I used an online program called "Sketchpad" if you'd like to use the web tool I used for the trees. I was overall just messing around with it, but I'm very happy with the result.
It's stormy and super windy here in Amsterdam today. Wind so strong it's knocked down trees and can make you ride backwards or lift you right off your bike.
This is the second oil painting I have ever made, and the first time I have attempted to create mountains, trees and bushes. I used just 3 colours for this: Raw Umber, Phthalo Blue and Titanium White. I learned a lot and had tonnes of fun at the same time.
(Done on 110gsm acid free sketch paper. Trees,ducks,land dine with sankura micron pen. All the blurry things done with hints of hard charcoal pencil)
Serenity... the lighting outside seemed to be playful today due to misty weather. Hence this outcome.
I swear i didn't use any filter
Drawing trees and other landscape elements was my daily routine for the last two months.
For two months, I've been developing my style.
It's essential to create consistently in one style for a long time. It's the way you get to know better:
- yourself,
- what you like,
- what you enjoy.
I was working on nighttime or dark themes and trying to get more contrast than the last piece I made. I wanted to also work on atmospheric perspective and depth with the clouds. Overall, I am pretty happy with the outcome. This is from a reference picture my husband took from our backyard. Painted with Rebelle 6 Pro.
I changed the composition, types of silhouettes, and background texture a few times.
I didn't have any expectations about the finished work. It was a creative flow with many changes. I think the creative process looks like this.
Don't be afraid to try.
If you make your art digitally, it's simple. You can:
- create a new layer,
- use shortcut Ctrl+Z.
In traditional art, it depends on the art supplies you use. Sometimes you can try more times. Sometimes you need to start again.
But any attempt is better than giving up.
I love hilly landscapes. But I'm not good at drawing them. The one thing that I should do is practice. I have to take a sketchbook and draw/paint 100 mountains.
The trees also could be better. I failed by drawing details on this illustration.
Day 11 of #whimsicalByMamaminia art challenge.
I have been teaching myself stippling. This is a work in progress on a birch tree bark. I've always admired birches and have strong childhood connections with them. I am a keeper of some very fond memories of our summer house and three beautiful big birch trees in the yard. I could sit under them for hours: watching the delicate leaves dance in the summer breeze; watching them turn golden during autumn; feeling my way around on their uneven bark full of valleys and crevices.
The Lesser Spotted Woodpecker is the smallest and least common of the UK's three species of woodpecker. It is most often found in the tops of trees where it creeps along branches in search of insects. Found in England, but rare in the north. Absent from Scotland and Ireland. Its 'drumming' is much quieter and less vigorous than that of the Great Spotted Woodpecker; its presence is often only given away by this or their call.
The lesser spotted woodpecker is small in size, being not much bigger than a house sparrow. Males are black and white, with a red crown cap, and females are plain black and white. They both have a distinctive white ladder marking down their black back.
**Did you know?**
There are now believed to be less than 3,000 pairs breeding annually in the UK compared to nearly 45,000 greater spotted woodpeckers.
The "Scenic Views" painting shows the autumn season with yellow and orange leaves with a narrow river in the center of multiple oak trees. This painting is made using acrylic paints with a mix of knife and brush for trees and leaves. This wall art is modern and ideal for the living room or bedroom. It will also do well in a lounge, office, hotel, etc. On a quality canvas base, this wall art is durable and eco-friendly. It comes in three different sizes.
A drawing of a scene in a forest in Rocky Mountain National Park. Large rocks strewn among tall trees on a hill side. The drawing was done with Pencil, pen and white charcoal.
Both buildings and trees are things I'd like to be better at... I'm going to have to branch out from leafless trees and decrepit structures eventually but for now the trees stay leafless
