acrylicart
It is a small 40 x 40 inches Canvas Painting for Office. My beautiful original acrylic painting "The Vision", is a monotone abstract triptych painting. This painting has quite a lot of shapes that you can see in the photos. Original abstract triptych painting, monotone painting on canvas, monotone art painting, large triptych abstract, large abstract art triptych, large contemporary monotone painting original, inspirational large canvas, triptych monotone painting, colorful triptych large original
Hey, I’m still alive I’ve just been busy with life and what is it that I want to draw next that I haven’t really posted anything. I’ve mostly been working on human anatomy from the ground up, so I have not been drawing human bodies just mostly boxes, circles and shapes of the human body and just like my last post I decided I wasn’t going to post process I wanted to post stuff that I was proud of, I didn’t want to post just to post I want to make something and be proud of what I post. I really proud of this fanart i made of Courtney from deadend:paranormalpark.
I haven’t done fan art in a long time and I enjoyed the show on Netflix it was interesting, i suggest you guys check it.
I love to come up with these mindless but interesting hard surface shapes and technical stuff. It has a meditative effect on me like drawing mandalas ^^ Inspiration comes from Tsutomu Nihei again.
--- His wide doll-like eyes go distant as he focuses on the assembled bones from the crypt. Tendrils of blood knit between his long fingers as he begins to weave his spell-work, expertly puppeting the dead. Their bones scrape against each other assembling into familiar shapes. His old friends sway in the dusty air. Their hollow eyes stare back at him awaiting a command. It comes once they're all upright. The Karnathi warriors don their armour and raise their weapons again despite the laws that forbid it, despite what may wait for Sir ir'Olar when judgement comes for him. This was what he was raised to do. It was cruel for the world to toss him aside now that things are peaceful.
On this gloomy day I am thankful for generous friends and bright colors.
No playing in the yard, no soaking in hot baths, no fizzy drinks.
I am playing with Dr. Ph. Martin watercolors, format and shapes.
#dailydrawing #watercolorink #playing #watercolor
An automatic drawing, everything is out of my head with only the briefest idea of a story line. I played around with shapes and lines and shading to see what affect would result. It was fun, but time consuming.
A friend's children painted a canvas I gave them and I painted them into it. The fun messy doodle background is 90% theirs. I added a few streams to pop out some of the shapes they painted. I might do this as a series.
Fobbles used to be afraid of pumpkins, until he learned that you can carve faces and other shapes into said gourds to make jack-o-lanterns. And thus, he now raises pumpkins for a living.
This was my first try using paint pens. Played around with shapes to get used to the texture of the paint and how it feels to use the pens. Done in a watercolour sketchbook.
I made a mess! And it makes me happy! Because I finally 'did' something after what seems like a too-long period of very little art. This is a 'no pressure' piece, playing with shapes, colours, just making marks, doodles, and just allowing things to emerge. Brilliantly therapeutic.
