sum

Is that summer already?

The concept for this painting started as a design for a pumpkin carving contest. I felt the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. I tried to keep the design simple, because the carving event is both timed and live. You must create your masterpiece on the pumpkin they provide, on their location, Infront of live spectators. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems (color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 Evolution of the design of this painting. I believe God through His Holy Spirit guided me to change the crosses on the two pillars, one on each side of the doors. Instead of these windows being fill with darkness, which would represent death by crucifixion, which Jesus endured for humanity, that who so ever is willing may be delivered from the power of sin and be adopted by God to become a member of His family. I was inspired to put light in both cross windows. The cross window on the side the open door, with the grape vines on it, the light matches the color of the light that is coming out the windows of Icons shapes representing the ministry of tri union God. The color I used is a bright firry orang yellowing color. For the bible says God is a consuming fire. The cross windows on the side of door with the flower on it, I used the color greenish yellow lite; to represent a false light, the bible call it a form of Godliness without power. Who so ever tries to approach God another way, than the path God has ordained. They will not be received. The Devil distorts the truth, to lead many to their demise. The only way to know the difference between truth and fallacy, is to study God’s word. Written by Stephen J. Vattimo August 7,2024

A little grid of gouache paintings. I'm going to make these into stickers!

Wine and some more wine

Tread - That time when Meera and Jojen Reed follow the treads of Hodor, Osha, and Rickon to find Bran Stark so they can take him north of the Wall. Bran would sometimes warg into Summer and/or Hodor and follow their treads. - I love the Reed siblings- they left all the warmth of their home to travel north to find Bran and to take him even further north to find the Three-eyed Raven. Meera is the unsung hero who kept Bran safe throughout the entire journey. It’s too bad how things were left off between Bran and Meera at the end.

Here's the second pumpkin I carved (I did find the sketch, so I posted that in there too). Both carvings were really fun and very time consuming. I'm usually not good with 3D models or sculptures, but carving pumpkins seems to work out.

These guys get a bad rap but they're just trying to help! This is my entry for the Kula Cloth design contest. A Kula Cloth is an a pee cloth for anybody that squats when they pee. Perfect for LNT hiking and camping!

Doodle doodle!!

Color study with marker and colored pencil

sketch made with markers and ink

Darkness resumed!

The last male Sumatran Rhino in Malaysia has passed, yet Harpan (the baby here) still lives in the Sumatran Rhino Sanctuary in Indonesia

Daily doodles with a limited palette of coloured pencil.

Gouache in my sketchbook.

The spooky spirit peaking through the summer wheat field, waiting for autumn.

summer sketch

SUMMERTIME & FALL GIRLS

Hold the S because i am an ain’t……Marilyn Manson - (S)aint #embracingnightmares

My character Peggy Bark enjoying an ice cream cone.

Done 2022 with lead pencils on 11x17 strathmore drawingl paper. just wanted to draw some image with some story to it cuz usually my drawing do not look like it has stories. Original art is up for sale $60 USD (shipping fee will apply) email me jungmeister4@yahoo.com. This prequel, it is revealed that the Cârța Monastery was built somewhere in Romania by a duke centuries ago. Becoming obsessed with dark magic and Satanism, the Duke attempts to summon a demonic force from the catacombs only to be killed by the members of the Vatican who then sealed the rift with the Blood of Christ. Hundreds of years later, the monastery was bombed heavily during the events of World War II, releasing the same evil spirit from its imprisonment. The demon had since taken the form of a nun as a means of blending with the other nuns as well as to mock their faith. Throughout the years, nuns continuously prayed in communion to combat the evil, but in vain as the demonic entity walked freely around the monastery all nights, in the form of a nun to mock their faith. In 1952, Valak had slain several of the nuns, leaving only two survivors. Sister Victoria, with a key in hand, commits suicide in order to prevent Valak from claiming her as a host. Sometime after her death, the Vatican tasks Burke and Sister Irene to investigate. Valak manipulates the characters throughout the film ranging from creating mass illusions with the ghosts of the slain nuns to weaken Sister Irene and tormenting Father Burke by taking the form of a young boy who had died from a botched exorcism at his hands. Valak then buries Father Burke alive before luring Sister Irene to become possessed. When the catacombs began to flood, Valak tries to strangle Sister Irene to death. While inspecting her for any vital signs, Sister Irene spits the Blood of Christ onto Valak, burning it severely. The rift is then resealed. However, this would prove to not be the end of the Demon Nun as when the group was leaving, Frenchie, a French Canadian otherwise known as Maurice is revealed to have an inverse cross branded on the back of his neck. This segues to the original Conjuring film during a lesson the Warrens were giving about demonic possession. Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calaneder. https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar

A little o' this, a little o' that. All on 8.5X11 heavy white card stock. Some colored pencil. Using photoshop only to render contrast, no other manipulation.

13 OCT 2023

Being autistic and neurodivergent means I’m liable to mishear things quite a bit, especially when watching films where the sound mixing is utter shite (thanks sensory differences!). On that note, there’s a bit towards the end of Alien where Parker shouts “get out of the room” which I always interpreted as “get ready to roll” for years on end. Only recently did I realise how wrong I was! Considering it was the final act of the film, I guess I can’t be blamed for assuming as such, right? If you know, you know as they say...

Years ago, I sketched Gibby at work—pencil in hand, bold strokes alive with motion. I caught them from over the shoulder: just the back of their head, the soft curve of their face, and that focused arm bringing something into being. They were 9 or 10 then, already showing the spark of creativity and concentration that pointed toward who they’d become. Now in their mid-20s, Gibby is thoughtful, insightful—quick to listen, slow to speak, and wired to process the world with care. Their path has been remarkable: two degrees in 2.5 years, no debt. That didn’t happen by accident. It took grit, German immersion schooling, 16 college credits earned in high school, and testing out of 24 more once at university. That’s Gibby—quietly determined, resourceful, and steady. But their story isn’t just academic. Gibby’s always been gifted with their hands—drawn to set design, locksmithing, welding. Trades they wanted to pursue early on, and still feel pulled toward. They’re at a bike shop now. It’s not the dream, but it fits: their hands know how to build, repair, and reshape the world. There’s been frustration—maybe even anger—that we didn’t let them follow the trade route right away. I get that now. Life veers, and sometimes the path chosen isn't the one imagined. But Gibby’s resilience—their ability to adapt and press on—is what I admire most. They’ve embraced their journey with honesty, stepping into their identity as a they/them person, unafraid to define success in their own terms. That takes courage. I’m proud of them—not for a résumé, but for who they are. This old drawing isn’t just a memory—it’s a thread connecting past to present. A reminder that the creative spark, the steady hands, the deep soul I saw back then is still shining. So here’s to you, Gibby: the kid who sketched with fire and the adult who still shapes the world with quiet brilliance. Your value has never been about the path you’re on. It’s about the person you are. And I’ll be here, cheering you on—every step of the way.