Inktober day 19.
plump / merfolk
logically, all merfolk will be nice and plump, like seals, to keep the chill of the water away.
Mixed prompts from @inktober and @andreabrownlit
Trees in a reflection have always been a subject of interest to me. I have created several of this version, trying to fine-tune my skills and explore some opaque techniques.
13 young, Indian adults, struggling with mental health issues, explained what colour represented her/his fear and which represented hope/happiness. The left half of the face has all the colours associated with fear, while the right shows hope/happiness.
There’s a lot of waiting in life.
Waiting in lobbies.
Waiting on answers.
Waiting for braces to tighten, kids to grow, hearts to heal, or prayers to be answered.
I sat at the orthodontist, watching dollars tighten on tiny wires, and made this sketch. A tree. A house. A street. Color helped the moment breathe.
I remember once hearing a chess master say, “There is no waiting in chess.”
It confused me—wasn’t there always a turn to wait for?
But he explained: “There’s no waiting. Only planning. Plotting. Analyzing. You’re always thinking.”
I once repeated that to a FIDE master. He got mad.
Maybe because waiting and patience aren’t the same thing.
We can be still and deeply active inside.
We can pause without being passive.
And then there’s Lindsey’s voice in the back of my head:
“That sounds like a first-world problem.”
“Speak life.”
“Be thankful. Rejoice always.”
And she’s right.
So here’s to filling waiting time with something creative.
Something kind.
Something that turns a delay into a doorway.
The Soul Harvest
The Soul Harvest is done in a surrealistic style and is spiritual in content. This painting
illustrates the world as being a field filled with souls from every corner of the earth
needing to be saved from eternal death, which is the punishment for sin.
But by hearing and understanding and receiving the good news, through faith in
Jesus’s death for the sin of man, man can be forgiven and have eternal life with God.
The farm tools leaning against the fence are an invitation to those who know Jesus
to pick up their God-given talents and go into the world and use them to spread the
good news.
The inside of the barn, with the wheat sheaths standing up, illustrates the souls that
have received eternal life through the work of the believer, and the crown is their
reward from God.
(October 28, 2017)
The Soul Harvest is done in a surrealistic style and is spiritual in content. This painting
illustrates the world as being a field filled with souls from every corner of the earth
needing to be saved from eternal death, which is the punishment for sin.
But by hearing and understanding and receiving the good news, through faith in
Jesus’s death for the sin of man, man can be forgiven and have eternal life with God.
The farm tools leaning against the fence are an invitation to those who know Jesus
to pick up their God-given talents and go into the world and use them to spread the
good news.
The inside of the barn, with the wheat sheaths standing up, illustrates the souls that
have received eternal life through the work of the believer, and the crown is their
reward from God.
(October 28, 2017)
A beautiful snowy night is depicted here. A girl is watching the beautiful scenario from her window. Actually this is a house referenced from the Song - "Perfect" ft Ed-Sheeran.
This is the 3rd piece that I painted during my train journey. I painted this scene after missing my greeny patches on house from outside. I didn't like how this painting turned out to be. But still fine T_T
butterfly #4: The Clouded Yellow.
The hardest part here is the background! It would be too easy just to paint a cloud...I have about 5-6 different backgrounds, but only uploading one here is my fav of the bunch
Being autistic and neurodivergent means I’m liable to mishear things quite a bit, especially when watching films where the sound mixing is utter shite (thanks sensory differences!). On that note, there’s a bit towards the end of Alien where Parker shouts “get out of the room” which I always interpreted as “get ready to roll” for years on end. Only recently did I realise how wrong I was!
Considering it was the final act of the film, I guess I can’t be blamed for assuming as such, right? If you know, you know as they say...
Watercolor commissions I did for a wedding theme around Mediterrano and Provence, here is the final product integrating all the watercolor illustrations
